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Henry David Hwang's M. Butterfly
David henry hwang m. butterfly
Henry David Hwang's M. Butterfly
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M. Butterfly, a play by David Henry Hwang, has captivated audiences for many years. I love a story with many twists and turns, and M. Butterfly describes an affair between a Chinese "woman" and a French diplomat that carries on for 20 years, only to discover that the "woman" was actually a man. A spy for the Communist Party sent to get information on the Vietnam War, but Gallimard was too stubborn to see it until Liling, the Chinese opera singer, is sent to France, where she is found to be a man in court. Through this, we can see the relationship between gender, capitalism, ethnicity/nationality, and sexuality. The way M. Butterfly shows gender can be very clearly seen as the play moves on. When Song Liling and Comrade Chin are discussing how men play women's parts, Liling says, "No, it's because only a man knows how a woman is supposed to act." This statement says that a man knows a real woman, one that is submissive to him, and that is what Liling gave Song. Take the time when Gallimard and Song were talking, and Liling says, "It's one of your favorite fantasies, isn't it? The submissive Oriental woman and the cruel white man." By this, Liling is pointing out the gender differences between men and women during that time. White women were considered more outgoing than Chinese women. Thus, when Gallimard finds Liling, he thinks he has found a woman of his fantasies, a woman he can have as a mistress but who will not tell his wife, only be submissive to him. Rene Gallimard fantasized about being a true man because they did not consider Chinese men real men or masculine. During the scene when Song and the judge are talking, Song says, "Her eyes say yes, but her mouth says no. The West thinks of itself as masculine, big guns, big industry, while the East is feminine, weak, and delicate." This shows how gender is perceived in different cultures. Another scene that shows how sexuality relates to these characters is when Gallimard first meets Renee, and they are about to have sex. She says, "You have a nice weenie." This demonstrates her sexuality as a heterosexual, but it catches Gallimard off guard because he had never had his penis complimented before. This shows how open she is about her sexuality and how playfully she expresses it. The play M. Butterfly is a tale of love and betrayal. But unlike other love stories, this tale also shows how Chinese people were perceived by Western people in the early '60s and maybe to this day. M. Butterfly shows us through gender, capitalism, ethnicity, and sexuality how three of the main characters all reflect those ideals and how they all relate to each other through those ideals.
In any culture women are often confined by expectations of womanhood. In both stories the female characters challenge those expectations. The main characters of In the Time of the Butterflies are all females who stand up for what they believe in and don’t give up. “’What if I can’t’ Dede’s voice shook. ‘Jaimito thinks
The Disney movie, Mulan, is a fantastic movie that depicts gender-stereotyped roles, socialization of gender roles, and consequences of over stepping one’s gender role. Both males and females have a specific role in the Chinese society that one must follow. Mulan made a brave choice pretending to be a man and going to war against the Huns in place of her father, risking serious consequences if she were to get caught. She broke the socialization of gender roles and could have been faced with very serious consequences of her actions. The Chinese society in Mulan exemplifies the typical gender roles of males and females, the consequences of displaying the opposite gender role, and showed what the society expected in males and females in characteristics and attitudes.
Song in M. Butterfly lives life as a false image to make herself happy. Song is an actor who plays the part of a lady in an opera. He allows a man, Gallimard, to fall in love with his character. He then uses this love affair to help his government receive classified information. When a...
Each play represents the issues faced by each gender during the time period in which it was written. However, many of the issues are similar in each time period, as well as throughout most of history. These issues will likely continue to affect both women and men for a long time in the future.
There are obvious differences within our two cultures and the way we depict gender roles. These differences show themselves in the work force, the distinct tasks performed in the home, and the privileges one receives in society. In the work force, the women of America hold many positions of importance, relatively speaking (I know that's a whole other essay). They are usually treated as equals with men and there are few jobs from which they are excluded, again for the sake of argument. In China, women are expected to stay at home and are not permitted to be in a work force that is held exclusively for men. They are assigned the role of housewives and must stay at home to clean the house and raise the children. Women in America receive education that will prepare them for the high paying jobs of a professional, all while the women in China are obeying the orders from their husbands and culture. The films portrayal of these particular gender roles are very evident. We can't forget however, that this was a western made film and in my opinion I feel that it tends to exaggerate the gender roles. I'm not saying that they are not present, because there is a definite inequality. I just keep in mind that it is a film and has to have an audience appealing theme.
