Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The theme of death used in literature
Death as a theme in literature
Impact of war on society essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The theme of death used in literature
Literary Criticism Essay
“The Open Boat” fixates on the idea that Nature doesn’t care about man, and gives a glimpse of how men form a bond of brotherhood to overcome it. Stephen Crane’s poem War Is Kind exemplifies the disdain ways of nature and how it engenders it to be dispassionate towards men. Crane exemplifies that Nature finds man unworthy of its consideration by the way he writes about death. In the beginning of the poem Crane writes “Because your lover threw wild hands towards the sky And the affrighted steed ran on alone, Do not weep. War is kind.” The death of a soldier is briefly explained in this excerpt of the poem. The way Crane writes this part makes it seem like the maiden is being mocked by nature because her lover’s death
…show more content…
Given the fact that nature is known for sneering in man’s face, it is no surprise that it also very dispassionate towards people. War Is Kind use the line “A field where a thousand corpses lie.” to describe the battlefields of the war. When most people talk about the casualties of war they are addressed as soldiers, whereas the poem uses corpses. This takes away any honor or identity from these dead bodies, showing that nature has a way of making death very impersonal. Understanding this concept can help grasp a more intricate comprehension of the following scene in “The Open Boat.” The Oiler dies in a very tragic way, and when they finally bring his body to shore it is described as “A quiet and wet shape” (Crane, Pg.15) In a 5 word sentence any identity he had, vanished. This is a great example of how impersonal nature gets when man dies, stripping them of any ounce of dignity they had. War Is Kind shares many of the same ideas that “The Open Boat” does and by getting grasp of what is being said in the poem, will lead to a greater understanding
The readings “The Legend of Sleepy Hollow” by Washington Irving and The Monster by Stephen Crane are to amazing readings. However, these two texts represent violence and conflicts in different ways, which shows that although they have the same concept their tactic for this same concept is used in a different approach.
Alistair Macleod’s “The Boat” is a tale of sacrifice, and of silent struggle. A parent’s sacrifice not only of their hopes and dreams, but of their life. The struggle of a marriage which sees two polar opposites raising a family during an era of reimagining. A husband embodying change and hope, while making great sacrifice; a wife gripped in fear of the unknown and battling with the idea of losing everything she has ever had. The passage cited above strongly presents these themes through its content
The lantern and the snow are both bright and shiny, showing that they carry some hope, but the skipper’s eyes are emotionless, spiritless, and dead. There are no lingering emotions in the skipper’s eyes; no sadness, no remorse, not even any more confidence. Unlike the daughter who still has “salt tears in her eyes” (line 82), showing that she dies painfully and with a heavy heart, the skipper has no emotion mentioned. The author’s description of the skipper’s eyes finalizes how he felt nothing towards what he had brought his daughter into. This connects back to Longfellow’s message as it depicts how overconfidence can destroy a person without control. Judging by how the skipper felt no emotion in his final moments, he wasn’t aware of what was going on around him. The skipper still wasn’t aware that he destroyed himself; it happened uncontrollably. Longfellow also uses imagery to describe how the fisherman saw the daughter’s hair. It was like “brown sea-weed/ On the billows fall and rise” (lines 83-84). Readers feel sympathy and pity for the daughter whose body is helplessly being swung around by the waves. An innocent and loving being is destroyed because of the skipper’s
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
The human race tends to sugarcoat natures indifference to man as if it’s an innate instinct. They have an egotistical sense of importance. They don’t like to feel as if they’re inferior or unimportant because then there’s no point in living. They lie to themselves to stay alive. However, Stephen Crane, a writer of American realism, attempts to describe life without idealization or romantic subjectivity. Therefore, Crane’s theme revolves around the insignificance of man in the face of an indifferent universe.
