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Psychological expressions of grief
Psychological expressions of grief
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The narrator in Love, Your Only Mother and the character Grace in Axis face tough situations that affect them for the better and for the worse. Through the use of various coping strategies, the women learn how to handle loss and they demonstrate how the quality of a relationship between a mother and a daughter affects the self both negatively and positively.
The narrator in Love, Your Only Mother frequently turns to her creativity as a means of coping with loss. Each time she receives a postcard from her mother she plays a game by “imagining [her mother] hiding somewhere in the postcards [she receives]” (Kaplan, 86). She feels as though she can transport close to her mother by retreating to the imaginative world created by the postcards. She hopes to use the technique of imagination in order to transform herself to have an interesting life with her mother, rather than the mundane perception of reality. At times, her imagination gets so carried away that she can even “sometimes smell cities… wheat fields… oceans—strange smells from far away—all the places [her mother has] been to that [she] never will. [She would] smell them as if they were not pictures on a postcard, but real, as close as [her] outstretched hand” (Kaplan, 88). This exemplifies imaginative processing during traumatic loss. Grace, in Axis, directs her emotions of loss into enthusiasm through the coping mechanism of isolation. Once Royce abandons Grace after getting caught having sex, she immediately puts her life on permanent hiatus. Instead of going back to college to finish “majoring in history [after winning] scholarships enabling [her] to do so”, she chooses to remain in the confinement of her home (Munro, 122). Grace fears facing the thought of losing her virgi...
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...ith her daughter, until she catches them doing stuff together that makes her question her opinion. Although that marked the end of the relationship, Grace’s mother still continues to support and love Grace through the breakup. She provides Grace with a home for her to stay while she mourns.
The struggle with loss remains very painful. One may experience all kinds of difficult emotions and it still may feel like the pain and sadness will never let up. Coping with the loss allows for the ability to move on. Similarly, a mother’s love weighs extremely important for a healthy emotional outcome of her child. In most cases, how she loves her child greatly affects their lives both positively and negatively. Society doesn’t emphasize the importance enough: just how important a nurturing mother is to creating adaptive human beings equipped to cope with the struggles of life.
Parenting has been a long practice that desires and demands unconditional sacrifices. Sacrifice is something that makes motherhood worthwhile. The mother-child relationship can be a standout amongst the most convoluted, and fulfilling, of all connections. Women are fuel by self-sacrifice and guilt - but everyone is the better for it. Their youngsters, who feel adored; whatever is left of us, who are saved disagreeable experiences with adolescents raised without affection or warmth; and mothers most importantly. For, in relinquishing, a mother feels strong and liberal; and in guild she finds the motivation to right wrong.
Intergenerational conflicts are an undeniable facet of life. With every generation of society comes new experiences, new ideas, and many times new morals. It is the parent’s job go work around these differences to reach their children and ensure they receive the necessary lessons for life. Flannery O’Connor makes generous use of this idea in several of her works. Within each of the three short stories, we see a very strained relationship between a mother figure and their child. We quickly find that O’Conner sets up the first to be receive the brunt of our attention and to some extent loathing, but as we grow nearer to the work’s characteristic sudden and violent ending, we grow to see the finer details and what really makes these relations
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Within the thin exterior of the cold dark building she called home, she wanted to keep the bodies of those in which she felt she had a connection. Whether it be a reasonable connection or not, she didn’t want to be alone. Her connection with her father brought her to keeping his corps in the house as well as the other man. Her distance from other people around her only drove her to madness causing nothing but isolation and a craving for any type of relation she could hold or be close
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
process and have stated that “The case that losing a parent can diminish both the nurturing that
Imagine growing up without a father. Imagine a little girl who can’t run to him for protection when things go wrong, no one to comfort her when a boy breaks her heart, or to be there for every monumental occasion in her life. Experiencing the death of a parent will leave a hole in the child’s heart that can never be filled. I lost my father at the young of five, and every moment since then has impacted me deeply. A child has to grasp the few and precious recollections that they have experienced with the parent, and never forget them, because that’s all they will ever have. Families will never be as whole, nor will they forget the anguish that has been inflicted upon them. Therefore, the sudden death of a parent has lasting effects on those
By choosing to lover her child, the mother acknowledges that she doesn’t feel as if she is obligated to do so because she wants to love him or her and is prepared for the challenges that await her. Thoma Oord writes in his article “The Love Racket: Defining Love and Agape for the Love–and–Science Research Program” that the definition of love refers to the “promotion of well being of all others in an enduring, intense, effective, and pure manner” meaning that when a person loves someone, they will try to do whatever they can to their beloved’s benefit (922). The child is benefited in many ways when the mother chooses to love him or her, for example, the child’s anxiety levels and sense of fear are lowered because they have the security of the bond they possess with their mother (Tarlaci 745). In his article, “Unmasking the Neurology of Love,” Robert Weiss explains that love is a “goal-orientated motivation state rather than a specific emotion” which arises the possibility of a mother “falling out of love” with her child if neither feelings or goals are present. Tarlaci observed an experiment conducted by A. Bartels and S. Zeki in which they compared the brain activity of both a mother looking at a picture of her child to a lover looking at a picture of their beloved. In the experiment it was discovered that “just about the same regions of the brain showed activity in the same two groups except for one” the PACG, which has been confirmed to be “specific to a mother’s love” (Tarlaci 747). So the chances of a mother falling out of love with her child are there, but are different from that of a lover due to the areas of the brain involved. Therefore, explaining the bond between a mother and child as something that forms when a mother chooses to love him or her implies a greater sense of willingness and
There is no voice more comforting than Mama’s. In the womb we are suspended in safe warmth, hearing every noise that Mama makes. And we don’t just hear her voice. We feel its vibrations, its muffled hum, through our ears and our entire forming bodies. It’s no wonder that that is often the only voice that can comfort us in the distress of our new little lives. Yet, what of the mother who cannot speak? Can she still comfort her baby? Yes, because it is much more than vocal chords that connect a baby with its birth mother. After all, Baby eats all that Mama eats, breathes Mama’s air, knows Mama’s way of moving and laughing…Baby feels every surge of adrenaline that Mama feels. Bonds don’t get more intimate than that. Even after Baby is born, this bond is strengthened through long bouts of staring into each other’s eyes, through feeling the lulling rhythm of Mama’s breathing while sleeping against her chest, through time spent together saturated in touch and play. This phenomenon of intimacy is so powerful that it surpasses any blindness or handicap Mama could possibly have.
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.
According to Beckstrand, Rawle, Callister, & Mandleco (2010) “Death of a child evokes deep feelings of tragedy, devastation, and painful confusion at the injustice of a life being ended prematurely.” (p. 544) These are the raw emotions that are prevalent when a child is dying. For the child and the family, these final fleeting m...