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Marriage ideals in renaissance romeo and juliet
Examples of courtly love in medieval literature
Marriage ideals in renaissance romeo and juliet
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Love and Marriage in Renaissance Literature
In medieval Europe, the troubadours (poets of the southern part of
France), like Guilhem IX, or Cercamon, first began to write poems
about humble men falling in love with women who were admirer and
adored by their lovers. Furthermore, intense love between men and
women became a central subject in European literature, like between
Tristan and Iseult, Lancelot and Guinevere, or Aeneas and Dido. But it
was not question of marriage. Actually, marriage and love did not
match very well together but then Renaissance literature developed the
concepts of love and marriage and recorded the evolution of the
relation between them. In the Renaissance poetry, Donne, in The Good
Morrow, celebrate love and sexuality in marriage. However, the aspects
of love and marriage were not always linked in life but they became to
unify first in literature. Actually we could notice that there were
two sides in marriage and one of these sides was linked with love --
and this part became more and more important.
Indeed, we can to distinguish the two different sides of marriage in
the Renaissance period. Indeed, it was both secular and sacred -- this
could appear paradoxical, because these two words seem to be
contradictory. On the first hand: Secular, because it served as a
union of two parties which searched for the acquisition of money or
properties. Indeed, like in the Middle Ages, property right was very
important. Besides, because of this right, the younger of the sons for
example had to marry a woman who possessed lands because, land
descended to the eldest son, so the younger often received nothing.
Furtherm...
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...ys
linked with love. But little by little theses two themes gathered.
Indeed the word Renaissance represented the rebirth of art and culture
it comes from the French word which comes from the Italian word
'rinascita' which has the same meaning. So the development of
Renaissance literature occurred in parallel with the development of
social and cultural features. Furthermore, literacy and life always
exchanged influences, so to better understand marriage and love in
Renaissance, the most pertinent mean would be to study Shakespeare's
plays and comedies. Indeed, his period marked a time where marriage
was an important aspect of people's life and Shakespeare managed to
depict the important elements of marriage: the ancient and material
elements but above all, love and relationship that developed between
men and women.
The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom of Camelot, captivated listeners in courts throughout Europe. A famous Arthurian legend narrates the story of Lancelot, King Arthur’s noblest knight, who betrays his lord after falling in love with the king’s wife, Guinevere, by participating in an affair with her. Such enthralling romances, with their popular theme of blossoming adoration between a knight and his lady, appealed particularly to the female court audience as a refreshing step away from the epic conquests of brave male warriors. In fact, it was these ladies of the court who extracted the sweet essence of courtly love from these flowery romances. Eleanor of Aquitaine, Queen of England and France and ardent patron of the arts during the early twelfth century, envisioned traditions of courtly love promulgated with chivalry and troubadour poetry. The chivalric code during Queen Eleanor’s time added points of courtesy and tenderness to balance a knight’s valor and violence in battle. Troubadours wrote their verses to the honorable codes...
In the 16th century the nature and origin of desire are commonplace. There are many types of desire represented within the major works, which include the desires for wealth, power, holiness, status and, of course, the flesh. While these desires may have been felt by many citizens, such intimate desires were rarely spoken in public.
Very different from traditional writings of the past was the new flourish of troubadour poetry. Troubadour poetry, derived of courtly romances, focused on the idea of unrequited love. “A young man of the knightly class loved a lady”, most often, “the lady was married to the young man’s lord”. The courtly lover would compose highly lyrical and erotic poems in honor of his lady, and the troubadour was filled with rapture even at the slightest kindness that the lady might offer him.3 This new literary artifice provides us clues to the cultural changes that took place in medieval Europe during this time.
The Different Attitudes to Love and Marriage Presented in Romeo and Juliet In “Romeo and Juliet”, the characters of Juliet, the Nurse and the Capulets have different attitudes to love and marriage. The relationship between the characters reflects their attitudes for marriage. The Capulet’s have a distant relationship with their daughter Juliet, as was common in Shakespearean times. Juliet is much closer to the Nurse who knew her from birth and she is Juliet’s
Love in William Shakespeare's Romeo and Juliet "Romeo and Juliet" is a love tragedy based on different kinds of loves. Romeo and Juliet become married in a forbidden relationship over the high tension brawl between their rival families which Shakespeare clearly shows in the play. Despite the family brawls, the pair decides to let their "perfect" love defeat all. Peoples ideas have changed in the space of 400 years, for example back then some loves featured in this play would produce different reactions to the audience, than today. Shakespeare opens the play with the chorus who speaks a sonnet, where love imagery is found; "Two Star-crossed lovers" =
Lancelot, the knight of the cart, is in love with Queen Guinevere, who constantly compromises his reputation by embarrassing him . Chretien de Troyes writes Lancelot in The Knight of the Cart to be deeply in love, so much so that he constantly sacrifices his reputation for the queen. Classically, “the romantic hero developed from an extravagant to an ideal character” (Williams 275) in typical Romance literature. Although Romance literature has many variations, Lancelot portrays this transition from the extravagant, noble, knight to an ideal character in the tale. Lancelot depicts what is ideal for what a woman would want, and this in turn does ennoble him. Lancelot is ennobled by courtly love, but unintentionally. By placing himself above rumor and concern for his reputation, he emerges as a modern ennobled knight even though his love generates embarrassing consequences superficially.
