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London 1908, Machinery Hall
This image represents the entrance to Machinery Hall of the 1908 Franco-British Exhibition in London. The original is one in a series of 3.5 x 5.5-inch postcards, printed by Valentine & Sons Ltd. The Machinery Hall covered 125,000 square yards. In this image it looks very elaborate, garish, and reminiscent of Gothic architecture. The flags seen on the top of the building are French and British. There are decorations looking like lanterns around the perimeter of the building. Within the context of the fair, the pavilion was vast yet not imposing.
The London 1908 Exposition was located on an area of agricultural land in Shepherd's Bush, West London, which provided 140 acres of land, close to excellent transportation facilities. Two stations were built on the Underground to serve the exhibition. The Machinery Halls were located in the White City, that was laid out in a cross shape comprising distinct areas for the arts, inventions, entertainment, sports, the Court of Honour, and the central gardens. The nickname related to the light, al...
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
One story describes the planning of the 1893 Chicago World’s Fair that had been proposed to celebrate the four hundred years since Columbus landed in America. The idea didn’t get much attention until a year earlier, when Paris held a world fair and unveiled the Eiffel Tower. Not to be outdone, America decided now it was a matter of who would hold a fair that would put France’s fair to shame. There was a dilemma of where the fair would be built New York or Chicago, but votes were tallied up and the majority of the vote was Chicago. Among the many architects in Chicago, the main job of the designing the fair was given to Daniel H. Burnham. He needed a companion to help him with the design and other features of the fair, so he chose John Root, a very close friend of his and former associate. Because of the amount of time it took to decide where to build the fair, The White City was believed to be impossible to construct because of time con...
New York: Greenwood Press, 1990. Arnold, C.D. The Pan-American Exposition. Buffalo, New York: 1901. Eck, Susan. "
Hitchcock, Henry Russell. Early Victorian Architecture in Britain Volumes I and II. New Haven: Yale University Press, 1954.
The Exhibition Hall built by Stephen Kemp, is the oldest and most unique hall on the fairgrounds; it was the first hall to be built (Wynn). Only used “from (1850-1860), the innovation octagon style was used for hou...
To describe the 1933 Chicago World's Fair in a word, one might choose, "modern" or "dazzling," perhaps even "outrageous." The fair experimented with modern architecture, dazzling electric illumination, and a daring color scheme meant to reflect the scientific content of the fair's exhibits. The fair featured advancements in all fields of science, ranging from the inner-workings of the automobile engine to the most recent theory on the structure of the atom. Entitled "The Century of Progress," it used these vivid colors and impressive exhibits to create a light-hearted and uplifting experience intended to distract the nation from the hardships of the Great Depression. The viewbook featured here provides visitors with a souvenir of this striking event and a way to remember the exhibits and buildings after the exhibition was over and the fairgrounds returned to a public park.
The “White City” was a vast collection of architecture and arts that were put on display in the year 1893. The Chicago World Fair, also called the “White City”, was a major event in American history that impacted America’s culture, economic, and industry. The Chicago World Fair was held to honor Columbus’ discovery of the New World. The real reason why it was made was to proudly have back their wealth and power. Larson said, “the tower not only assured the eternal fame of its designer, Alexandre Gustave Eiffel but also offered graphic proof that France had edged out the United States for dominance in the realm of iron and steel…”(15). To accomplish this, architects led by Daniel Burnham and John Root made numerous buildings and beautiful scenery
The largest structure at the fair was the Manufactures and Liberal Arts Building. It housed many...
Between the years of 1910 and 1920, the Silver Era, the United States experienced many firsts. For the first time in history, women were becoming more politically powerful. In 1916, Jeanette Rankin held a seat in the U.S. Congress, making her the first woman ever to do so (Sheet Music...). Four years later in 1920, the nineteenth amendment was passed, giving women the right to vote in political elections. The eighteenth amendment was passed as well, beginning the short-lived prohibition of alcohol. In 1917, the United States became involved in the First World War by declaring war on Germany, three years after its commencement in 1914 by. Also in this decade, the first Trans-Atlantic ocean liner, the Titanic, sunk in 1912, causing over 1, 500 people to die.
When the Wollaton Hall Was Built Wollaton hall was and still is a well-known famous Nottingham building. Wollaton hall was built during the period 1580 - 1588. A designer, Robert Smythson, designed it on the commission of Sir Francis Willoughby. Much of the original building still remains, showing the style of architecture around the time of the Spanish armada. The hall had cost a total of £8,000, which was a considerable sum of money in Elizabethan times.
Print. The. Mike. The Evolution of Gothic Architecture. Aquinas Multimedia.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
Derby Day 1913 There she committed the only successful suffragette suicide by being trampled under the hooves of the Kings' horse. I have looked at many different accounts of what actually happened on the day, including newspaper reports and a video, and although they all say Emily did commit suicide, some contradict each other and disagree on things such as: · The position of the King's horse during the race. · How she got onto the race course · When Emily actually died · And Why Emily Davison actually committed suicide, (was it planned or just a spur of the moment idea?) What you have to understand whilst studying sources is that different people have different views on things and the sources were written for different purposes. For example, a letter to a loved one saying what happened on Derby day will not be the same as a newspaper article for a conservative, (who were anti-suffrage.)
The decade from 1880-1890 was an interesting time for America, giving rise to great advancement in architecture, inventions and businesses. For instance, such now famous companies as Sears Roebuck Company, DeBeers and Johnson & Johnson opened in this time (Timeline). Also, the Brooklyn Bridge, the largest suspension bridge in the world was set up in 1883 (Museum). This decade saw another milestone for architecture, the skyscraper. The first skyscraper, built in Chicago out of an all-iron frame, was completed in 1885.
The introduction of The Great Exhibition of 1851 (Auerbach, 1999) immediately conveys the scale of importance of the exhibition, ‘the first morning since the creation of the world that all peoples have assembled from all parts of the world and done a common act. By the time the exhibition closed in October, there had been more than six million paid entrances to the Crystal Palace, which, allowing for foreign and repeat visits, represented almost one-fifth of the population of Britain. Auerbach is the professor of history at California State university and has had numerous books published. This highlights that the text is a reliable source of reference.