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Magical realism in fiction essay
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Laura Esquivel the author of Like Water for Chocolate was born in Mexico, September 30, 1950. She has written plays, movies and two other novels The Law of Love and Between the Fires. Esquivel parodies the magazines of the time directed at women in her novel, and takes it further with characters like Tita and Mama Elena. ("Like Water for Chocolate"). Esquivel explores the ability of cooking and foods to transform people in a story that is intimately connected to the traditional position to which women have been relegated in Mexico and to the technique of magical realism in Latin American writing. ("Like Water for Chocolate").
Like Water for Chocolate takes place during the Mexican Revolution, although it is not the main focus of the book, it is a pivotal moment in Mexican history. The Mexican Revolution started 1910 and lasted until
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Three products constitute the heart of most Mexican dishes: corn, hot peppers (chiles), and beans. ("Like Water for Chocolate"). Much of the sophistication of Mexican cuisine comes from the use of more than one hundred different types of chiles, which range from the large and "sweet" chile ancho to the small and extremely hot chile habanero. (“Like Water for Chocolate”). In Like Water for Chocolate, the reader sees Tita express herself through the food, and essentially lives through it. That is the culture, food is not just food, it has a deeper meaning. The cooking is methodical, and important, almost an art form. It is beauty, emotion, celebration, etc. In September people commemorate independence and, in central Mexico, eat a sophisticated dish called chile en nogada, a stuffed chile poblano dressed with a white walnut sauce, red pomegranate, and green parsley, in a representation of the Mexican flag. (“Like Water for Chocolate”). In the novel the reader sees Tita make a very similar dish but in the month of December for her niece, Esperanza’s,
I don’t really like chiles, but because it bears a lot of health benefits, my mindset with the chiles have changed. “The Joy of Jalapeños” written by Jose Antonio Burciaga, an author and a Chicanismo expert, is an essay that talks about the author’s personal relation with the jalapeños, where he demonstrates the various kinds of health benefits of the chiles, the Chicano’s masochistic cuisine and culture, and his own analysis about it. And through his own experiences, and thoughtful and careful examination of scientific evidence about the health benefits of a jalapeños, Burciaga have persuaded me into consuming more jalapeños.
“Like Water for Chocolate” by Laura Esquivel, is a beautiful romantic tale of an impossible passionate love during the revolution in Mexico. The romance is followed by the sweet aroma of kitchen secrets and cooking, with a lot of imagination and creativity. The story is that of Tita De La Garza, the youngest of all daughters in Mama Elena’s house. According to the family tradition she is to watch after her mother till the day she does, and therefore cannot marry any men. Tita finds her comfort in cooking, and soon the kitchen becomes her world, affecting every emotion she experiences to the people who taste her food. Esquivel tells Titas story as she grows to be a mature, blooming women who eventually rebels against her mother, finds her true identity and reunites with her long lost love Pedro. The book became a huge success and was made to a movie directed by Alfonso Arau. Although they both share many similarities, I also found many distinct differences. The movie lost an integral part of the book, the sensual aspect of the cooking and love.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
The chile pepper is a vegetable that has been a part of Americas history. Chile peppers haave been a part of the human's diet for as long as 7500BC. Chiles are used in many Mexican and South American cuisines as whole peppers and also grinded into spaces. In Jimmy Santiago Baca's poem "Green Chile," he refers to green chiles to represent his memories of home. Jimmy Santiago Baca is a mix of Chicano and Apache origins. At the age of two, both of Baca's parents abandoned him (Poets.org). After he was abandoned by his parents, he lived with his grandparents until he was thirteen. It was during this time with his grandmother that inspires the story in "Green Chile." When Baca was 21, he was convicted of drug possession and was incarcerated. It was when he was incarcerated where he learned to read and write. In "Green Chile," Baca tells a narrative story about his grandmother cooking green chile. Jimmy Santiago Baca uses his earliest memories of his grandmother cooking green chiles to show his appreciation of his cultural traditions while also using the green chile to signify a sense of maturity.
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
As the first major U.S. success for a Spanish language film, Como Agua Para Chocolate (Alfonso Arau, 1992) has had a major impact on Hispanic culture and the future of Hispanic cinema. This film has many implicit and explicit layers that challenge typical cultural ideals, not only in Hispanic culture, but in various cultures across the world. Based on his wife, Laura Esquivel’s novel, Arau used this film, known commonly as Like Water for Chocolate, to bring to the surface the liberation of females through the empowerment of food. Although food and cooking are often associated with the oppression and generalization of Hispanic women, Like Water for Chocolate captivates an empowering view of women using intimate and heightened cinematography of the food.
