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Social influence theory
Social influence theory
Social influence theory
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Over the course of the last century, a young orphan by the name of Annie has been plastered amongst a media-driven world. Crawling into the minds and hearts of many, the iconic tale of Annie and her exposure to the world of the social elite has made way for a magnitude of adaptations. Deriving from a 1885 poem, Little Orphant Annie by James Whitcomb Riley, Annie and her adventures has been illustrated as comic strips (Little Orphan Annie by Harold Gray), books (Annie by Thomas Meehan), and musicals (Annie and Annie 2: Miss Hannigan’s Revenge by Thomas Meehan) (“Little Orphant Annie”)(Cronin)(“Annie {Musical} Plot & Characters”). The latest takes on an Annie adaptation has been met with the big screens. Within the last thirty years, directors John Huston and Will Gluck have released two different versions of the life and journey of a young girl (“Annie” {1982})(“Annie” {2014}) .
Amongst the turmoils of America’s Greatest
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Depression, the 1982 young orphan faces the cruel reality of Hudson Street Orphanage. Sheltered by the walls and judicial system of Miss. Agatha Hannigan, a vintage Annie portrays an overwhelmed and secluded individual to the outside world. Confined to the walls of her and her roommates’ bedroom, the only hope to escape comes in the form a run-down fire escape. However, as she is bombarded with the truths of cruel punishments and poverty, her encounter with Mr. Daddy Warbucks illustrates an opportunity for change. By alluding to a monumental separation between the cold streets of Harlem to the glitzing floor of a mansion, the 1982 adaptation showcases the climax from indigence to the upper class. By entering into a new world of wealth and elitism, Annie’s adoption creates extra feelings of triumph and change. In order to pull at the hearts of many, Marshall displays a child and her transformation from the criticism of a rundown orphanage to the rise of her social belonging. On the contrast, Gluck portrays a modern day twist upon the famously known Annie.
While Annie still resides in Harlem, the film is influenced by the social and technological advancements of the time. One example of the influential power of social norms shines through in the form of foster care. Ditching a history of orphanage based child care, a modern Annie finds herself within the home of Colleen Hannigan. However, the current portrayal of a young Miss. Hannigan is consumed with the thoughts of her failed acting career and the search for love. With her sights set on herself, a new empowered Annie is able to slip through the cracks of Hannigan’s view. Taking advantage of her freedom, the young girl engages in a very manipulative and street smart nature by exploring the streets. Due to her almost pain free livelihood, Annie’s rise to the life of rich and powerful comes off as a small enhancement rather than a transformational change. Failing in both tension and climax, the modern adaptation takes away the inspirational nature of the
film. In addition to the role of Annie, Miss. Hannigan becomes tainted with a soft heart. Unlike the rigid and controlling nature of the past Hannigan, the enhanced care taker becomes plagued with remorse and guilt. Stricken with guilt over the separation of Stacks and Annie at her hands, Hannigan 2.0 even engages in the rescue of Annie from her false parents. While the Hannigan’s kind action adds for a happy ending, the overall hardship of Annie and her struggle diminishes with Colleen Hannigan’s cold heart. Even the character Daddy Warbucks takes on a new modernized aura. Buying to the technological atmosphere of the time, a new William Stacks makes way to display the materialistic image of the elite. While Stacks search for Annie’s real parents is merely to remove her from hindering his political campaign, Daddy Warbuck’s search is driven solely on remorse and the journey of fixing a broken locket. While Daddy Warbuck’s showcases the power of his influential wealth, he also dives into a meaningful and heart warming with his new daughter. Although both films focus on the story of a young girl with missing parents, each takes a different historical approach. Both set in the rundown neighborhood of Harlem, New York, “Annie” portrayals a girl and her odds with the organization of childcare. Giving her the freedom and parents she never had, “Annie” and her rescuers tugs at the hearts of millions.
