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Feminist theory in like water for chocolate
Gender and feminism like water for chocolate
Gender and feminism like water for chocolate
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Meacham, Cherie. "Como Agua Para Chocolate: Cinderella and the Revolution." Hispanic Journal, vol.19,no.1, Spring 1998, pp.117-128.\ How patriarchal/cultural traditions are enforced and challenged: 1. “…Such portrayals of powerful women as freaks of nature – castrating, perverted and even dangerous – demonstrate patriarchal preference for dependent, malleable, “feminine” women.” (119). 2. Tita uses food to defy her mother and cultural traditions that denied her aspects of human nature, such as crying and love. 3. Mama Elena being forced to marry Tita’s father because it was “a more socially and economically respectable marriage. Parallels to the Revolution: 1. Mama Elena is the product of a government that used propaganda to ensure women stuck to their …show more content…
traditional roles, while Tita mirrors the change that the revolution brought, such as more opportunities for women to enter higher education. 2. Tita and Mama Elena got through a series of battles before Tita eventually wins the “war”. 3.
“… Tita has exercised revolutionary powers. … it is clear that her will to live and feel to the fullest of her capacity, “to remain true to (herself) despite adversity”, is at the core of her conflict with her mother and her culture.” (126-127) Similarities and differences between Like Water for Chocolate and “Cinderella” like fairy tales: 1. Biological mother filling the “evil stepmother” role, only “Mama Elena succeeds where the stepmother fails by securing the marriage of Tita’s suitor, Pedro Muzquiz, to the older sibling, Rosaura.” (118). 2. Similar themes, such as ash as a symbol of loss love and status. Another similar theme is tears. Cinderella uses her tears to water a tree she planted on her mother’s grave, while tears are a reoccurring theme throughout Tita’s journey. 3. “The motif of magical transformation is a crucial element of the fairy tale, without which the humble status of hero would be no match for the powers of evil that she confronts.” (122). 4. “True to the fairy tale, male intervention rescues Tita from her mother’s house and offers her refuge.” (122). However, instead of fighting her battles, John Brown becomes a sort of spiritual guide that help her achieve her full potential
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The form of the novel’s initiatory journey’s corresponds to the three-stage progression in the anthropological studies of rites of passage. The novel begins with alienation from a close-knit and securely placed niche as Naomi Nakane lives in her warm and joyful family within Vancouver. Then, the passage proceeds to isolation in a deathlike state in which Naomi is stripped of everything. Her family is removed from its previous social niche and exiled into concentration camps. Naomi is forced to separate with parents and sent to live with aunt Obasan. Finally, the journey concludes with reintegration accompanied by an elevated status as the result of the second stage. Naomi accepts the surrogate family and develops a recognition of her past. When she gets her family’s documents and letters, Naomi finally shatters the personal and cultural veils of reticence and secrecy that have clouded her past, and reconciles herself with the facts. The three-stage initiatory journey helps to transform the protagonist from a victim of the society to a hero. The protagonist transformation illuminates the values such as redemption of sins, willing forgiveness of offenses, and so forth. Along with its motifs and symbols that allude to Christian rituals, thus, the heroic figure, Naomi, serves as a role model and gives meaning and guidance to the lives of readers thereby
"I don't want loose women in my family," he had cautioned all his daughters. Warnings were delivered communally, for even though there was usually the offending daughter of the moment, every woman's character could use extra scolding” (Alvarez,
Write-up: Tita is the main character of the story, also the narrator, who suffers from unjust oppression from Mama Elena, her mother. She is raised to excel in the kitchen and many entertaining arts where she is expected to spend her whole life taking care of her mother. This is following the family tradition that the youngest daughter takes care of the mother until she dies. With her frivolous wants, Mama Elena denies her marriage and happiness to any man especially Pedro. She eventually breaks down and meets John Brown, the family doctor, who recovers her until she finds happiness again after Mama Elena's death with Pedro. Overall, Tita goes through a very dynamic change in the story which obviously entitles her to be a main character.
