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The features of Shakespeare’s language
Poetic devices and figurative language
Shakespeare use of imagery
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Recommended: The features of Shakespeare’s language
A Midsummer’s Night Dream, written by William Shakespeare, is a complicated love story that involves four teenagers. Hermia and Lysander are so in love; however, Hermia’s dad wants her to marry Demetrius. Helena is chasing after Demetrius, who treats her like a dog. The speaker is none other than the love-struck Helena. Her speech is not directed to anybody because Helena was alone, yet she still wants to make it clear how deeply in love she is with Demetrius. Shakespeare uses many literary devices to further explain and state that Helena loves Demetrius.
In Helena’s self-pitying speech, Shakespeare uses syntax. In this example, he puts the object before the subject and verb, helps to put emphasis on the words quantity and dignity: “Things base and vile, holding no quantity, love can transpose to form and dignity” (238-239). Also, it helps to create suspense since
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you don't know what Helena is talking about till the end of the sentence. Using syntax is crucial because the reader would not understand how love struck Helena is. Rhyming couplets are used in the speech to add dramatic effect and further prove Helena's love for Demetrius.
For instance, when Helena says “as waggish boys in the game themselves forswear, so the boy Love is perjured everywhere,” Helena is trying to say that the only reason Demetrius wants Hermia is because boys want any girl who will give them attention (246-247). Helena is competing for the love of Demetrius. Rhyming couplets also make the piece flow smoothly. Shakespeare chose a rhyming couplet in this specific part of the speech because it significantly portrays Helena’s devotions to Demetrius.
Shakespeare also incorporates illusion as a tool to make the reader connect the two love stories without having to explain the moral of Cupid. When he says that “love looks not with the eyes but with the mind; and therefore is the winged Cupid painted blind,” he is trying to say that love is more than just looks, but the connection between two people (240-241). Cupid is the universal symbol of love which leads the readers to understand the meaning of the speech; Helena has so much affection for
Demetrius. Overall, these literary devices enhance the piece, and make the reader fully understand Helena’s emotions toward Demetrius, as well as bringing clarity and richness. Shakespeare’s style of writing differs from many others because instead of coming out and telling the reader things, he implies what is happening and leaves it to the writer to figure out the rest. By understanding and using the literary devices the reader can understand Shakespeare's writing easily.
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
“Love is blind,” says the old cliche. At the very least, that cliche is 400 years old, since it appears in William Shakespeare’s play, A Midsummer Night’s Dream when Helena says, “Love looks not with the eyes, but with the mind. And therefore is winged Cupid painted blind” (Shakespeare 1.1.234-235). These lines are also an allusion, which conveniently restate that old cliche of “love is blind.” It is just one of many allusions to Greek mythology in A Midsummer Night’s Dream. One could spend days explaining all the allusions in the play, but three of the most well-known are below. Many of the allusions in the play help the audience learn more about the characters or the plot by making
“So we grew together, Like a double cherry--seeming parted but yet an union in partition---”(3.2.211-213). Helena and Hermia were once close but betrayal took them apart. A Midsummer Night's Dream by William Shakespeare portrays the adventures of four young lovers and a group of amateur actors, their interactions with woodland fairies and a duke and duchess in a mythical Athens. Particularly, Demetrius and Lysander begin to see Helena as a love interest. Instead of feeling flattered, Helena believes that Hermia, along with Demetrius and Lysander, conspired to make a mockery of her. Helena feels betrayed by Hermia who she thought was her best friend. In reaction, Helena exposes her frustration upon Hermia who she believes began this horrible nightmare with her powerful speech showing disappointment against her best friend. Helena’s language is crucial to communicating her message through
Throughout A Midsummer Night’s Dream, Shakespeare uses several powerful metaphors and similes to compare and contrast character motives and ideas, as well as to foreshadow important aspects in the story. Perhaps the most powerful and prominent aspect of Shakespeare’s writing is his excellent use of figurative language. He uses a myriad of symbols, motifs, metaphors, and vivid imagery in A Midsummer Night’s Dream that enrich and illustrate the story. Shakespeare metaphorically uses the moon to tie conflicts together and unite the characters in a common struggle. He uses the moon to a point were it becomes more than just a setting or part of the imagery. It becomes personified metaphorically and is a major influence of desire, deceit and disorder
Shakespeare in A Midsummer Night’s Dream uses figurative language like allusions to make people reading the books think and he uses well known references such as Hercules and Cupid both from Greek mythology. Shakespeare also uses other types of figurative language irony , oxymorons, and personification. This makes the audience laugh and makes them not expect what's gonna happen next. When Bottom head turned into a head of ones of a donkey, this is funny because his name is already Bottom and when all his friends ran away from him it was dramatic irony since, the audience knew what was happening but he didn't and he says there trying to “make an ass” out of him. This is important when it comes to the theme, because Titania falls in love with
A Midsummer Night’s Dream consists of the dominant theme of love. It emphasizes marriage as proper contentment of romantic love. The conflict throughout the play stems from romantic troubles involving a number of romantic elements. This play implicates people who have a tendency to fall in love with those who are outwardly beautiful. The overall meaning of it is that outward beauty can become unappealing if it is all the love is based on. The power and passion of love threatens to terminate friendships, turn women against women, and turn men against men.
