It has always been difficult to write about historical events of such importance as the Holocaust. Undoubtedly, what happened was serious and should be treated as such; with respect and dignity. Works dealing with the Holocaust are subjected to careful inspections; writers that choose to portray this topic must tread carefully. Art Spiegelman’s work Maus is written in comic form and could be criticised about not being serious enough. But is that really the case?
The very form in which Maus is written, the form of a graphic novel, could be seen as highly controversial. The graphic novel is usually associated with fiction, which Maus most certainly is not. Throughout history, the comic has been used as a narrative form to depict both fiction and non- fiction; it has been known to have a great impact on masses of people, mainly due to its appeal to a huge readership. As comics use drawings and minimal amount of text to portray their message, the criticism that the subject could not be adequately handled in this form is understandable. And yet, Art Spiegelman manages to avoid the trap of
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His innovative methods of representation and use of narrative strategies do not mock, but shock. The seriousness of events is not diminished by drawing mice and cats, not is it degrading to preserve Vladek’s broken English. Spiegelman stays true to his father and his memories of the war, and thus honours his story and stories of many other survivals on a more personal level. He avoids sacrificing creativity and innovation by being too bleak to avoid criticism and offense. He makes his point clearly and concisely, leaving the readers with something to think about, which many more serious works fail to do. After all, as Adorno states in his less frequently quoted sentence: “Even the most extreme consciousness of doom threatens to degenerate into idle
People often shudder at the thought of the Holocaust. During this gruesome time nearly six million Jews, and an additional five million non- Jewish victims, including gypsies, homosexuals, and handicapped, were inhumanely murdered by the Nazis. There was no escape from the brutality of the German dictator, Adolf Hitler. The Holocaust was Hitler’s effort to exterminate any person he believed to be inferior. Anyone deemed fit for the title was lugged away to concentration camps, then sentenced to obligatory labor or demise. Now, imagine this as a comedy. The notion that such an event could be portrayed as a comedy seems unfathomable. However, director Robert Benigni is able to take this occurrence and apply a comedic sense in order to set the
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
Spiegelman, Art. Maus II: A Survivor's Tale: And Here My Troubles Began. New York City:
The Holocaust was a terrible time, where the Nazis were eliminating Jews due to a misunderstanding that was passed down from Adolf Hitler to the Germans. Hilter filled the minds of Germans with hatred against Jews. Books such as Maus and Anne Frank has been able to suppress the horror of the holocaust. Maus, by Art Spiegelman, is about Art Spiegelman’s father Vladek Spriegelman and his experiences enduring the holocaust. Anne Frank, by Ann Kramer is about Frank and her friends and family struggling to survive the holocaust, yet in the end only her dad, Otto Frank is the only survivor. The author of the book Anne...
The Holocaust is one of the most horrific and gruesome events in world history. It took a great toll on millions of lives in one way or another. One person in particular is Vladek Spiegelman, a Holocaust survivor. Maus, by Art Spiegelman, consists of two main narratives. One narrative occurs during World War II in Poland, and the other begins in the late 1970s in New York. In relation to each other these two narratives portray the past and present.Throughout the novel, we often see Art Spiegelman questioning why his father acts the way he does. Although the war is over, the events of the Holocaust continue to influence the life of Vladek. Why do we allow the past to effect the present? Vladek's personality is largely influenced by his Holocaust experience. In Maus I and II, Vladek was stubborn, selfish, and cheap because of his experiences in the Holocaust.
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
...s own wounded self, unaware of the unconscious connection to the depression of his mother and the unconscious recognition with the danger of his father. This text within a text is another chapter in Art Spiegleman's life that ends in tragedy from the death of a loved one and a piece of him. Artie's emphasis in this section of Maus is illustrated through the creation of a gloomy illusion when he outlined the four pages of the comic in black and illustrated the characters in a darker, more realistic manner from the mice and cats throughout the rest of the book. The purpose of this text within a text was to inform the reader that there was more to Art's story than what his father had to say. The death of Art's mother had a horrific impact on his father and himself, and this small cartoon was a way for Art to tell the story while coping with his memory of the incident.
Art Spiegelman’s graphic novel Maus unfolds the story about his father Vladek Spiegleman, and his life during the WWII. Since Vladek and Art are both the narrators of the story, the story not only focuses on Vladek's survival, but also the writing process and the organization of the book itself. Through these two narrators, the book explores various themes such as identity, perspective, survival and guilt. More specifically, Maus suggests that surviving an atrocity results in survivor’s guilt, which wrecks one’s everyday life and their relationships with those around them. It accomplishes this through symbolism and through characterization of Vladek and Anja.
The comic book form is very useful in telling a story as complex as Maus. Usually, comics are associated with fun and lightheartedness, but Maus is almost the complete opposite. It is a serious story of one’s recollection of the holocaust. Not exactly light reading.
Jane Yolen once said: “Fiction cannot recite the numbing numbers, but it can be that witness, that memory.” Preserving the memories of the horrifying incidents of the Holocaust is the best way to ensure nothing like it ever occurs again. Authors use their novels to try and pass these memories down through generations. Examples of this are the novels Night by Elie Wiesel, and MAUS by Art Spiegelman. The main discussion in these novels revolves around the Holocaust and the violence against Jews. Both have captivating stories and are worthy of recognition, but MAUS is a better novel for educating students. This is because unlike Night it discusses the familial guilt faced by the families of Holocaust survivors. In addition, MAUS gives a visual
In the story if Maus, written by Art Spiegelman, is not only a story about a father’s story of his life in the Holocaust, but one of a father who has horrific problems relating to his son. These issues are shown from beginning to end and in many instances show the complexity of the...
One cold, snowy night in the Ghetto I was woke by a screeching cry. I got up and looked out the window and saw Nazis taking a Jewish family out from their home and onto a transport. I felt an overwhelming amount of fear for my family that we will most likely be taken next. I could not go back to bed because of a horrid feeling that I could not sleep with.
When reading a traditional book, it is up to the reader to imagine the faces and landscapes that are described within. A well written story will describe the images clearly so that you can easily picture the details. In Art Spiegelman’s The Complete Maus, the use of the animals in place of the humans offers a rather comical view in its simplistic relation to the subject and at the same time develops a cryptic mood within the story. His drawings of living conditions in Auschwitz; expressions on the faces of people enduring torture, starvation, and despair; his experience with the mental institution and his mother’s suicide; and occasional snapshots of certain individuals, create a new dynamic between book and reader. By using the form of the graphic novel, Art Spiegelman created a narrative accompanied by pictures instead of needing to use immense worded detail.
The Holocaust was one of the most tragic and trying times for the Jewish people. Hundreds of thousands of Jews and other minorities that the Nazis considered undesirable were detained in concentration camps, death camps, or labor camps. There, they were forced to work and live in the harshest of conditions, starved, and brutally murdered. Horrific things went on in Auschwitz and Majdenek during the Holocaust that wiped out approximately 1,378,000 people combined. “There is nothing that compares to the Holocaust.” –Fidel Castro
Art Spiegelman’s Maus is a novel about the Vladek and his experience as a Polish Jew during the Holocaust. It narrates the reality of the Holocaust wherein millions and millions of Jews were systematically killed by the Nazi regime. One of the themes in the story is racism which is evident in the employment of animal characters and its relationship with one another.