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Influence of realism in literature
Influence of realism in literature
Essays on realism in literature
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I live in the most expensive apartment in NYC. Everybody wants to live where I live. I have the nicest space with the best view of the Empire State Building. I’m a millionaire. It’s midnight. I’m hunched over my desk trying to come up with a book concept that’s due at 08:00 tomorrow. I step outside onto my balcony and hear jazz music. Jazz isn’t particularly my type of music, but whoever is playing it is very talented, and as a musician I could recognize that. I decide to take my personal elevator down to the ground floor to see who’s playing. Who’s in the streets performing at this hour anyway? This didn’t even phase me as much as it would usually. I’m more focused on locking my door with my new key. I just got it remade- now it’s made entirely …show more content…
As I’m walking, I notice the groups of people in passing are becoming more and more dense. The music is getting louder as I approach. Around where I live, I’m pretty well known. I’m a famous realistic fiction author, but more famously “The Guy Who Lives in That Apartment”. Me and people from my neighborhood have a mutual respect. We say hello, help each other out if needed. It’s very nice, almost as if I live in the suburbs again where all of my neighbors are friends. I just walked past Mrs Beverly and her chihuahua, Stella. We say our usual “hello’s” and go about our ways. I wonder why she’s walking her dog so late. A little down the block I notice a large crowd. Everybody is dancing to the music. Man, it’s a Monday night. These people have better things to do! What’s so special about this band? I look into the crowd. I’m seeing people around my age and younger. But I also see some older people. Overall, everyone in the group is enjoying the music. As I’m scanning the crowd – who's looking at the musicians I notice 2 people looking at me. 1 had a ski mask on, and the other was just a blonde girl who glared at me like I’d killed her mother. Have I done something wrong? No, of course I haven’t. All I’m doing is watching this band play. Nothing's even inspiring me. Why am I still
Ten minutes after lining up, I went inside the nightclub. From the door, I could hear the song and the beat of the bass so loud that my heart could feel it. Inside the nightclub, I saw people were dancing everywhere, on dancing floor, on their own seats, everywhere. They would dance and take a big gulp of their beer. Even the bartenders were dancing too, following the rhythm of the loud funky music. The rainbow rays of light moved through the club to make the mood even more exciting and funky.
On February 17th, I attended the “UIC Jazz Ensemble” at 7 in the evening. The concert was located at the Illinois room in Student Center East. The concert director was Mr. Andy Baker, and he is one of the music professors at UIC. Besides, he is a lead trombonist of the Chicago Jaz Ensemble, co-leader of the sextet BakerzMillion. He is also a first-call theatre and studio musician. The lights in the room were pretty dim, and the room was filled with audiences. I noticed that there were a total of nineteen musicians performing that evening, and a lady jazz singer accompanied the musicians throughout the concert. There were sixteen members playing the wind instruments, including the trumpet, trombone, saxophone, flute, and French horn. Some of them were standing, and some were sitting. Besides wind instrument, the concert also included a guitar, drum and piano into the performance. They were played by Edwin Garcia, Aaron Gorden, James Wenzel and Will Gingrich respectively.
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
Throughout my lifetime I’ve been exposed to many different styles of music. One of the most emotionally connected music styles I’ve encountered would definitely be instrumental jazz. When I was younger I mostly listened to blues and smooth jazz, but more recently I’ve been attracted to faster tracks and harder beats like those you hear in the Swing era of the 1920’s. On Tuesday, October 27th I attended the performance of the jazz band: Sylvan Street, as a part of the University of Miami’s music festival (Festival Miami). The show started at eight o’clock at night cost ten dollars for students. Throughout the show, the band provided an incredible mixture of different styles of jazz while delivering an electrifying performance that captured the true essence of what jazz truly is.
We got to the Murray about twenty minutes before the concert started. So we headed in to find our seats and wait for the opening band to come out and perform. At about five after eight, the lights went out and it was time for the concert to start. Two guys came out on stage and started to sing. The two guys called themselves Core Project. I thought that this band was pretty awful. I could not understand one word they said the entire time they were on the stage. They just tried to be like every other band to come out right now. They didn’t offer anything different or unique. I must not have been the only one that thought they were bad because there were many people booing and yelling out “you suck” while they where on stage. After about a twenty minute performance they left the stage and another band came out to perform.
