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Applying dream interpretation to literature
Literary Criticism as Dream Analysis
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In the short story, “We Can Remember It For You Wholesale” by Phillip K. Dick, the storyline takes place in a city in Chicago, Illinois. The main character, Douglas Quaid is a clerk who has a dream to visit the planet Mars before he dies. He goes to New York and visits Rekal Incorporation to test a new drug to implant false memories. Unfortunately, this product soon takes a toll after Mr. Quaid cannot separate fantasy and reality. This led to the disillusion in his memory and ultimately another visit to Rekal Incorporated. Soon after, he is caught in a predicament of either being executed or having another fabricated dream implanted in his brain. To his fortune, an unexpected subversion takes place which eventually leads to an unexpected ending. The presence of science fiction in this reading makes the storyline much more amusing instead of other texts that talk about science fiction because of how descriptive and creative. He clarifies this using near future science fiction and Spy-Fi to project the fallacies of the American Government and to make the audience appeal to the relationship that the text has with science fiction. Even though Dick uses satire, diction, and ethical appeal in this short story to imply a better awareness to the audience, making the main purpose of this text in order to expound government interference overall. For this reason, future science fiction along with diction and ethical appeal how they both can appeal to the audience.
Future science fiction is one of the few subgenres that relate to the short story. Science of the future along with technology are two things that identify a type of media to be from the future. It is shown throughout the text through various aspects such as the fabricated drug “na...
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...ion and satire both played major roles in government manipulation. Even though Dick used satire, diction, and ethical appeal in this short story to imply the message to the audience, the main accomplishment of this text was to develop the impression that the American Government has its misconceptions with the subgenres of future science fiction and Spy-Fi. In the end, it’s best to live a great memory and remember it forever instead of having one implanted which might cause unwanted and unexpected outcomes.
Works Cited
Cavallari, Dan, and Bronwyn Harris. "What Is Spy Fiction?" WiseGeek. Conjecture, 01 Jan. 2014. Web. 22 Jan. 2014.
Dick, Philip K. We Can Remember It for You Wholesale. New York, NY: Carol Pub. Group, 1990. Print.
McNeil, Hayden. The Anteater's Guide to Writing & Rhetoric. Irvine: Composition Program, Department of English, UC Irvine, 2014. Print.
Writing with Readings and Handbook. 3rd ed. New York: W.W. Norton & Company, Inc., 2013. 52-57. Print.
... to foretell of a dystopian America that has eerily similar qualities to current- day- America even though he wrote this book over sixty years ago. Just as the novel predicts, People are becoming buried in their technology, leaving books and social interactions lower on peoples’ priority list. They want to have the latest technology to make it seem like they live a successful life. People have turned towards the technology obsessively in order to have fun entertainment and feel happy. Medication consumption is higher than ever and humans are addicted to fast- paced actions that provide them with their coveted entertainment. America is changing, moving towards an alarming technological dystopia just as the America in the novel did.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
What is reality? This is the question Philip K. Dick poses in his book, Time Out of Joint. Dick strategically uses literary devices such as narrative structure and symbolism in order to comment on one’s perception of what is real, and what is fiction. By making “time out of joint” and allowing a shift in moral power within his novel, Dick exposes the feelings of paranoia and insecurity that were experienced during the fifties, when Dick wrote this novel, but implies that there is hope that peace can still be attained.
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
Ramage, John D., John C. Bean, and June Johnson. Writing Arguments: A Rhetoric with Readings. 9th ed. Boston: Pearson Education, 2012. Print.
Hanson, Carter F. "The Utopian function of memory in Lois Lowry's The Giver." Extrapolation 50.1 (2009): 45+. Literature Resource Center. Web. 22 Jan. 2014.
The impact and effectiveness of using proper rhetoric was a strategy of “good” writing that I was not aware of until my senior year of high school. While taking AP Language and Composition my junior year, my fellow students and I believed that we had survived countless essay workshop activities and writing assignments with emphasis on word choices, grammatical structure, syntax, punctuation and spelling. By the time we had entered AP Literature our senior year, we felt we could achieve success; we already knew how to write in the correct format and structur...
The dystopian elements continue throughout the novel. There are colonies on Mars and elsewhere in the solar system; however, these colonies are even more undesirable than an Earth in which no one can go outside in direct sunlight. Unlike many science fiction authors who paint colonization of other planets as an exciting picture, for Dick, these co...
Student's Book of College English: Rhetoric, Reader, Research Guide and Handbook. Boston: Pearson Learning Solutions, 2012. 402-405.
Science fiction can be defined as a method of story telling that steps outside of the box of life as we know it and into the realm of the impossible. Science fiction works are often designed to be only truthful in the eyes of the author and the reader. However, there are times when either a science fiction work parallels closely to the future of our world and therefore becomes a possibility or life pursues a science fiction-like ideal making the quest heroic in itself. The latter of the two can describe the viewpoint of our growing cyberpunk culture and its belief that technology is the end no matter what means be.
Skwire, David, and Sarah E. Skwire. Writing with a Thesis: A Rhetoric and Reader. 7th ed. Fort Worth: Harcourt Brace, 1998.
When a person sits backs thinks on their childhood they may be flooded with extensive memories going back to toddlerhood. These memories may be vivid and clear seeming as realistic the room around them. The possibly that these memories could be false wouldn’t even run through the persons mind. But could the memories be false? It is possible for the memories that guide how you interact with the world around you, to be false? These is a very real possible, under the right circumstances. False memories can be constructed when actual memories are combined with the suggestion received from an outside party. As Loftus explains through various sources this can have a profoundly negative effective on people’s lives whether it is through psychotherapy or witness testimony.
Science fiction is considered by scholars to be, rather, speculative fiction. The genre raises questions often about the state and the fate of humanity and seeks to define what the parameters of human identity may be. Although the speculative authors of science fiction have disparate takes on these essential questions, there often are distinct commonalities. One important trend across many works of science fiction is that humanity’s collective curiosity for curiosity’s sake is the defining characteristic of humankind.