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Cultural revolution under mao zedong and its impacts
Critically elaborate mao's cultural revolution with special emphasis to its consequences
Mao zedong impact on china
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An ordinary boy from poverty-riddled Shandong province to an elite, world-class ballerino. Mao’s Last Dancer, a film directed by Bruce Beresford is an inspirational tale about success through determination and the importance of relationships to achieve goals. Throughout the story, Li Cunxin draws inspiration from the archer fable and the frog in the well fable that were told to him to inspirit perseverance and dedication to triumph over mental and physical setbacks. In the beginning of Li Cunxin’s journey to success, he undertook flexibility examinations to be selected for the Beijing Dance Academy. Strong for his age as he worked, Li still had to push himself physically to score himself a place at the academy. Li would now receive an education and broaden his future. Having the opportunity to see beyond the confinements of the well which was his life, was what Li’s family had always hoped for him. Li’s father told him the fable of the frog in the well in the hopes of encouraging his son to keep passing the tests. In the same way the frog outside coaxed the frog inside to be free and explore the world, Li’s father imprinted passion to …show more content…
He had been one of the weakest dancers in his class with the phrases ‘weak’ and ‘useless pig-head’ used to describe his efforts. In his goal to apply the correct techniques, Li decided to carry heavy weights on his legs to build strength in his body just as the Archer held up a bow daily until it was light as a feather. Through perseverance drawn from the archer fable and extra training, Li was able to perfectly execute the jump. Furthermore, Li’s triumph is acknowledged by teacher Gao when he says ‘if it's mental strength you're after, you can’t go past Li Cunxin.’ Li was able to use this obstacle as motivation to become a better dancer, especially in demanding
In the epilogue to The Death of Woman Wang, we see several ways in which Chinese culture determined the sentence meted out to the Jens by Huang. False accusation of innocent persons was a capital crime in 17th century China, punishable by death. The Jens, however, were not executed. The largest factor in sparing the younger Jen, was based around the cultural importance placed on continuation of family lines and the strict ways in which this could acceptably happen.
Mao’s Last Dancer, directed by Bruce Beresford, is driven by Li’s experiences in the clash between American and Chinese culture and the journey to discovering his own identity. Through Li’s eyes this film shows us his search for identity which can sometimes be helped or hindered by the difference in cultures. These themes are shown during the film through the use of Symbolic, Written, Audio and Technical conventions (SWAT).
Being pushed to dance for hours everyday and going hungry everyday when he was younger left Li exhausted and in pain, but also made him physically stronger and more able to progress through his dancing career. Living with a big family during his younger years, meant Li's family had to share the little they had with a lot of people, this made them all weak and too tired to carry on. Luckily for Li's family, they
Most films captivate the audience’s interest through the main character. This film did just that. Through the main character Li Cunxin, I was able to notice the amount of hard work and dedication which lead Li to become a famous ballet dancer known worldwide. The film based on the autobiography by Li Cunxin, “Mao’s Last Dancer” directed by Bruce Beresford is about a Chinese boy named Li Cunxin who was born into a large family of 6 boys. At the age of eleven, Li was selected from a poor Chinese village by Madam Mao’s cultural representatives to leave his family and study ballet in Beijing. The film focussed on his eventual departure from China to U.S.A after being selected by a world leading choreographer, Ben Stevenson and the consequences that followed.
Mao Zedong was born December 26, 1893 and lived until September 9 in 1976 when he died in Beijing China. Mao Zedong died from the Motor neuron disease. Mao Zedong was born into a peasant family in the place Shoshanna near Hunan. During the years of 1928 throughout 1931. Mao Zedong and others that worked with Mao Zedong established armies in the hinterlands and created the Red Army which was known as the most feared “army” in china during the time of the revolution.
“Mao’s Last Dancer” is a book about the life of Li Cunxin. Li Cunxin was born into poverty in China under the rule of Mao Ze dung. The book was first published in 2003 and since then has won several awards including the book of the year award. Throughout the novel the composer chronologically cites the life of Li Cunxin and how he felt and where he belonged at certain points in his life.
to become a dancer - one of the best dancers in the world. After seven
When Li first started school, he had started the path of being a labourer and following Chairman Mao’s rules, but one day that all changed. When he was 11 the headmaster brought
Ballerinas will never improve if they fall back into old, mundane, and routine habits. They must push themselves outside of their comfort zone in order to build stronger muscles, increase flexibility, and dance with increased grace. This self-motivation to be better helps dancers to be more successful in school, due to the fact that they have the inner drive to study, get the
Most films captivate the audience’s interest through the main character. This film did just that. Through the main character Li Cunxin, I was able to notice the amount of hard work and dedication which lead Li to become a famous ballet dancer known worldwide. The film, based on the autobiography by Li Cunxin, “Mao’s Last Dancer” directed by Bruce Beresford is about a Chinese boy named Li Cunxin who’s born into a large family of 6 boys. At the age of eleven, Li got chosen from a poverty-stricken Chinese village by Madam Mao’s cultural representatives to leave his family and study ballet in Beijing. This film focussed on his eventual departure from China to U.S.A after being selected by a world leading choreographer, Ben Stevenson including the
China’s Great Proletariat Cultural Revolution (GPCR) is a well-documented period in world history, but the most profound records are found vivified in the literature and films later into the 20th century, respectively. One of the most profound novels is “To Live”, authored by Yu Hua, which as a fictional narrative offers both a unique and realistic sense of the time period at the individual level. However, the provocative film adaptation directed by Zhang Yimou in 1994 was formidable enough that it was banned in Mainland China. Zhang paints a more realistic picture of how the GPCR influenced Chinese society but adds zest to Hua’s ambiguity but acceptable imperfection. Naturally, the film has many different characteristics yet still manages to overcome the challenges that implicate film adaptations.
The Pressures of Dancers The typical idea of a dancer is that they are tall, slender, full of energy, and lucky because they dance with all of the “stars”. Much of this is true, however, what many people do not think of are the many hardships that a dancer goes through in order to achieve their high status in the dance world. It takes a lot of hard work and determination along with good direction to become a dancer. However, nothing good comes without a price.
Released in 1987 by Columbia Pictures debut, The Last Emperor of China is a representation of Puyi’s life as the last Manchurian emperor. The audience experiences the life of Puyi through a series of flashbacks that shows Puyi internal struggle through his desire to restore the Manchurian Empire and his new life as a peasant worker of the People’s Republic of China. The film was directed by Bernardo Bertolucci and produced by Jeremy Thomas with the intention of reenacting the story of Henry Aisin-Giroro Pu Yi. Therefore people, who enjoy Hollywood’s attempts at recreating events of the China’s last emperor, will find this film fascinating as long as they do not attempt an analysis of the film’s historical accuracy.
training, and admitted that “Ballet was the hardest thing he did”. (Katzowitz 1) Certainly if a
Dressed in the drab military uniform that symbolized the revolutionary government of Communist China, Mao Zedong's body still looked powerful, like an giant rock in a gushing river. An enormous red flag draped his coffin, like a red sail unfurled on a Chinese junk, illustrating the dualism of traditional China and the present Communist China that typified Mao. 1 A river of people flowed past while he lay in state during the second week of September 1976. Workers, peasants, soldiers and students, united in grief; brought together by Mao, the helmsman of modern China. 2 He had assembled a revolutionary government using traditional Chinese ideals of filial piety, harmony, and order. Mao's cult of personality, party purges, and political policies reflect Mao's esteem of these traditional Chinese ideals and history.