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Essay on stereotypes
Stereotypes and their developments
Essay on stereotypes
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The issue of cultural stereotypes and misconceptions thematically runs throughout David Henry Hwang’s play M. Butterfly. The play is inspired by a 1986 newspaper story about a former French diplomat and a Chinese opera singer, who turns out to be a spy and a man. Hwang used the newspaper story and deconstructed it into Madame Butterfly to help breakdown the stereotypes that are present between the East and the West. Hwang’s play overall breaks down the sexist and racist clichés that the East-West have against each other that reaffirm the Western male culture ideas. The stereotypes presented in the play revolve around the two main characters, Gallimard and Song. The play itself begins in the present with Gallimard, a French diplomat who has been incarcerated in a Beijing prison. He relives his fantasies for the past with his perfect woman and shares his experience with the readers throughout the remainder of the play. Upon Gallimard’s arrival in China, he attends the opera and meets Song, and Gallimard immediately describes Song as his “butterfly”. Gallimard falls in love with the “delicate Oriental woman” that Song portrays (22). He then buys into the Western male stereotype that Eastern women need protection by strong, masculine Western men. Gallimard ends up falling in love with Song and has an affair with her to fulfill the stereotypical idea of a dominant Western male controlling an Eastern woman. Throughout Gallimard’s relationship with Song, the readers discover that Song is in reality a male spy for the Chinese government. Song had manipulated his looks and actions to mirror those of the ideal Chinese woman in order to earn Gallimard’s affection. M. Butterfly’s main issue arises from the cultural stereotypes of the masculin... ... middle of paper ... ...the female and male gender across cultures. This role can cause problems when mistaking a male for a female much like Gallimard did in the play. Everyone from children, to the media, creates stereotypes. Stereotypes corrupt members of society, compelling them to view cultures and gender unfairly. Societies must eliminate the amount of stereotypes that are being distributed to various cultural around the world. Stereotypes are powerful, limiting, and discriminatory, and they prevent people from understanding other cultures fully. Without the demolition of stereotypical ideas, cultures that stereotype others will not see the differences between the stereotypical ideas and the real ideas of a culture. Works Cited Hwang, David Henry. M. Butterfly:"Afterword." New York City: Penguin, 1998. 94-100. Hwang, David Henry. M. Butterfly. New York: Penguin Group, 1989.
For this literary analysis I am working with Edith Wharton’s short story “Roman Fever”. From the beginning of the story it is easy to see that Wharton uses gender stereotypes, from the time that the story is set in, to expose perennial antagonism of true human nature. The story’s two main charters, Grace Ansley and Alida Slide, early on in the story already have some past tension that continues to develop into a heated exchange until the shocking twist towards the end of the story. Gender stereotypes in Roman fever play an important role in creating tension between Mrs. Slade and Mrs. Ansley that ultimately leads to reason of why there is an underlying conflict between the two.
Therefore, he uses society’s stereotypes that shape our notions of females to create the characters and the plot.
In n the play entitled Trying to Find Chinatown, Hwang implements polemical stereotyping by establishing a contemporary theme with a vernacular tone that is based on the various stereotypical factors depicted in both Asian-American and Caucasian communities. The author, in the play, succeeds in considering two chinese characters who express their interchangeable tirade with the same innate cultural conflicts they experience but in different ways. Ronnie is a genetically chinese New Yorker whose assimilation to Americanization seems to cost him his cultural identity, while, Benjamin tries to further explore his chinese identity which was nurtured by his adopting parents. Both characters in Trying to Find Chinatown seem to not only identify themselves in life, but also do so in the process of
Gender stereotypes have a huge effect on our generation now, and in the past. It makes us think in a certain way that we do, about males and females; which can make people insane from the expectations. A few of the expectations for males are that they have to be strong and muscular. On the other hand female’s expectations is weak and feminine. A great example of gender stereotype having the effect of making people insane is Barbie Doll, Ken Doll, and The Yellow Wallpaper. These three pieces of literature with gender stereotype, made the main character go into insanity.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
The use of original practices, the costumes and male characters used to play the role of female characters are due to the different gender identity attributes and sexuality concerns from the play. Although the producer insists that the use of male characters to play female roles was mainly to show case the original set-up and forms of acting it can also be attributed to the producer wishing to raise different sexualities from the audience. The different actors who play the roles of females while they are male characters have been used by the producer to raise different sexualities since the heterosexual people in the audience view of the audience since gender as asserted by Bulman is performative rather than
According to the oxford dictionary a stereotype is; a widely held but fixed and oversimplified image or idea of a particular type of person or thing. In the text there are two female stereotypes that are depicted. These stereotypes are, that the girls are sex objects and are only there for the males pleasure and use. The other is, that the older women are typical stay at home mothers, not having a job or a life. The first stereotype is what the play has been written about, the most predominant example is the gang rape of Tracy. This example shows exactly how the boys think of the girls as objects; another example is how Ricko only talks to Tiffany so he can have sex with her. Through
Who is stronger? The East or the West? Do the Oriental people truly succumb to the threats of the western white man? Based on the views of the non-oriental people, the Oriental people secretly want to get dominated by a stronger force, comparing them to a woman, or just simply calling their race feminine. The show M. Butterfly by David Henry Hwang is able to express different issues regarding the theory of Orientalism by hiding it amongst several conversations between characters. The play can be seen as highly political because of topics it chooses to discuss despite the fact that the lead character is a diplomat. Though somewhat unrelated; M. Butterfly can even have a certain Brecht-esque quality to it. Because it contains several moments that can make the audience member question what is going on and the story itself, Brecht would be happy. The show can confuse the audience and make them think. Gallimard and Song also talk to the audience directly at certain points which in a way can distance them from the story because it can make it known that they are, indeed watching a play. M. Butterfly holds many political and Brechtian qualities that prove many issues that go on today. Seeing these representations of foreign races views on one another can hopefully help to get the countries to realize their harsh judgments.
