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Mexican food culture essay
Mexican food culture essay
Essay on mexican cultural foods
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Journey of Food in Like Water for Chocolate
The role of women in Northern Mexico during the change of the nineteenth century are explored in depth by Laura Esquivel. The connection of food, and the role of the Mexican revolution are greatly shown through this novel. In addition, the use of sorrow and intense emotion help create an atmospheric place including loss and loneliness. The overall picture of the novel is effected by Tita’s cooking skills; each month represents the emotion she is currently feeling. This makes it so that when the ingredients are combined and cooked gently, smooth and unusual flavors appear. In Like Water for Chocolate by Laura Esquivel, the author explains food as a object that is being described in great detail. It
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is used as a metaphor and a way to express the range of human emotions through Tita, the actions of Mama Elena, and through the gatherings celebrated at the beginning of each chapter.
Tita starting off as not cooking very often changes into someone who is always in the kitchen and cooking due to Nacha’s death. Tita’s power is expressed in many ways and one of those ways included through her food. Nacha sends Tita to bed so she could “ lick some of the icing off her finger to see if Tita’s tear has affected the flavor. No, the flavor did not seem to have been affected. Yet without knowing why, Nacha was suddenly overcome with an intense longing.” ( Esquivel Pg- 35-36 ) The power of the tear causes Nacha to be harmed and get flashbacks of different weddings she has been through. This occurred right after she had tried the frosting which included Tita’s tear. Furthermore, to explain the power of food, “ Something strange was …show more content…
going on. Tita remembered that Nacha had always said that when people argue while preparing tamales, the tamales won’t get cooked. They can be heated day after day and still stay raw, because the tamales are angry. In a case like that, you have to sing to them, which makes them happy, then they’ll cook.”( Esquivel Pg-218-219 ) Showing the transfer of Tita’s anger to the food which causes them to quit cooking and to fix this issue, Tita must make them happy by singing to them so they could continue to cook. To illustrate the exchange in power between human emotions and food. Finally, food was referred to as being a healing device, Chencha says, “ Soups can cure any illness” to introduce the power the food has been given. Power which is so strong that it can get a human to return back to their senses. Giving us readers the process and idea of saying how both Tita’s body and emotions contain a lot of power but so do her actions. The verbal abuse of Mama Elena has a big impact on what Tita cooked and how her food was being treated. One example that shows a product of abuse by Mama Elena is, “Mama Elena spit out the soup on the bedspread and yelled at Tita's to get the tray out of her sight immediately.” ( Esquivel Pg-130 ) Mama Elena pressures and forces Tita to do everything she likes through her words. However, Tita does not receive any good actions from Mama Elena back, Mama Elena always ends up finding a fault in Tita to make her look crummy. Causing Tita to deal with harm which would not be allowed today. Mama Elena’s harm is major throughout the book , another example that shows this would be, “Unquestionably, when it came to dividing, dismantling, dismembering, desolating, detaching, dispossessing, destroying, or dominating, Mama Elena was a pro.”( Esquivel Pg- 97 ) Tita uses these substantial descriptive words to describe Mama Elena’s merciless personality. This also relates back to the skills Mama Elena uses to get the watermelon cut perfectly right. This is the same method she uses while dealing with humans. Mama Elena, being the oldest, has expressed her large role through words such as “earned her plenty of slaps” and “managed to subdue her youngest daughter” ( Esquivel Pg-13 ) to convey the amount of power she has and the different ways she uses it in her everyday life. Everything done by her is destructive and very precise. Mama Elena’s power and abuse changed the way Tita and the rest of the family could live. The theme of festivals is portrayed in the book as a means to generate power. In the month of January, it was the first festival. During the festival Laura let's us know this quote “ Take care to chop the onion fine. To keep from crying when you chop it (which is so annoying!) ”( Esquivel Pg-1 ) to illustrate the power of getting ingredients ready and preparing the food. These lines are said at the beginning of the book to let readers know the great relationship between humans and food. Additionally, to explain the large effect humans have and will be facing from food. She starts off with explaining a onion and what emotions it causes Tita and Nacha to have and then it slowly moves on to explaining bigger emotions created by eating food. Finally, Tita and Nacha believe that “ Soups can cure any illness, whether physical or mental -- at least, that was the Chencha’s firm belief, and Tita’s too.” To depict the amount of power the food included. This can be referred true because Nacha says “ About three months ago…Tita had returned to her senses. ”( Esquivel Pg- 123 ) The soups power had helped Tita get better and heal. The soup is being thought of as a medicine because it healed up Tita so they assume that it will heal anyone that is in the need. Festivals changed and evolved Tita and Nacha’s view of food. The love of Mama Elena changes the actions of Tita in many different ways.