On Friday, April 14, I decided to go to BlueWhale jazz club in Little Tokyo, Downtown LA, which had a Jazz concert under the title “Anthony Fund featuring George Garzone”. I decided to google who is Anthony Fung who was a brilliant young drummer who was the same age as me, 23, I was very intrigued to attend. when I arrived at the Jazz Club the place was surprisingly packed. Me and my friends who I dragged along had to stand up for a while. the band has not yet started, there was only the drummer entertaining the audience. it seemed that Fung plays there often and he is quite popular. I scanned the audience to see what kind of people are there. It was my first time to attend a jazz concert, and since the beginning
For my concert review, I went to see the performance of Maynard Ferguson and his big band at Jazz Alley on Jan. 12th 2015. I asked some of my friends to join and they gladly agreed. Since two of my friends were a musician themselves and loved seeing live music whenever possible. They even went ahead and made a reservation. First time in Jazz Alley, the place was filled with various groups of people eating, drinking, and chatting. Our table was in good position, plus I was able to see the stage very well. We ordered some cocktails and everyone looked relaxed and enjoying their evening… except me, as I was worrying about writing a paper. I started to write the names of the ...
Yeah (stop, stop, stop, stop) You’ll only get your wings wet Oh, oh, (oh, oh….) ooooh (stop, stop, stop, stop) As the day falls into darkness, you come up to me quietly
Stanley Niaah (2004, p. 110) clarifies that dancehall events’ appeal and consequent power converge around their names, which take the form of the latest dancehall and/or inner-city lingua. The name Uptown Mondays seems a bit controversial – controversial in the sense that even though patronage extends to other classes, “dancehall remains an inner-city phenomenon resulting from the location of key actors, spaces of operation, and production.” (Stanley-Niaah 2004, p. 107). Analyzing the name deeper reveals that it may just be a mere appeal tactic, hinging on the idea of Stewart’s (2002) pre-eminence of the external, in the sense that the name will attract core-participants who seek to detach themselves from the label of being ghetto/downtown and who (seek to) identify with an uptown lifestyle regardless of realities they have to face. By means of characterizing Uptown Mondays, Stolzoff’s (2000, pp. 194-195) “juggling” dance is applied, in which tunes are played in a non-competitive manner, as opposed to a “sound system clash”. This sort of characterization is ...
On September 12, 2014, I observed two people; Person A and Person B. The observation took place at Applebee’s, a local restaurant, beginning at 7:21 p.m. and ending observation at 8:06 p.m. I was serving their table for the evening, enabling myself to observe them closely. The restaurant had died down from the dinner rush, leaving them one of three tables in the smoking section, normally filled with eight. Along with the outside light fading, the lighting indoors was dim, making the dining experience feel more quiet and intimate. The background noise was filled with a light roar of other group’s conversations, and a jazz station played quietly from the speakers overhead.
I found myself singing and screaming lyrics to MB’s song along with the crowd. I walked in with a mind that was set on attending that one concert, having a good time, and moving on with my life. However, my conversation topics, music playlist, and bedroom decorations became dedicated to the band. Eventually, I began to completely disregard logic in my decision making. For example, I decided to devote two years of my life to Spanish classes in high school simply because Princeton spoke that language with his family.
First, the people attending the concert were of ages that went from their late teens to their early thirties. The people were wearing all types of clothing, although I noticed several people wearing what a lot of people would classify as metalhead clothing (not the majority of the whole audience). These particular people were wearing black shirts, black pants and some boots. Many of them had really long hair, which is certainly the classic stereotype of a rock fan. This type of clothing and hair style didn't exclusively pertain to the crowd.
It was on September 9th at the Austin360 Amphitheater and it had started a seven that night. At this concert was a mixture of artist such as Chris Brown, Omarion, Kid Ink, Fetty Wap, French Montana, and Teyana Taylor. The concert was called One Hell of a Nite Tour. From the many different topics we have learned in Sociology I noticed that there was only a specific group of people at this concert. When I had looked around I noticed that it was only people within the age range of about 18-25. Most of the people I talked to there were college students. It was a mixture of all races but it was diverse. You could easily tell who the wealthy was and who did not have much money. The wealthy people sat up close to the performers, while the ones with not much money was on the
After the show had ended, I felt slightly empty. I had waited years and months for that night, and it was over in the blink of an eye. Although I was sad that the show was over, I felt completely content. Now, when I hear their songs, I get to remember what it felt like to hear the band perform them live. I can watch the videos and try to wrap my mind around how it was real. Going to my first concert was an unparalleled experience that I will always cherish. The ambiance, the band’s performance and the unity the audience