The Orphan Train is a compelling story about a young girl, Molly Ayer, and an older woman, Vivian Daly. These two live two completely different yet similar lives. This book goes back and forth between the point of views of Molly and Vivian. Molly is seventeen and lives with her foster parents, Ralph and Dina, in Spruce Harbor, Maine. Vivian is a ninety-one year old widow from Ireland who moved to the United States at a young age. Molly soon gets into trouble with the law and has to do community service. Molly’s boyfriend, Jack, gets his mom to get her some service to do. Jack’s mom allows her to help Vivian clean out her attic. While Molly is getting her hours completed, Vivian explains her past to her. Vivian tells her about all the good times and bad in her life. She tells her about how she had to take a train, the orphan train, all around the country after her family died in a fire. She told her about all the families she stayed with and all the friends she made along the way, especially about Dutchy. Dutchy is a boy she met on the orphan train and lost contact with for numerous years, but then found each other again and got married and pregnant. Sadly, Dutchy died when he was away in the army shortly after Vivian got pregnant. When Vivian had her child, she decided to give her up for adoption. Molly and Vivian grew very close throughout the time they spent together. Molly knows that Dina, her foster mother, is not very fond of her and tells her to leave. Having no place to go, Vivian let her stay at her house.
Annie [played by Aileen Quinn] is a story written by Martin Charnin about a little girl who was left for the doorstep of an orphanage when she was extremely little and goes on to live a miserable life of working at the orphanage. Until one day a person named Grace Farrel [played by Ann Reinking] came along and invited one orphan to stay with her and Oliver Warbucks [played by Albert Finney]. During Annie’s stay Mr. Warbucks realizes how much he likes Annie and wants her to stay. In a way to tell her he gives her a new locket. Without knowing, Annie doesn't accept the locket in result of her own was given to her by her parents before she had been given up. With this knowledge a search is sent out with a reward of $50,000. With
In the novel Orphan Train, by Christina Baker Kline, we witness a relationship develop between Molly, a seventeen year old in the foster care system, and Vivian, a ninety-one year old widow that is looking to clean out her attic. As the book progresses, we see them grow closer through telling stories and bonding over their joint hardships. Kline goes out of her way to illustrate this strengthening friendship through many little hints in the novel.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
Little Girls in Pretty Boxes and The Scarlet Letter. Both authors persuade the reader to feel pain of the stories subject. In Little Girls in Pretty Boxes the author used pathos and interviewing to share the stories of these overly dedicated youth. Joan Ryan wrote to show how these young, talented, sophisticated women can hide the harsh reality of the sport. In her biography she listed the physical problems that these young girls go through. They have eating disorders, stunted growth, weakened bones, depression, low self esteem, debilitating and fatal injuries, and many sacrifice dropping out of school. Whereas the Scarlet Letter is a fictional drama that uses persuasion and storytelling to involve the reader. Nathaniel Hawthorne discusses
Working as a teacher serving at-risk four-year-old children, approximately six of her eighteen students lived in foster care. The environment introduced Kathy to the impact of domestic violence, drugs, and family instability on a developing child. Her family lineage had a history of social service and she found herself concerned with the wellbeing of one little girl. Angelica, a foster child in Kathy’s class soon to be displaced again was born the daughter of a drug addict. She had been labeled a troublemaker, yet the Harrisons took the thirty-hour training for foster and adoptive care and brought her home to adopt. Within six months, the family would also adopted Angie’s sister Neddy. This is when the Harrison family dynamic drastically changes and Kathy begins a journey with over a hundred foster children passing through her home seeking refuge.
