You will hardly come upon your first view within the pages of this book without realizing that you have been brought into contact with something altogether new, something new and at variance with the traditions of other days. If you are like most of us, you will wonder if the future is to look like this, and, if it does, what your place is to be in it. ~ Allen D Albert A Century of Progress Exposition Official Book of Views To describe the 1933 Chicago World's Fair in a word, one might choose, "modern" or "dazzling," perhaps even "outrageous." The fair experimented with modern architecture, dazzling electric illumination, and a daring color scheme meant to reflect the scientific content of the fair's exhibits. The fair featured advancements in all fields of science, ranging from the inner-workings of the automobile engine to the most recent theory on the structure of the atom. Entitled "The Century of Progress," it used these vivid colors and impressive exhibits to create a light-hearted and uplifting experience intended to distract the nation from the hardships of the Great Depression. The viewbook featured here provides visitors with a souvenir of this striking event and a way to remember the exhibits and buildings after the exhibition was over and the fairgrounds returned to a public park. The viewbook was compiled by the Architectural Commission for the fair, with the text by Allen D. Albert, an honorary secretary, and forward by Rufus C. Dawes, the president. The book, approximately nine by twelve inches, and consisting of 64 pages of vibrant images of the fair, depicts the major buildings, exhibits and attractions. These images are mostly watercolors, sometimes enhanced photographs or cartoons. Th... ... middle of paper ... ...he tomorrow! With our help the new day can be made so much more rich that the old! The views have the look of romance. Romance may become reality if we humans will it to be so!" Works Cited Albert, Allen D. Century of Progress Exposition, Official Viewbook. Reuben H. Donnelly Corporation. Chicago, Illinois. 1933. Findling, John E. Historical Dictionary of Worlds Fairs and Expositions 1851-1988 Greenwood Press, Westport Connecticut. 1990. Ganz, Cheryl R. "Science Advancing Mankind." The Society for the History of Technology. 2000. Haskell, Douglas. "Mixed Metaphors at Chicago." Architectural Review August, 1933. v. 74 pp. 47-49. Kaufmann and Fabry Co. Official Pictures of A Century of Progress Exposition The Reuben H. Donnelley Corporation. Chicago, Illinois. 1933. "The Chicago World's Fair, 1933." Architectural Forum 1933 July, v. 59, p. 1-86.
One story describes the planning of the 1893 Chicago World’s Fair that had been proposed to celebrate the four hundred years since Columbus landed in America. The idea didn’t get much attention until a year earlier, when Paris held a world fair and unveiled the Eiffel Tower. Not to be outdone, America decided now it was a matter of who would hold a fair that would put France’s fair to shame. There was a dilemma of where the fair would be built New York or Chicago, but votes were tallied up and the majority of the vote was Chicago. Among the many architects in Chicago, the main job of the designing the fair was given to Daniel H. Burnham. He needed a companion to help him with the design and other features of the fair, so he chose John Root, a very close friend of his and former associate. Because of the amount of time it took to decide where to build the fair, The White City was believed to be impossible to construct because of time con...
Findling, John E., Historical Dictionary of World's Fairs and Expositions, 1851-1988 New York: Greenwood Press, 1990 Komendant, August, "Post-Modern on Habitat", Progressive Architecture 1968 March vol.49, p.138-147
“Cleveland Museum of Art: Building,” Cleveland Art, Cleveland Museum of Art, 2013. Web. 25 March, 2014.
Eck, Susan. "The Sculpture Plan by Karl Bitter, Director of Sculpture." Pan American Exposition: Buffalo 1901. (http://panam1901.bfn.org/documents/sculptureplan.html).
From first impression, Burnham found that Chicago had a murky factorial image lined with a “fantastic stink that lingered in the vicinity of Union Stock yards” (41). The dreadful surface that Chicago was maintaining allowed Burnham to be determined to collaborate and recreate its image. His efforts would also make a reputational comeback for America’s poor representation in the Exposition Universelle (15). One major feature that transformed public opinion of the state was to illuminate the entire fair with clean white buildings that outlined the goodness of the area (252). Eye-catching whiteness contradicted the presumed dirtiness of the town. Making a contradiction from what was assumed of the city would allow the fair to generate a much bigger transformation. The lights also gave the fair a unique, whimsical edge. “The lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted”, incorporating new technology in a grand-scale way merely to keep the theme of brightness ongoing throughout each day and night (254). Most importantly, it displayed the town’s potential to become a thriving and respected city. The theme of whiteness interlaced with the neoclassical outline in The World Fair’s de...
...the people of the US a glimpse of alien cultures that many of them had never heard of, much less seen and learned about. In a way, the fair was a cultural awakening for most of the people of the United States. Suddenly, people from Missouri could tell their friends and families that they had seen Camels, or men from Japan. 27 million people went to see the fair, the vast majority of them Americans. That was a little less than half of the population of the country at this time. That many people seeing cultures and people that many had never heard of would have caused a dramatic effect, transforming the people of this country into a more cultured, worldly people.
One half of the story was of a man named Daniel Burnham, who was a famous architect of his time. It’s in this half of the story that can you see the good part of the city. Pride can be seen mainly throughout his story. His life in these pages was based on the construction of the World Columbian Exposition which was a fair held in Chicago in 1893. This magnificent fair was in honor of one of America’s most well known discoverers, Christopher C. Columbus. This was the 400th anniversary of his discovery of the new world. Through Burnham’s pride and his determination, he was able to complete the fair in almost a year. However, it was not truly ready for opening day due to a few construction issues, such as the world’s f...
The World’s Fair of 1893 was set to commemorate the 400th year anniversary of Columbus’ voyage to America. When the top leaders in the US heard about the opportunity of hosting the fair, they quickly showed their interest. The main cities that showed interest were New York,...
Chicago wins the bid for the 1893 World's Exposition or as some call it the World Fair. Author Larson includes two different plots. One of the plot lines is about an architect, named Daniel
Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has seemed to undermine the world fair and the things that are going on within it with his murders and treachery that does grip Chicago once his evil deeds have been found out. Finally, the events that happened in the world fair that relate to the issues that occur in the late ninetieth century within the United States. The city of Chicago was in a desolate condition before it hosted the World Fair.
Baker Patricia, 1992, Fasions Of A Decade: The 1940's, New York, Facts On File, Inc.
The Chicago World’s Fair was at one of the most progressive time periods in American history. Free from the bonds of the Civil War, American inventors were able to invent for the sake of invention, women were once again able to fight for their rights as citizens, and African Americans were, for the first time ever, viewed as people
..., the society begins to see love as a goal. Romantic love becomes a noble trait and just quest if one wishes to embark on it.
image on Exposition souvenirs was ideal in light of the fair's theme - our nation's 150th
Raeburn, John. A Staggering Revolution: A Cultural History of Thirties Photography. Chicago: University of Illinois, 2006. Print.