The mother gave birth to six daughters. The daughters all got jobs at a seafood restaurant ran by a man from Boston. All of the sisters “made good money on tips” (MacLeod 268) but even though they made a respectable income the mother “was angry [her daughters] should even conceive of working in such a place” (MacLeod 267). The mother does not judge the restaurant on their food or the service but simply that he is an outsider. She didn’t accept their daughter’s gifts because they get their money from that restaurant. If the mother were to accept financial help from the daughters they would have a better lifestyle. The six daughters of the mother later became wives to six young men in big cities such as New York or Montreal. There they are wealthy and “drove expensive cars” (MacLeod271), yet the mother “never accepted the young men” (MacLeod 271) because “They were not of her sea” (MacLeod271). The daughters becoming so wealthy could have been a blessing for the family. They could have had help from the d...
The episode entitled “The Buffalo Woman” of Sundiata: An Epic of Old Mali begins to delve into several ideas prevalent throughout the entirety of the novel, most notably the concept of destiny and an exploration of its influence on how the events of the story unfold. Other ideas present in this chapter that are of great significance include the supernatural and the virtue of generosity.
...iety deemed, Castellanos incorporates humor and sarcasm. This brings a different light on the issue. Culinary Lesson is a continuation of “The Self, the World”. Knowing that Castellanos studied Sor Juana’s life, it is apparent that the two literary works go hand-in-hand. By the time the twentieth century comes along, it is clear that society is taking into consideration how ridiculous gender roles have been in the past. Sor Juana studied and became a nun to avoid having a husband, and Castellanos shows how having a husband bring stress from silly circumstances. The humor and irony used in Castellans’ story truly gets the point across of how women’s gender roles are rigged. Women’s roles in society are not fully there yet even in the twenty-first century, but thanks to Latin American authors like Sor Juana and Rosario Castellanos they are close to being equal to men.
Tita emulates the standard archetypal hero’s unusual circumstances of birth with her own atypical birth immediately in the beginning of the novel. Almost instantaneously after being introduced to Tita, she “made her entrance into this world, prematurely” (Esquivel 5). A premature birth is certainly abnormal, but it is not the only thing that makes Tita’s birth unique. The cause of her premature birth, in fact, was that “her wailing got so violent that it brought on early labor” (Esquivel 5). Her ability to bring about her own birth coincides with the idea of an unusual birth. It is however, extended even more so when the narrator tells the reader that Tita was “literally washed into this world on a great tide of tears” (Esquivel 6). While not being the most dazzling introduction of a character, it exemplifies the importance and individuality of Tita. Of the elements of an archetypal hero, an unusual birth is crucial because it will often deliver to the reader what a ...
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Tan explained the feelings of Waverly through an important symbolic imaginary chess game as she wrote, “My white pieces screamed as they scurried and fell off the board one by one. As her men drew closer to my edge, I felt myself growing light” (508). This showed how Waverly felt about the relationship with her mother and how she was losing the battle. The conflicts were important especially to the theme, for the conflicts shown where the lack of understanding came from and how it can be resolved.
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage, 2010. Print.
Tan succeeds in her use of pathos as she manages to make her mother seem helpless. This is quite a feat, as her obvious strengths have already been displayed in situations such as when yelling at the stockbroker. Tan supports her depiction of her mother as a victim by bringing up how people “did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.” (37)
When did she become a rebel? It wasn’t until Pedro and Tita displayed their secret. On this night, Tita made quail in rose petal sauce. This was the night that Gertrudis was the vessel of communication
The role of women in Northern Mexico during the change of the nineteenth century are explored in depth by Laura Esquivel. The connection of food, and the role of the Mexican revolution are greatly shown through this novel. In addition, the use of sorrow and intense emotion help create an atmospheric place including loss and loneliness. The overall picture of the novel is effected by Tita’s cooking skills; each month represents the emotion she is currently feeling. This makes it so that when the ingredients are combined and cooked gently, smooth and unusual flavors appear. In Like Water for Chocolate by Laura Esquivel, the author explains food as a object that is being described in great detail. It
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.