Her struggles are of a flower trying to blossom in a pile of garbage. Growing up in the poor side of the southside of Chicago, Mexican music blasting early in the morning or ducking from the bullets flying in a drive-by shooting. Julia solace is found in her writing, and in her high school English class. Mr. Ingram her English teacher asks her what she wants out of life she cries “I want to go to school. I want to see the word” and “I want so many things sometimes I can’t even stand it. I feel like I’m going to explode.” But Ama doesn’t see it that way, she just tells, Julia, she is a bad daughter because she wants to leave her family. The world is not what it seems. It is filled with evil and bad people that just want to her hurt and take advantage of
As Jacqueline got to the age where her grandparents home was just a constant routine, never seen as anything but a cycle, her mother takes her and the family to New York for “new opportunities”. Jackie thinks of the idea as an adventure till she sees the pale grey streets
Her father works out of town and does not seem to be involved in his daughters lives as much. Her older sister, who works at the school, is nothing but plain Jane. Connie’s mother, who did nothing nag at her, to Connie, her mother’s words were nothing but jealousy from the beauty she had once had. The only thing Connie seems to enjoy is going out with her best friend to the mall, at times even sneaking into a drive-in restaurant across the road. Connie has two sides to herself, a version her family sees and a version everyone else sees.
In An American Childhood by Annie Dillard, Dillard reminisces on her many adventures throughout her childhood living in Pittsburgh. Her stories explain her school, her home life, her family, and growing up. Dillard also talks about changes in her life, and how they affect her, and how she felt about others around her. One’s childhood is a crucial part of life, because it’s a time of learning more than any other time of life. Childhood is a time of curiosity and realization. What you learn in your childhood has a big impact on how you make decisions and act as an adult.
The film reflects the class difference from beginning through the end, especially between Annie and Helen. Annie is a single woman in her late 30s without saving or boyfriend. She had a terrible failure in her bakery shop, which leads her to work as a sale clerk in a jewelry store. When Annie arrived Lillian’s engagement party,
From the beginning of the film until the end Annie is struggling to find her own self, often she is experiencing the negative cycle of the self-concept. Contributors to the self-concept include; self-esteem, reflected appraisal and social comparison, and all of this can be subjective, flexible and resistant to change. In the first parts of the movie it really showcases that
Imagine what it would have been like to be cooped up in an attic during the Holocaust,with only very little space eight people in one little attic. For the Franks and the Van Danns it was eight people and a cat for most the time. With no one to talk to they have to keep everything in, unless they write it. In “The Diary of Anne Frank” the two families live this way. Anne and Peter were two of the characters who experienced this. Anne is a teenage girl who has a sister and lives during the Holocaust. Anne also had a lot of friends so she was popular; she loved to read and write in her journal. She was very loud and obnoxious. In Act one Scene two ,Peter says “I was always by myself, while you were in a big crowd of people.” This shows that Anne was very popular and is used to people; while Peter was not used to as much attention and people. Then in Act one Scene three, Mr.Van Dann says, “ Why can’t you be more like your sister Margot?” This proves that the Van Danns like Margot more than they like Anne ; it also proves they think Anne is obnoxious.
...her father’s intense racism and discrimination so she hid the relationship at all costs. Connie realized that she could never marry an African American man because of her father’s racial intolerance. If she were to have a mixed child, that child would be greatly discriminated against because of hypodecent. One day, Connie’s dad heard rumors about her relationship so he drove her car to the middle of nowhere, and tore it apart. Then, he took his shotgun and went to look for Connie and her boyfriend. Connie was warned before her father found her, and she was forced to leave town for over six months. Connie’s father burned her clothes, so she had to leave town with no car, no clothes and no money at sixteen years old. Connie had lived in poverty her entire life, but when she got kicked out she learned to live with no shelter and sometimes no food at all.
Two weeks after her father’s funeral, our protagonist Annie sees his ghost in her bathroom. Knowing he is dead, they small talk about her boyfriend, their farm, their deceased family etc. until he suddenly vanishes. Her father makes occasional appearances after that. They keep talking about everyday life until one night at the Opera House, where she not only sees her father, but her brother and mother as well. Knowing where to find them, she takes her goodbye with her dead family.