The “Butterfly’s Tongue” is a film directed by Jose Luis Cuerda that transports us to Spain during the Second Spanish Republic and draws a clear and authentic image of the years before the civil war and the transition to it. The main focuses of the film are education, the new generations, and the continual battle (first "civilized" and then violent) between two completely contrasting ideologies for trying to control these two fundamental social elements. Cuerda masterfully manages the scenic positioning of her characters in several of the scenes to demonstrate this ideological struggle. An undoubted demonstration of this is the arrangement where the little Moncho (Manuel Lozano) is in the midpoint, while Don Gregorio (Fernando Gomez) and the
The ways the characters portrayed what is supposedly masculine and feminine was when the author wrote about the type of clothes the grandma is wearing. She is wearing
The issue of cultural stereotypes and misconceptions thematically runs throughout David Henry Hwang’s play M. Butterfly. The play is inspired by a 1986 newspaper story about a former French diplomat and a Chinese opera singer, who turns out to be a spy and a man. Hwang used the newspaper story and deconstructed it into Madame Butterfly to help breakdown the stereotypes that are present between the East and the West. Hwang’s play overall breaks down the sexist and racist clichés that the East-West have against each other that reaffirm the Western male culture ideas. The stereotypes presented in the play revolve around the two main characters, Gallimard and Song. The play itself begins in the present with Gallimard, a French diplomat who has been incarcerated in a Beijing prison. He relives his fantasies for the past with his perfect woman and shares his experience with the readers throughout the remainder of the play. Upon Gallimard’s arrival in China, he attends the opera and meets Song, and Gallimard immediately describes Song as his “butterfly”. Gallimard falls in love with the “delicate Oriental woman” that Song portrays (22). He then buys into the Western male stereotype that Eastern women need protection by strong, masculine Western men. Gallimard ends up falling in love with Song and has an affair with her to fulfill the stereotypical idea of a dominant Western male controlling an Eastern woman. Throughout Gallimard’s relationship with Song, the readers discover that Song is in reality a male spy for the Chinese government. Song had manipulated his looks and actions to mirror those of the ideal Chinese woman in order to earn Gallimard’s affection. M. Butterfly’s main issue arises from the cultural stereotypes of the masculin...
For example, in Act 1, Scene 1 of “Trifles”, when Mrs. Wright is being held accountable for her husband’s death and she worries over the state of her jars of jam, Mr. Hale makes the observation, “Well, women are used to worrying over trifles.” (Act 1, Scene 1). In this excerpt, we determine this play portrays women as their stereotypical stay-at-home figure whose significant worries in life are mere trifles, hence the play’s name. Moreover, in comparison to “Trifles”, the women in “M. Butterfly” are portrayed as tractable females in the eyes of a man. For example, in Act I, Scene X, Gallimard assures himself of Song’s involuntary infatuation for him by stating, “She is outwardly bold and outspoken, yet her heart is shy and afraid. It is the Oriental in her at war with her Western education.” (Act 1, Scene X). Gallimard perfectly outlines the stereotypical feminine attribute: timidness. Here, Gallimard is asserting the attributes of shyness and fear are reminiscent of Oriental’s; a cultural stereotype Gallimard believes due to the perceived submissiveness of his Oriental mistress:
Even in today’s society, sexism is still prevalent and inhibits the people who are affected by it. For the purpose of this essay, sexism will be defined as any action that consciously contributes to a gender stereotyping society. In her essay, Marilyn Frye notes this definition of sexism stating that “making decisions on the basis of sex reinforces the patterns that make it relevant” (846). Therefore, any decision that contributes to the gender binary and its framework is considered sexist. The musical Gypsy has instances in which the main character, Rose, can be considered both going against and contributing to the “patterns that make sex relevant.” In one scene, Rose can be seen subjecting her children to gender roles which feeds in to sexism,
In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled.
Cloud 9 by Caryl Churchill and Pygmalion by George Bernard Shaw explore character’s identities through gender and societal roles. Cloud 9 focuses heavily on the search for identity; characters are portrayed by actors of the opposite gender or a different age. Pygmalion is more concerned with the role people play in society; taking a rough around the edges lower class girl and attempting to make her into a high society lady. Both plays provide an insight to the dynamics and roles created by society that are inherent in modern drama and the continued oppression and poor treatment of females.
The male gender role is the one most emphasized during the length of the movie. Men are supposed to exemplify the masculine standard and even women are inadequate unless they exude virile strength, hard-work, and courage. While the roles of men and women had been completely and precisely separate before the war, Grave of the Fireflies offers a second opinion of the time period. As men became one-hundred percent...
French feminist criticism concerns itself with the objectification of women, and examples abound in Two Kinds. From the beginning, Jing-mei’s mother pushes her to be a prodigy partially for reasons of pride and competition. Jing-mei’s Auntie Lindo has a daughter who is a national chess champion, and Auntie Lindo never fails to remind anybody of the fact. When discussing their daughters, both Auntie Lindo and Jing-mei’s mother make no mention of their character, only bragging about their level of “genius”. Ironic as it sounds, they are objectifying their daughters and using them as status symbols, no different from flaunting a new car or gadget. On the other hand, American feminist criticism focuses on the victimization of women, a victimization that is apparent in Two Kinds. Though at first glance, Jing-mei’s mother may seem like the antagonist in the story, when one considers her backstory it is apparent that she just wants her daughter to have the life she never had. The mother lost everything when she moved from China to San Francisco in 1949. In China she lost her family, her spouse, and she had to abandon her twin baby girls. She had a very difficult life in a society that was even more hostile to women than post-World War II America. Finally, there is the Female Subtext form of criticism, which focuses on minor female characters. The minor female characters in this story are Aunt Lindo and her daughter Waverly, two toxic characters that represent the opposite of what feminism stands for. Aunt Lindo drones on about how great her daughter and remarks about how she is obsessed with chess with mock disgust. Waverley herself is no saint, as she brags about her level of genius while belittling Jing-mei after her piano recital fiasco. This is strikingly similar to how men looked down upon women as subhuman for most of history. All in all, Two Kinds is
My initial reading of the story “Butterflies” by Patricia Grace left me felling a little perplexed. I felt almost as though I was reading an excerpt from a book and was awaiting what was going to happen next. After reading it a few times I came to understand that the author was describing a day in the life of this family. I also believe that she touched on the subject about respect, which is probably very important to her.