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How has racial stereotypes evolved in the media
Media influences on stereotypes
Problems associated with immigration
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Recommended: How has racial stereotypes evolved in the media
The social issue that I have chosen to address is the stigma around immigration and the matters of representation in the media. Currently there are about 84.3 million immigrants living in the US coming from all different nations around the world. The message that I want to convey about this social issue is that immigration should not have a negative connotation and that immigrants, no matter what nationality, should not face racial prejudices. Following artist by the name of Lorena Teurel inspired my idea for my project; Teurel uses visuals to convey unity of many people or faces in her work. I plan to use similar visuals to unify the many faces of many immigrants, to represent not only one ethnicity or nationality but allowing exposure to …show more content…
The way I plan to captivate my audiences is through the use of line and facial expressions. The reason why I made congress a part of my audience is because they are the ones who can finalize the change that the immigrants and spectators will hopefully solicit after experiencing my piece. I’d like my piece to resemble a mural on the side of a big building where anyone can come see it at their own free will. A heavily populated city would be an ideal place for a piece like mine but there could be a juxtaposition opportunity if it were placed in an area where only one ethnic group is represented. The materials that I will be using to paste my image to the side of a large building are very similar to those a graffiti artist would use such as household paint or aerosol “spray” paint. I am choosing these materials specifically because the connotation that they hold is quite like that of an immigrant. Google defines graffiti as “writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public place”. The key word for me is “Illicitly”, this word is important because it translates to unlawful which is what immigrants are represented as. By using these materials I am providing exposure to the stigma around both immigration and graffiti art. In my piece, I want to portray many different ethnicities with varying tones, hues, and different …show more content…
The tone of my piece is direct and critical; the variance in the expressions of my subjects will add to the tone of my piece because they will each represent one emotion that immigrants feel throughout their many pathways in life. Creating a varied environment by using different faces and expressions adds the level of diversity and exposure that I want to convey. Additionally, it adds to the context of the piece, which is sociocultural. Furthermore, my medium adds another level of depth to the piece creating meaning. Public art helps us see the world differently and allows us to unlock our creativity. In my case the piece is pubic so that it can be readily accessible to everyone, thus raising awareness towards something that may otherwise get ignored in the media. What I want people to take away from my piece is that there needs to be a change and public exposure is the only way that any change will come. Collectively, the parts that add meaning to my piece will help reach the audience on a personal level, whether it is through guilt or empathy. On the topic of audience, in another article the author compares the portrayal of minority immigrants in the media to that of “white/ European” immigrants, providing “shocking results". Not only do minority immigrants get portrayed as criminals but the “white” immigrants are portrayed in “high ranking” and professional positions. This
Inside the yard now stands a freshly painted mural, sixty feet wide and twelve feet high. The work is the result of weeks of designing and planning, and with luck it might last as long on the train as it already has on paper. What the boys have done, what has taken place inside that trainyard, is a work of art. [Let us begin with a basic assumption. One may object to graffiti on social or moral grounds, but only in the most conservatist terms can it not be considered “art.” Any idea of art which does not go out of its way to disinclude vandalism will, in fact, contain graffiti. We will, then, put aside social and moral considerations for the duration, and consider graffiti as art.]
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Art has been around ever since the ancient city of Pompeii. The people of Pompeii used graffiti as a way to display their cleverness; from poetry contests to playful recombinations of the letters that form Roman Numerals. In the early ‘70s, graffiti was used as a way for young teens to mark their territory. During that time, many people – especially in New York City – saw graffiti as vandalism and prohibited it. Even though graffiti has been misused in some occasions, as long as the purpose is not to deliberately mischievous or malicious destruction, graffiti is art.
If one drives south on I-69 enough, they may begin to remember that “Bob loves Brenda” or that some bodies, only referred to as we, “hate people.” These things are written on the bridges, billboards, and road signs of the interstate to advertise the artist’s message to the general public, while drivers are left to think why should they care who loves who and who hates what. Graffiti is a part of the world that people see everyday and whether it is truly artful or a visual impediment is up to the individual.
Graffiti is underrated in the art world due to its history of vandal. The act of performing graffiti took place of gang bangers claiming their territory by writing their street names on someone else’s property. Nonetheless, the art
This will form the basis of my argument that graffiti has the ability to preserve tradition
Even though graffiti, in general, has had a rough past, it has started a movement where it's a form of expression through the artist. Graffiti can be a wonderful work of art when it has a space where it doesn't disturb public or private property. The artist creating graffiti often wants to send a message. In many cases, the street art made on public property is to invoke a reaction or conversation to intrigue the viewer. A key element in graffiti and street art is to create a space where the artist can do his/her work and even receive compensation from art
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
People around the world have different ways to express their feelings through. It could be done legally or illegaly. One way in which it could be done is through art like graffiti. Graffiti is a form of art where people express their feelings by spraying colors on street walls. It is actually a very interesting kind of art, as it is not easy to draw with sprays and to express yourself using some kind of symbols on walls that represent something deep inside you. Since the beginning of time, people have been debating on whether graffiti is legal or not. If you think about it for a second, you will find each and every reason for graffiti to be legal, but people till now tend to accuse it as a form of crime. Since when is art a crime? Since when is expressing your feelings in a peaceful way is a crime? Graffiti could not just be used on walls of other people’s property, it as well could be done on portraits and sold and actually in Brazil many people travel there to see the graffiti portraits in the galleries. Graffiti grabs people attention in a way and raises people’s awareness of something through drawing. Isn’t it just beautiful to draw something that grabs people attention and raises their awareness towards something and then credit you for doing so? Therefore, graffiti is passionate beautiful kind of art that I do not think it should be seen as a crime, instead as an astonishing form of art.
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
Art triggers emotions, and all human beings share the same hormones, which is why they have identical emotions. This creates a medium of communication that everyone can use and understand. No language, culture, age, or gender is a barrier. As part of my community-service experience, I visited Zanzibar with a volunteer group. My favorite project from that trip was painting a school wall with a diverse group of impoverished Africans. Throughout the entire experience, that was the first time I felt connected to them. We would usually read simple stories to African children, teach them simple math, or play simple sports with them. The gap between us and the African children was always there; we always felt different and it was extremely difficult to conduct conversation, because only a small portion of them would understand what we were trying to say. With painting the wall, however, no one found any difficulty with communicating. When we were done, I stood back to contemplate the art and noticed Sefu standing next to me, we both gave each other a look of satisfaction without saying anything. Mette Holme Ingeberg, Britt-Maj Wikstrøm, and Arild Berg (2012) studied the effect of art on communication in a hospital setting. Their study focused on how the use of art stimulated conversations between the nurses and the patients. They found out that “art can reveal stories from patients’ lives that staff otherwise may not have been able to access,”