Title Many objects in our life have meanings. Some of the meaning could represent happiness or sadness. In Denis Levertov’s poem titled “Wedding Ring” she uses the symbol of the wedding ring as her main focus. A wedding ring symbolizes eternal love, and faithfulness. Denis Levertov uses the wedding ring to tell a story. The literal meaning of the story is that her wedding ring is stored in a basket that she rarely opens, but the deeper meaning of this story is that the author got married and divorced after being together for a period of time. Denis Levertov uses many styles of poetry to show her story. This poem is written by the author being the narrating. Denis Levertov uses “my wedding-ring” in the beginning of the story. This indicates that she remembers about her ring. The whole poem feels that she is also her own audience. She is telling her own feelings and wants just to express herself. She starts at where her ring is located and then it progresses that she wishes that the ring be changed into something that has another meaning. The whole poem feels like Denis Levertov is writing her emotions down when she saw her wedding ring. Denis Levertov likes to use metaphors and images in her poem. She compares the basket to the bottom of a well. Bottom of a well represent deep, and …show more content…
Her language is simple. It is written that an average person could understand it. Since this poem was written in 1975 some words may not be used as much. This poem has no rhyme or pattern. The poem sounds like the thoughts of the author when she looked at her old wedding ring and wishes that it meant something else. She does want to give this ring to someone else because she afraid to transfer bad luck, but in next line Denis Levertov writes that this ring cannot be sold either because “the marriage was good in its own time, though that time is gone”. For me it seems that she tries to forget about her marriage, but she
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The narrator of the poem is a night waitress, which most likely means she is struggling financially. She has a Slavic heritage, which is revealed to us through this line, “It’s my mother’s Slavic
The language of the poem holds five of the eight languages to poetry. Allegory, personification, symbols, figures, and metaphors. In the beginning of the poem she uses Allegory, Personification and a metaphor. “Allegory- related symbols working together with characters, events, or settings representing ideas or moral qualities” (Sporre). Paula compares the silence in the air to describe how clear the air was. Going on to using personification and a metaphor, “Peaks rise above me like the Gods. That is where they live, the old people say.” Personification is the figure of speech in which abstract qualities, animals, or inanimate objects take into many forms of literature (Sporre). Metaphors, are figures of speech by which new implications are given to words. Metaphors are implied but not explicit comparisons (Sporre). She goes on to imply that the Gods lives above us in the peaks, that’s where the old people say that they live. Using Symbols, “Which is critical to poetry, which uses compressed language to express, and carry us into its meaning (Sporre).” Ending the first line she writes “I listen and I heard”. Going on to explain how she heard the voice in the wind and by giving us the emotion of that feeling set the understanding of what the poem was all about. Following the next line Paula uses a form of Imagery. A verbal representation of objects, feelings, or ideas can be literal or figurative. figurative imagery involves a change in
Through her use of the words “dreamed”, “sweet women”, “blossoms” and the Mythology of “Elysian fields” in lines one through three, she leads the reader to the assumption that this is a calm, graceful poem, perhaps about a dream or love. Within the first quatrain, line four (“I wove a garland for your living head”) serves to emphasise two things: it continues to demonstrate the ethereal diction and carefree tone, but it also leads the reader to the easy assumption that the subject of this poem is the lover of the speaker. Danae is belittled as an object and claimed by Jove, while Jove remains “golden” and godly. In lines seven and eight, “Jove the Bull” “bore away” at “Europa”. “Bore”, meaning to make a hole in something, emphasises the violent sexual imagery perpetrated in this poem.