This is an ancient festivity that has been much transformed through the years, but which was intended in prehispanic Mexico to celebrate children and the dead. Hence, the best way to describe this Mexican holiday is to say that it is a time when Mexican families remember their dead, and the continuity of life.
First, Grande illustrates the standard of living of her early childhood in Iguala, Mexico compared to later years living with her dad on El Otro Lado. Living with Abuela Evila, in Iguala, there was no running water. It was delivered every three days from a community well, but for Grande and her siblings, they had to bring their own water in a bucket from the well to bathe. Carlos burned the trash, there was no garbage pickup. There
Jimmy Santiago Baca’s poem “Green Chile” describes a personal experience growing up with a staple food of the Southwest tradition. In the 3 stanzas and 45 eloquent lines, Baca uses symbolism through red and green chile peppers. The red chile peppers symbolize strength and progression and are also the peppers the author prefers. On the other hand, the green chilies represent youth, which are Baca’s grandmother's favorite. Both the red and green chilies are differentiated by the flavor and taste to tell a story of Baca and his history of growing up with his grandmother.
What is a rebel? A rebel is a person that fights authority. A rebel is someone who opposes her parents. When talking about Like Water for Chocolate by Laura Esquivel, this is the perfect definition of a rebel. Why? The second definition is the more accurate definition because it sums up what Gertrudis De La Garza is. Don’t get me wrong; both definitions serve Gertrudis justice. The first one just describes Gertrudis in a very vague and general way. The second definition taps into more detail that defines her role in the dictatorship run by Mama Elena.
Before we were Free, by Julia Alvarez, captures the experiences and the challenges of twelve year-old Anita de la Torre living in the oppressed Dominican Republic. Anita has spent most of her years as an ebullient adolescent, thriving in the comfort and luxury found within the gates of her family’s lush compound. Anita is torn from her euphoric life around her twelfth birthday in 1960, when the walls of her safe haven seemingly crumble as she discovers more and more about the reality of her broken country, it’s threatening dictator, and her family’s involvement in a plan to overthrow him. Before we were Free boasts a similarity to The Book Thief. Both of these books focus on a torn nation and a dictator. Perhaps the most similar feature in these two books lies in the personalities that they revolve around--teen girls facing increasing dangers, yet managing to persevere even when they feel as though they cannot go on any longer. Although the books revolve around different eras and different dictators, they closely mirror one another.
In these three days of celebration for the Mexican/Hispanic communities there is a lot of fiestas happening and a lot of preparing. This holiday is represents by skulls, sugar skulls, marigolds, and foods. On “dia de los muertos” family and friends visit
The role of women in Northern Mexico during the change of the nineteenth century are explored in depth by Laura Esquivel. The connection of food, and the role of the Mexican revolution are greatly shown through this novel. In addition, the use of sorrow and intense emotion help create an atmospheric place including loss and loneliness. The overall picture of the novel is effected by Tita’s cooking skills; each month represents the emotion she is currently feeling. This makes it so that when the ingredients are combined and cooked gently, smooth and unusual flavors appear. In Like Water for Chocolate by Laura Esquivel, the author explains food as a object that is being described in great detail. It
The novel, Like Water For Chocolate, is a story revolved around love, war, and delicious food. Throughout the book, there are times when the book has been arguably a feminist novel and that “Esquivel reinforces the idea of a community of women” (Ibsen 3). It involves mostly women, and each woman has their own distinct personality trait and shows a version of feminism with many male-like characteristics. The definition of feminism is the belief that men and women should have equal rights and opportunities. Feminism supports the theme in the book that no matter the circumstance women can overcome anything. The author shows how feminism is a big part in Mexican culture by showing key characteristics
It has a key role in the way they live. In Chile, the most popular tradition is the Fiestas Patrias (Independence Festivities), which are held on September 18 and 19 to commemorate the First Assembly of Government in 1810. Its fonda and ramada parties offers traditional fare including empanadas, chicha (a fermented liquor) and red wine, and dances like the cueca and cumbia. Flags are raised, kites are flown and horse races are held.