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Reflection in Reading and Writing
Common themes in agatha christie books
Reflection in Reading and Writing
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Recommended: Reflection in Reading and Writing
After reading Agatha Christies And Then There Were None and Murder on the Orient Express and a rigorous analysis of critical reviews, biographies, and informational sites critics have come to the conclusion that many people react and reflect on things that happen in their lives. The act of reflecting or the state of being reflected is expressed in many of Agatha Christie’s novels. Agatha Christie a well known author experienced many issues in her life. In results of this they have been reflected and have also showed reaction in many of her works. Agatha Christie wrote romances under the name Mary Westmacott but she wrote over forty mystery novels. She has been considered the best writer of all times along with Williams Shakespeare. With this being said she has earned her title of being the best female writer of all time showing this through the above two novels. And Then There Where None and Murder on the Orient Express reveled many incidents were trust, setting, and, medication make a novel. With this being said Agatha Christie has shown a remarkable way of how reflecting back on the past can cause you to react in a mysterious way.
Agatha Christie born Agatha Mary Clarissa Miller was born on September 15, 1890 in Torquay, England. Her parent’s names were Fredrick and Clara. She had two siblings Madge and Monty, both older than Agatha. Christie did not attend school she was taught to read at the age of 8.The rest of her schooling was between mixtures of tutors, part-time schooling and French finishing schools. When Agatha was eleven her father died; causing Agatha and her mother to start traveling. Christie lived in nine different residences in London she lived in Devon for most of her childhood, youth and later life, and De...
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"And Then There Were None Themes." FreeEssays. freeessays.cc, 2003. Web. 21 Oct 2011. .
Christie, Agatha. Murder on the Orient Express. New York: Black Dog and Leventha, Inc Publishers, 1961. 1-266. Print.
Hammer , Joshua. "A Setting For Murder." Smithsonian. June 2011: 68-77. Print.
Mystery and Suspense Writers: The Literature of Crime, Detection, and Espionage. 2 vols. Edited by Robin W. Winks. Charles Scribner's Sons, 1998.
"Topic Tracking: Trust and Suspicion." Bookrags. bookrags, 2009. Web. 21 Oct 2011. .
Wikipedia contributors. "Murder on the Orient Express." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 2011. Web. 19 Oct 2011. .
It is very interesting to note how the conventions of 1940’s hardboiled private eye fiction translate into the 1970’s. The low-rent drabness of the genre loses much of its allure. The dark shadows and long nights of urban Los Angeles become the bright lights and warm sunshine of Malibu beaches. The detective’s normally snappy dialogue turns into joking asides. Marlowe’s hardboiled narration becomes the self-conscious mutterings of a lonely man talking to himself. The romantic myth of a man set apart from the city is turned on its head as a pathetic man living alone with his cat.
Dubus, Andre. "Killings." Meyer, Michael. In The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 107 - 120.
Bradburry, Ray. "The Utterly Perfect Murder." The Language of Literature. Ed. Arthur N. Applebee. Evanston, IL: McDougal Littell, 1997. 799-805. Print.
Cavallari, Dan, and Bronwyn Harris. "What Is Spy Fiction?" WiseGeek. Conjecture, 01 Jan. 2014. Web. 22 Jan. 2014.
In conclusion Agatha Christie wrote this very popular novel called And Then There Were None , to teach the readers that free or not you are never free from justice. By using both external and internal conflicts with the characters, symbolism with the poem Ten Little Soldiersand the china figures both symbolizing each character and irony of Justice Wargrave. This book is one of the reasons why Christie became the first grandmaster recognized by the mystery writers of America
Woolrich reinforced the detective fictions of yesterday, introducing to the American audience new detectives, who not only wheels a gun but also uses their knowledge of psychoanalysis to catch the perpetrator and solve the crime. Though Woolrich extends his knowledge of the human mind, he, just like MacDonald, Chandler and Hammett gives reference to 18th-century authors which include Sir Arthur Conan Doyle and Edgar Allan Poe.