A jealous Oberon and mischievous Puck are two “waggish boys” in their own right. Puck boasts the triumphs of his pranks and trickery for the sake of his amusement, having frightened the maidens of the village, frustrated housewives, beguiled a horse by “neighing in the likeness of a filly foal” (2.1.32), and befuddled an old woman by transforming himself into the likeness of a crab and three-legged stool. Shakespeare utilizes the inadvertent mistakes and waggish nature of Puck, “the shrewd and knavish sprite” (2.1.19), to exemplify the chaotic and complicated entanglements of love. Together with Fairy King Oberon, they turn the “little western flower” struck by Cupid’s arrow into the magic potion known as “love-in-idleness”, reinforcing the idea that love cannot be reasoned. Shakespeare uses the magic potion as a device to express love’s fickleness with the repeated allusion to the unpredictable influence of Cupid’s arrows. Moreover, it is Fairy King’s anger, jealousy and resentment over Titania’s tenderness towards the Indian boy, in conjunction with her refusal to give turn him over to Oberon, which is the seed for the cunning and illusory love-in-idleness potion. Oberon, like an impudent child, deprived of what he desires, acts with guile and duplicity affecting not only
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In the play A Midsummer Night’s Dream by William Shakespeare relationships make up a large part of the play. Many characters interact with each other and fall in or out of love with each other. All of this occurs because of the magic woven into the play. However two characters whose relationship is most affected by the theme of magic within the play is Helena and Demetrius, because the relationship they have is one that remains changed at the end of the play.
...by and enchantment. In real life, most of us are Helens hoping that this trance will last forever, except we do not have the magic to prolong the love or the fake realities we create. Shakespeare reveals how absurd it is to live on these unrealities by throwing in Titania’s realization of her love for Bottom. Titania’s love reveals that we are not all doomed to this life of living on the edge of hope, that we can be truly elated with our real world. Aside from this criticism Shakespeare’s contrast between appearance and reality shows us how ignoring reality and accepting unrealities can sometimes prove to be the better pathway to take in life, as Theseus and the rest of the audience of Pyramus and Thisbe display for us. Shakespeare is telling us to live our lives more like Titania and less like Helen so that we can be completely content with reality.
One of the main conflicts in “A Midsummers Night’s Dream” is romantic love, and the jealousy that arises from it. In “A Midsummers Night’s Dream,” Shakespeare presents both sides of romantic love, detailing Lysander and Demetrius’ love for Hermia as well as presenting the jealousy that arises from Helena because of it. Because both sides of love are presented, readers are able to see how both sides are able to transform people. The true love between Lysander and Hermia transforms Hermia for the better, giving her the personal strength and bravery to stand up to Theseus and her father to fight for her love instead of remain the submissive girl she was taught to be. The jealousy that spawned from the romantic love that Demetrius had for Hermia transformed Helena for the worse, however. Helena was so lost in her infatuation for Demetrius, she was willing to betray her life-long friend Hermia by telling Demetrius of Lysander and Hermia’s plans to elope together. Helena was willing to ruin Hermia’s one chance at happiness for the slight chance that
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
A Midsummer Night’s Dream is a comedy Shakespeare written by William Shakespeare talking about the love story of the two main female character Hermia and Helena The two both have their difference and similarities when comes to a different situation. But what is always the same is their love for their favorite person.
“A Midsummer Night's Dream” is about Lysander, Demetrius, Helena, and Hermia who are all in love when their relationships are constantly on the bumps because of the obnoxious fairies’ mistakes. William Shakespeare entertains the reader to know that love is unpredictable yet it can make one strong. Like Lysander and Demetrius, in My Life as a Ninja two kids fight over who likes who. I did not like this comedy because it lacks action and recommend it to Shakespeare lovers only. “It’s funny how we fall in love with the most unexpected person at the most unexpected time”
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.