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Geoffrey Chaucer’s poem, The Book of the Duchess, tells of a sleep-deprived man (the dreamer) who is looking for a cure for his anxiety. Although we do not definitively know the cause of his illness, we are led to believe it is because of love-sickness. In order to pass the time one night, he reads a book about King Seys and his wife Alcyone. In the book, King Seys is lost at sea, and once Alcyone discovers this, she too dies from grief. After finishing the book, the dreamer falls asleep and enters into the most wonderful dream that has ever occurred, according to him. Many things happen in this dream, but the most significant part is that the dreamer meets the Black Knight who tells of a perfect woman he had but then lost. The knight’s pining …show more content…
The dreamer describes this man as someone grappling with intense grief to the point of fainting (490-496). Instead of hunting with the rest of the group, the man is brooding by a tree. The majority of the rest of the poem is dedicated to his sadness, the description of Whyte and how they met, and her death. However, it is not her death that is making the Knight depressed and incapable of happiness; rather, it is the fact that after she died, he realized that his pining for her before and his deep sorrow for her now were feminine actions as opposed to masculine ones. He is using her death as a way to mourn for his “lost manhood,” because it would not be appropriate for him to tell the dreamer that he is grief-stricken because he does not feel masculine. In Peter Sacks’ essay on elegies and mourning, he says, “The movement from loss to consolation thus requires a deflection of desire, with the creation of a trope both for the lost object and for the original character of the desire itself” (7). In order to overcome the fact that he has lost his manhood, he must mourn for it, but he can’t do that outwardly. Thus, he deflects the desire to regain masculinity by “mourning” for his dead wife. The Knight’s praise and elegy of his …show more content…
Before the dreamer fell asleep, he was reading the story of Seys and Alcyone, which is too a story about sorrow caused by the loss of a loved one. When comparing this story to the Knight’s, the knight has much more in common with Alcyone, a woman, than with Seys the King. Alcyone succumbs to the grief she feels over Seys’ death after a period of great distress. The comparison between these two figures feminizes the Knight because he is compared to Alcyone, who is experiencing a “normal” amount of sadness as a woman in this situation. It is expected that she will mourn outwardly, freer to express her emotions because she is a woman. As a man, the Knight should be strong and composed, two traits of a “traditional” man. The Knight also states throughout his description and elegy of Whyte that she was his everything. As a Knight (and maybe even the English prince John of Gaunt (Chaucer 17)), he should have other important and promising prospects that would make him want to continue living. However, the Knight talks about ending his life, to which the dreamer responds, “And ye for sorwe mordred yourselve, / Ye sholde be dampned in this cas” (Chaucer 724-725). The dreamer continues after this line to talk about multiple women and one man who ended their lives because they had in some way lost their lovers (726-739). Again, the dreamer is comparing the Knight to women,
seriously as we can see that he is not meant to be a character that we
Wife of Bath. Her character is noted to be strong and bold and we learn
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
From the beginning of the play, Shakespeare characterizes Macbeth to be a figure of power by things such as the defeat of the unloyal thane, and the gain of his title. Though Macbeth appears to represent an idea of power, Macbeth is proven to be a false aid to this perceived symbol of power through the witches involvement, animal nature controlling human nature, man being susceptible to temptation, all climaxing in Macbeth being a powerless, ineffective king. By examining Shakespeare’s imagery of illness, one can determine that Macbeth is a powerless figure that leads him to be an ineffective king.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through women's empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature.
This lady, that was left at hom, / Hath wonder that the king ne com / Hom, for it was a longe terme / Anon her herte began to [erme]; / And for that her thoughte evermo / It was not wele [he dwelte] so, / She longed so after the king / That certes it was a pitous thing / To telle her hertely sorrowful lif / That she had, this noble wif, / For him, alas, she loved alderbest. Chaucer 331
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
A Midsummer’s Night Dream, written by William Shakespeare, is a complicated love story that involves four teenagers. Hermia and Lysander are so in love; however, Hermia’s dad wants her to marry Demetrius. Helena is chasing after Demetrius, who treats her like a dog. The speaker is none other than the love-struck Helena. Her speech is not directed to anybody because Helena was alone, yet she still wants to make it clear how deeply in love she is with Demetrius. Shakespeare uses many literary devices to further explain and state that Helena loves Demetrius.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The tale of Sleeping Beauty is influenced by oral folklore and various written versions. Today fairytales are told as a domain for the entertainment and teachings of children. In traditional storytelling, peasants transmitted folklore orally around campfires to audiences of mixed ages. However, during the 17th century, peasant tales, such as Sleeping Beauty, were altered by writers like Charles Perrault’s, to appeal to the courts of aristocracy. Thus the characters of Sleeping Beauty adorned a courtly air to appeal to the crown, such as Louis XIV of France. Throughout history, various cultural influences transformed the tale of Sleeping Beauty through the manipulation of various social forces to achieve better entertainment purposes and reflect Christian beliefs and customs. In addition, the moral of the tale conveys a message that women remain passive in hope to marry her true lov...
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
The physical illustration of Squire is carefully surrounded by sexual references. The author tells us in his poem that the young character is "a lovere and a lusty bacheler"(Norton, 83), who loves so hotly that he sleeps at night "namoore than dooth a nyghtyngale"(Norton, 83). Chaucer uses meadows, fresh flowers, and squire's songs as the methphors to represent the character's sexual image that hides under the portrait of the candidate for a knight. Chaucer also refers to the object of squire's chivalry, his lady.
Dreams play a major role in the story, and, throughout the history of literature, sleep has often been consid...