Through out time, women were not often seen as the hero, on numerous occasions they portray the damsel in distress, reason being, society believed they were not strong enough or even smart enough to be the one who saves the day. In Murder on the Orient Express and And Then There Were None by Agatha Christie, women play a strong and fierce role as they help uncover the mystery that lies within the novel. Vera Claythorne of And Then There Were None and Mary Dembenham of Murder on the Orient Express, provide the narrative with clueful character analysis ', vital background information, and a deeper insight to the crime; therefore, enhancing and moving the story along, answering the question of who done it. The significance of each woman is evident,
Agatha Christie depicts a descriptive, fictional murder mystery in the novel ABC Murders. With the help of the narrator, Captain Arthur Hastings, Hercule Poirot solves the murders of four victims who are killed in alphabetical order by Franklin Clarke, more commonly known as ABC. The story elicits copious high points but the rare low point as well. Examples of these aspects can be found within the plot, setting, characters, conflict, and theme of the book. According to Stanford’s Suggested Reading List, the book is considered a “must read.” ABC Murders definitely holds up to the reputation placed upon it by Stanford and would be a favorable choice for anyone wishing to read a well written novel.
As a reader, one can overlook “the detective’s social abnormality only because these are attached to individuals we take to be normal” (Gregoriou 25) as well as Watson’s adoration for Holmes pores through the narration and binds the reader.
Cavallari, Dan, and Bronwyn Harris. "What Is Spy Fiction?" WiseGeek. Conjecture, 01 Jan. 2014. Web. 22 Jan. 2014.
Gilbert, S., Gubar, S. (2000) The Madwoman in the Attic: The Woman Writer and Nineteenth Century Literary Imagination Yale University Press
The narration within Wilkie Collins’s The Moonstone is not synonymous with the majority of the detective genre. The Moonstone is written in the epistolary form, and has more than one narrator. The use of multiple narratives within The Moonstone is a modern and innovative approach to detective fiction as a genre. It is very useful in order to uncover the events that only certain characters have witnessed. The narrators of The Moonstone write their accounts of events in the same way: by use of the first person narrative. There are some negative aspects associated with this type of narration. Despite Collins’s innovative multiple narrations approach to the novel, the narrators are filled with subjectivities and biases. Multiple narratives, despite including the subjectivities and biases associated with the first person point of view, is much needed in order to uncover events the characters have witnessed in order to solve the crime in The Moonstone.
Genre- the genre of Murder on the Orient Express I think is a detective murder mystery as the murder seems as though it will never be logically solved.
The point of view in The Murder on the Orient Express is third-person omniscient, which is crucial to the book. The reader can see an example when Christie first introduces Mrs. Debenham. Christie tells all about Mrs. Debenham’s adventure up until that point and also gives a brief description of her thoughts and feelings about Hercule (Christie 6). Christie does not, however, reveal any of Mrs. Debenhams involvement in the murder. Knowing the thoughts of the characters is very important in keeping the reader interested and trying to figure out the murder without giving away. Critics supports this idea by saying, although the thoughts and feelings of all characters are given, the restricted information Christie leaves out, gives the readers a dramatic effect ("Murder on the Orient" 152). Christie’s style in The Murder on the Orient Express also included some stereotyping of individuals on the train. This stereotyping was shown when it was decided that the stab wounds seemed to be inflicted by a woman based on the lack of intensity (Christie 56). Another place stereotyping was concerned was when Antonio was suspected solely based on his Italian nationality (Christie 122). The stereotyping Christie includes in her book shows importance to the plot by distracting the readers from more valid evidence. This distraction is another tactic used to keep the reader intrigued in the story. Greg Wilson comments about Christie’s insensitive remarks and says she might use these shallow, stereotypical comments about the characters as a crucial part of the murder plot ("Murder on the Orient" 155). The author’s style draws the reader in by utilizing distracting elements to elude them from the
Born in early 1882, Woolf was brought into an extremely literature driven, middle-class family in London. Her father was an editor to a major newspaper company and eventually began his own newspaper business in his later life. While her mother was a typical Victorian housewife. As a child, Woolf was surrounded by literature. One of her favorite pastimes was listening to her mother read to her.