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
For example, in Act 1, Scene 1 of “Trifles”, when Mrs. Wright is being held accountable for her husband’s death and she worries over the state of her jars of jam, Mr. Hale makes the observation, “Well, women are used to worrying over trifles.” (Act 1, Scene 1). In this excerpt, we determine this play portrays women as their stereotypical stay-at-home figure whose significant worries in life are mere trifles, hence the play’s name. Moreover, in comparison to “Trifles”, the women in “M. Butterfly” are portrayed as tractable females in the eyes of a man. For example, in Act I, Scene X, Gallimard assures himself of Song’s involuntary infatuation for him by stating, “She is outwardly bold and outspoken, yet her heart is shy and afraid. It is the Oriental in her at war with her Western education.” (Act 1, Scene X). Gallimard perfectly outlines the stereotypical feminine attribute: timidness. Here, Gallimard is asserting the attributes of shyness and fear are reminiscent of Oriental’s; a cultural stereotype Gallimard believes due to the perceived submissiveness of his Oriental mistress:
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
Specific roles and traits have been stereotyped with genders by society for many years. While being strong and vocal is often associated with masculinity and men, women are characterized to be weaker and soft-spoken. Males are conventionally in occupations or roles, that involve leadership. Conversely, the social normalization of females involves no work, but rather their main role is to look after the children at home. In A Doll’s House, Henrik Ibsen depicts a society rich in gender norms and stereotyping. The protagonist of the play, Nora, lives in the shadow of her white-collar working husband, Torvald, who often refers to her as his doll. As the plot progresses, the reader discovers Nora previously received a confidential loan in order to assist in her husband’s efforts to heal from a serious illness. By the end of the story, Nora is exposed to Torvald for taking out the loan, resulting in an argument that leads to the demise of their eight-year marriage, but ultimately the separation was brought forth by Nora. The standard gender roles illustrated throughout the entire play, are swiftly reciprocated, to justify that sexes are not defined by social stereotyping, but all genders are capable of the same roles and traits as each other.
butterfly by Henry Hwang, the Protagonists Rene Gallimard falls in love with an opera performer by the name of Song Liling. Gallimard is a French diplomat who is telling his story from his prison cell to the audience. However, Gallimard lets us know that the women he loved all along, turned out to be a man. Similar to Viola who takes on the identity of Cesario, Song takes on the identity of a female opera singer who goes by the reference butterfly. Song is capable of luring the attention of Gallimard through his Butterfly performance on stage. Characteristics such as makeup and clothing are a part of why Gallimard falls in love with song. Hwang even writes in a part of his play “...Because only a man knows how a woman is supposed to act,” (Hwang 49). Songs ability to replicates the female persona gave him the capability to fool Gallimard for over 20 years into thinking he is a female. In fact Songs, performance was so believable that Gallimard refused to believe that Song was male. He only believed it after Song showcased his genital parts right before Gallimard's
During the late 1800s, gender inequality was one of the common issues that existed in the society. Men and women were often distinguished among themselves. Men were regularly portrayed as the one who had power and strength, whereas women were supposed to do all the household work and they were seen as weak and trivial. Henrick Ibsen shows a prefect illustration of this example in the play A Doll’s House. Ibsen develops a notion of how the existence of gender roles in society affected one’s lives. The protagonist Nora, whose identity is shaped after seeing her husband’s actions, which depicts his beliefs of gender inequality, demonstrates this idea.
Gender roles seek to put a person into a mold of what someone else sees them to be. For example in "Keep Within Compass," it is obvious that a man drew the plate because the woman is depicted to be genteel, sedate, and almost air headed in appearance, with no voice of her own. This is a prime example of the despicable properties placed in gender roles. Girls cannot play football and guys cannot be cheerleaders. The gender roles are defining what is right and what is wrong within society. For example, in the "Keep Within Compass" plate, the woman is wrong if she does not conform to the ideal of society.