The relationship between them is kind of like the saying “ You gotta be cruel to be kind”( Proverb ). This is understandable if you look carefully look back into the historical context of the book: imagine living in Mexico during the 1900s and having to run your own farm as a single mom, who must look and watch out for all the risks that are possible. Risks which include being raided by the rebels or having to deal with bullets that could possibly kill you. The author of Like Water for Chocolate has Mama Elena say “ I’ve never needed a man for anything; all by myself, I’ve done all right with my ranch and my daughters.” ( Esquivel Pg- 88 ) To explain that she is just as strong as a man is and that she does not need the man of her dreams to help her, and that she knows she is doing the right thing for her daughters and her ranch’s future. While the character is often viewed as a slave, it is also loved by the same person who treats and abuses it as a
slave. Food, throughout the book was very impactful due to all the abuse and variety of emotions it caused. These were shown through the physical and verbal abuse of Mama Elena and through Tita’s cooking. Every family has a different type of routine they like to follow, and it takes a tough person to fight through the long process and change it. Looking at the idea of the youngest daughter being the one who has to take care of the mother was not something that had been followed through in this Mexican family. Changing the different ways humans viewed life in the past and present time. One example to express the change is, young girls now are being born and are being taught to read and write while in the past they were more focused on family care and less on education. The explanations above are causing humans to explore the past and present in different ways and aspects as they continue to strive for more efficiency in their personal lives.
Menudo is a Mexican soup made of cow guts, hominy, and red chili peppers. Menudo is typically reserved for large family gatherings and special occasions due to the fact that it takes several hours to prepare the beef stomach. Gonzalez refers to “tripas y posole” in line eleven. This translates to “cow guts (tripe) and hominy,” the main ingredients in menudo. Gonzales brings up the “tight flashes of color” because the white chunks of tripe and hominy would contrast with the redness of the red chili pepper base. He uses imagery to evoke a picture of “red caldo (soup) smears” in a notebook. This imagery relates the food back to his childhood, as elementary school is the most common setting for using notebooks. In line ten, Gonzalez calls menudo “visionary” which he elaborates on later in the stanza when he compares “our lives going down” to the digestion of menudo. “Going down” in this context does not mean becoming negative, but rather refers to life running its course, just as menudo must run its course. He also compares chili piquin to “poetic dreams,” which conveys the idea that just as chili piquin provides the spicy flavor in menudo, dreams or goals are the spice and flavor in our
Like Water for Chocolate is a passionate story about the love between Tita De La Garza and Pedro Musquiz. It starts out with an explanation of how Tita was born into her life through the kitchen and she has always helped Nacha, the family cook, make the meals. In the first chapter Pedro comes to the farm to ask Tita for her hand in marriage. Her mother quickly declines and arranges the engagement of Pedro and Tita's sister Rosaura. Within a few weeks Pedro moves in with the De La Garza family making it harder for him to stay away from Tita. Tita, on the other hand is trying her hardest to forget about Pedro. She believes that since Pedro married Rosaura he no longer loves her. This all changes when, at Pedro and Rosaura's wedding, Pedro tells
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
“Like Water for Chocolate” by Laura Esquivel, is a beautiful romantic tale of an impossible passionate love during the revolution in Mexico. The romance is followed by the sweet aroma of kitchen secrets and cooking, with a lot of imagination and creativity. The story is that of Tita De La Garza, the youngest of all daughters in Mama Elena’s house. According to the family tradition she is to watch after her mother till the day she does, and therefore cannot marry any men. Tita finds her comfort in cooking, and soon the kitchen becomes her world, affecting every emotion she experiences to the people who taste her food. Esquivel tells Titas story as she grows to be a mature, blooming women who eventually rebels against her mother, finds her true identity and reunites with her long lost love Pedro. The book became a huge success and was made to a movie directed by Alfonso Arau. Although they both share many similarities, I also found many distinct differences. The movie lost an integral part of the book, the sensual aspect of the cooking and love.