Although love is interpreted as a wonderful thing it can also ruin someone's life, “Love is a trap. When is appears, we see only its light, not its shadows.” (Paulo Coelho) Love doesn’t fix people it breaks them asunder. It waits and waits for its next target to make a mistake and ruin everything they worked for. As seen in various works including; “The Raven” , Romeo and Juliet, and “The Gift of the Magi”. Romantic love is a force that inflicts pain upon those who believe in it or those who have been through it.
Courtly love originally was a literary concept that was popular among medieval nobles and later became more widespread among the populace. They 're are roughly nine stages of courtly love: attraction to the lady showed by glances/gazing, worship of the lady from afar by means of praise, declaration of passionate devotion, virtuous rejection by the lady, renewing with oaths of virtue and eternal fealty, despair of approaching death from unreturned desire, heroic deeds of bravery to win the lady 's heart, consummation of secret love, and endless adventures and subterfuges to avoid discovery. (Tuchman) Several of these can be clearly seen in “Othello.” Courtly love is closely linked with chivalry which acted like a moral code for knights. Chivalry was a set of guidelines that an ideal knight should strive for, beliefs such as loving one 's own country, to defend the weak, to never to flee from the enemy, and to be a champion for right and “Good” against “Injustice and Evil.” But more importantly codes that play a key role in the ideal that is courtly love in the Code of Chivalry are to be well-mannered, respectful of others, and to be honorable. In essence courtly love can be summed up into certain acts of chivalry and nobility by the practitioners. As a result during the high middle ages courtly love was said to have developed into actual etiquette and was practiced within (high) society. However there are historians
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
Love and desire are presented by the writers as motivation for the main protagonists of all three texts. However, again in all three the destructive forces of obsession and jealousy damage and ultimately destroy the protagonists in some way, either through their own pursuits of love and desire, or through the manipulative and destructive actions of antagonists.
Although the characters in Romeo and Juliet have differing ideas of love and marriage, they all still reflect the opinions of people who lived in the Renaissance. This is revealed through the thoughts and actions of Lady Capulet, Nurse, and Lord Capulet. In Act 1, Scene 3, it is shown that Lady Capulet believes that marriage is way to gain social status and become more wealthy. This idea is brought to life when she attempts to persuade Juliet to marry Paris, the Prince’s son. Paris is very wealthy and is of high social status. If Juliet were to marry Paris, she would become part of the royal family and would become extremely wealthy. To add, Lady Capulet argues that she herself was married at a young age and even
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”.
Love manifests itself in varying forms across Shakespeare’s plays and it is clearly prevalent in ‘Othello’. Shakespeare approaches the theme with the use of complex and adventurous characters and relationships, all of which feature love in different ways.
“A woman must remain a virgin until marriage because her future husband will respect her more,” my mother would insist whenever I told her about boys. Coming from a traditional and conversation family, I accepted this thought. However, as I became older, I realized the great amount of sexism that existed in that belief. Many of those double standards prevailed in my family and they are also very ubiquitous in Mary Astell’s “From Some Reflections upon Marriage” and Daniel Defoe’s Moll Flanders. Both texts show a dominating theme of marriage. The two texts are in conversation with each other because the concepts of reasons for marriage and relationships between men and women that Astell present are also illustrated in Defoe’s novel. Thus, both Astell and Defoe demonstrate the idea that marriage is a patriarchal and submissive institution. However, their conclusive beliefs on the purpose of marriage differ. Astell shows that women must ultimately marry for God due to the inequalities between a man and a woman, in contrast to Defoe, who proves that marriage is conclusively, just a way to economically benefit as a means for survival.
The 1967 film of Romeo and Juliet is more romantic than the 1996 film. In the 1967 film Romeo and Juliet’s love is more innocent with good intentions as the 1996 film is focused on the sexual element of Romeo and Juliet’s relationship. The newer film has more displays of affection than the 1967 film. The overuse of affectionate display leads the viewer to believe Romeo and Juliet are lusting for each other rather than truly in love. Romeo says to Juliet “O, wilt thou leave me so unsatisfied?” this line can be interpreted as lusting for a sexual element to their relationship or a desire for unconditional love (132). When Romeo delivers this line in the 1967 film Juliet had just been talking with him, implying that he wanted to stay longer with