Writing in “Fact, Not Fiction: Questioning Our Assumptions About Crane’s ‘The Open Boat,’” Stefanie Eye Bates remarks, “By mentioning the men’s friendship, the atmosphere of congeniality and fraternity, the captain’s calm voice and the comfort the others took in it, Crane fully explains how he draws the conclusion that ‘although no one said it was so,’ the sense of unity was felt by all” (73). Since this bond of brotherhood is felt by all the men in the boat, but not discussed, it manifests in small ways as the men interact with each other. They are never irritated or upset with each other, no matter how tired or sore they are. Whenever one man is too tired to row, the next man takes over without complaining. When the correspondent thinks that he is the only person awake on the boat, and he sees and hears the shark in the water, the narrator says, “Nevertheless, it is true that he did not want to be alone with the thing. He wished one of his companions to awaken by chance and keep him company with it” (Crane 212). In reference to this scene, Shulman remarks that “the central theme of community [is] touchingly rendered here because the correspondent does not awaken his exhausted companions” (451). Nobody makes any statements about the bond that the men develop, but it is evident in small things like this, where the correspondent lets the other men sleep
The struggle for survival by mankind can be found in many different settings. It can be seen on a battlefield, a hospital room or at sea as related in “The Open Boat”, written in 1897 by Stephen Crane. The story is based on his actual experiences when he survived the sinking of the SS Commodore off the coast of Florida in early 1897. “The Open Boat” is Stephen Crane’s account of life and death at sea told through the use of themes and devices to emphasize the indifference of nature to man’s struggles and the development of mankind’s compassion.
The Open Boat is a particularly interesting story because of the great detail that the author extends and because of the solitary reflections of the characters in consideration of their demise. The story possesses an amazingly vivid description. This attention to detail affords the reader the greatest degree of reading pleasure. Crane paints such glorious images in the reader's mind with his eloquence.
A tone readers clearly find in “The Open Boat” by Stephen Crane, is loneliness. That particular tone is easily seen when; a group of four men are in a ten foot dinghy with nothing to either their north, south, east, or west except the water around their position. “The men seem to recognize that they are helpless in the face of nature. Their lives could be lost at any moment by the most common of natural phenomena: a wave, a current, the wind, a shark, or even simple starvation and exposure. The men are at the mercy of mere chance.” (Open Boat). With that specific thought out in the open, an adventure for the readers is finding the mysterious special tone behind the short story. Stephen Crane
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain decides that they must try to take the lifeboat as close to shore as possible and then be ready to swim when the surf inevitably turns the boat over and throws the men into the cold sea. As they get closer to land a big wave comes and all the men are thrown into the sea. The lifeboat turns over and the four men must swim into shore. There are rescuers waiting on shore who help the men out of the water. Strangely, as the cook, captain and correspondent reach the shore safely and are helped out of the water, they discover that, somehow, the oiler has drowned after being smashed in the surf by a huge wave. (255-270) “The Open Boat’s” main theme deals with a character’s seemingly insignificant life struggle against nature’s indifference. Crane expresses this theme through a suspenseful tone, creative point of view, and a mix of irony.
As the ancient Mariner described his adventures at sea to the Wedding-Guest, the Guest became saddened because he identified his own selfish ways with those of the Mariner. The mariner told the Guest that he and his ship-mates were lucky because at the beginning of their voyage they had good weather. The mariner only saw what was on the surface -- he did not see the good weather as evidence that Someone was guiding them. Also, when he shot the Albatross, the Mariner did not have any reason for doing so. The Albatross did nothing wrong, yet the Mariner thought nothing of it and without thinking of the significance of the act, he killed the bird. At this, the Guest was reminded of how self-absorbed he, too, was, and the sinful nature of man. At the beginning of the poem he was very much intent on arriving at the wedding on time. He did not care at all about what it was that the Mariner had to tell him; he did not want to be detained even if the Mariner was in trouble. Instead, he spoke rudely to the mariner, calling him a "gray-beard loon", and tried to go on his own way.
“The Open Boat” was written by Stephen Crane in 1897. This is an extremely powerful short story fictionalized by one of Crane’s own experiences out at sea. He is able to use what has happened to him, and spice it up to turn his story into a fictional account everyone can relate to. The reasons this story is so powerful is because of the literary devices Crane uses throughout the story, especially symbolism. In “The Open Boat,” Crane uses the four main characters, the dinghy, the waves, and the sea-weed as symbols to produce a microcosm of society.
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.