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Desert Blood is based on a stereotypical context of the female commodization whereby Rubi, Ximena and Ivon try to fight against the patriarchy so that they can find their individual empowerment at deeper levels. In addition, Ximena and Ivon represent a network empowerment while Rubi represents organizational empowerment. Alba’s novel has given empowerment to the female characters where they manage to break the silence that surrounded the reality of Juarez femicide; this offers a long-awaited voice on the crime as well as the women that needed to speak-up. Alba shows that the women were considered almost worthless and were not considered as the tenable social construct which was maintained and established by the patriarchal
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
An oppressed soul finds means to escape through the preparation of food in the novel, Like Water for Chocolate (1992). Written by Laura Esquivel, the story is set in revolutionary Mexico at the turn of the century. Tita, the young heroine, is living on her family’s ranch with her two older sisters, her overbearing mother, and Nacha, the family cook and Tita’s surrogate mother. At a very young age, Tita is instilled with a deep love for food "for Tita, the joy of living was wrapped up in the delights of food" (7). The sudden death of Tita's father, left Tita's mother's unable to nurse the infant Tita due to shock and grief. Therefore Nacha, "who [knows] everything about cooking" (6) offers to assume the responsibility of feeding and caring for the young Tita. "From that day on, Tita's domain was the kitchen" (7). Throughout the novel, food is used as a constant metaphor for the intense feelings and emotions Tita is forced to conceal.
The protagonist, Mama, shows two distinct traits throughout the story. She possesses a hard working demeanor and rugged features, leading to her insecurities shown throughout the story. She raised two children without the assistance of a man in her life, forcing her to take on both roles, and further transforming her into a coarse, tough, and burly woman. Mama portrays this through her own account of herself, saying “[i]n real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man”(Walker 1312). It is very difficult for Mama to raise her kids on her own, but she does whatever
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Love, tradition, emotion are just a few of the themes that are covered in the movie Like Water For Chocolate directed by Alfonso Aráu(1992) and bases on the novel written by Laura Esquivel(1989). The movie tells the story of Tita, a young woman that longs her life to marry her lover, Pedro but can never have because of her family’s traditions. The story develops on how Tita is trying to rebel against her mother and her tradition of the youngest daughter not marrying but taking care of her mother until the day she dies. The story takes place in Mexico at the turn of the twentieth century. The movie was amazing at showing these themes and really easy to identify them.
Jimmy Santiago Baca’s poem “Green Chile” describes a personal experience growing up with a staple food of the Southwest tradition. In the 3 stanzas and 45 eloquent lines, Baca uses symbolism through red and green chile peppers. The red chile peppers symbolize strength and progression and are also the peppers the author prefers. On the other hand, the green chilies represent youth, which are Baca’s grandmother's favorite. Both the red and green chilies are differentiated by the flavor and taste to tell a story of Baca and his history of growing up with his grandmother.
Meacham, Cherie. "Como Agua Para Chocolate: Cinderella and the Revolution." Hispanic Journal, vol.19,no.1, Spring 1998, pp.117-128.\
Tita gets her great cooking skills from Nacha, the Ranch cook. Tita then passes the recipes to Esperanza, her niece. Esperanza then passes them to her daughter. The recipes are passed down from generation to generation and this tells us the story of Tita. However, they are taught not only to be followed, but also to know the different ingredients that go into each dish. The recipes in the novel are kept in the family because when the neighbor, Paquita exclaims on various occasions how good Tita’s food is, Tita simply replies, “the secret is to cook it with lots of love.” This shows that Tita is not eager to share the family recipes. In the novel, Mama Elena says “being the youngest daughter… take care of me until the day I die” (10). This displays that the romantic love between Tita and Pedro is prohibited by her mother in order to follow the tradition that, the youngest daughter must be her mother's faithful keeper. This tradition has prevented Tita and Pedro from experiencing true love with one another. Despite many obstacles in their way, Tita and Pedro finally succeed to express their love in open and unite their bodies and spirits. Unlike the