When the family arrives in Welch, they notice that their newly purchased house is dull-looking and depressing, matching their moods when they first start living there. Jeannette notices that their glum house is contributing to their glum moods so she suggests painting the house yellow, a colour that is symbolic of happiness, to try and boost morale. Nobody in her family is willing to help so she paints by herself and notices an improvement in the look of their house. Unfortunately, she leaves the paint outside in the wintertime causing it to freeze, meaning that she is unable to finish painting the house. One day while playing outside, Jeannette and her brother stumble upon a diamond wedding ring lying on the ground. The wedding ring symbolizes hope to the children because they realize that it can be sold for a substantial amount of money. They bring the ring to their mother and tell her that, “it could get [them] a lot of food” (185), to which she replies, “but it could also improve my self-esteem. And at times like these, self-esteem is even more vital than food” (185). Rose Mary decides to keep the ring because she values her own selfish needs over the welfare of her children. Both the yellow paint and the ring represent positive changes for the family but neither of them ends up actually changing their
The story of this poem tells about a young boy that is lured in by the sensuousness of the moon, and then dies because of his own desire for her. The symbolic meaning is much more hidden and disguised by the literary elements of the poem. The storyline and aspects of the literal story add meaning when searching for the figurative meaning. The warning learned from this poem is that infatuation with anything can lead to a downfall. The moon seemed to offer a comfort that attracted him, but it was only a disguise to lead him to death. The passion the young boy felt for the moon can easily be modified to describe the passion a person can feel for anything. The young boy saw safeness in the moon that brought him closer to her. Any obsession will seem to offer the same comforts that the young boy also saw, but this poem warns that death can always disguise itself.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
...uld be found in those short 12 lines, but if I was to find a biography of the author, I would find parallels with her own life. I felt at times when reading this poem that I was intruding into another woman's handbag and into her thoughts, it felt personal to the author. It was also humorous in the way the narrator has to carry a pack of three in her bag as she does not trust her partner, this left me thinking whether this was because he is unfaithful or forgets to carry his own. But this also helped me to believe that this was showing us the beginning of a relationship or other wise surely this item would be kept in a shared bedroom. Lastly, to include a religious figure (Saint Theresa) at the beginning of the poem and a guardian angel (lucky charm) at the beginning of the second half showed that she may have suspected the relationship to end in tears eventually.
Poet Anne Bradstreet highlights her feelings of love and overall affection towards her husband in her 16th century poem, “To My Dear and Loving Husband” (425). Set during a time were marriage was nothing more than convenience and politics, Bradstreet’s poem gives great insight into how the concept of love was prevalent even during a time were it was never the main motive for marriage. Looking into Bradstreet’s life, she had every reason to have ill will towards her husband and the concept of marriage, as she led a very arduous life typical of a 16th century woman. She nevertheless divulges her feelings and emotions into a beautiful love poem to her husband emphasizing every detail, as to why she loves him and could never be happier by his side (Bradstreet 425). These feelings and concepts of love in a marriage although uncommon in the past, have matured and evolved into a standard perception for marriage today. Many married individuals or those in the process of getting married can greatly relate to Bradstreet’s affection towards her significant other, “I prize thy love more than whole mines of gold, Or all the riches that the East doth hold.”
The poem becomes personal on line 10 when she uses the first person and says “I lost my mother’s watch”. She is letting the reader know what she has lost in reality. Then she gets sidetracked to mention other things she has lost; she then mentions other things she has lost of much more importance such as houses, continents, realms, and cities, but then again mentions it was not so hard to lose those things. But in the end, mention the loss that really matters. She remembers the qualities of the lover she lost.
Both are very much in love with each other and anticipate about the future while getting anxious about their approaching wedding night. The author sets the readers’ eyes rolling with eagerness from the opening lines itself,
During Shakespeare's time, the wedding and engagement rings indicated commitment. The rings Portia and Nerissa gave to Bassanio and Gratiano, that they were never to remove, were just that. "I give them with this ring, Which when you part from, lose, or give away, Let it presage the ruin of your love And be my vantage to exclaim on you" (3.2.171-4). The rings stood for the man's commitment to his wife just as rings Bassanio and Gratiano would give to Portia and Nerissa at their weddings would stand for the wives' commitment.
It is comprised of contradictory phrases such as, “change so that nothing with change (Szymborska, 2000, pg. 161).” The woman’s role in this poem seems to be the typical female persona of having kids, being submissive to the male, and reading Ladies Home Journal for fun in her down time. The woman is “Naïve, but gives the best advice. Weak, but takes on anything. A screw loose and tough as nails.” Naïve, weak, and a screw loose could be how a male describes her, but she would say that she gives the best advice, has the willpower to take on anything, and is as tough as nails. The last two lines of the poem read, “She must love him, or she’s just plain stubborn. For better, for worse, for Heaven’s sake.” For better, for worse is taken out of a traditional marriage ceremony and since they are married, she is bound to him forever and it his her duty to love and please him. Although this described role of the wife is not as common of a tradition today, because gender roles are not as defined in the post modern era, there are still multiple male figures around the world who believe that this is still the utmost duty of the
The ordinary, but shepherd-like and curious enough to look realistically at the nature, Speaker of this poem shall be married; this much realizing the subtle fears and emotions of a "married ear" and sympathizing with it.
It expresses the mixed feeling of this new experience of motherhood: delight, optimism, and doubt in some ways. The poem was structured of six tercets (stanzas consisting three lines). In the title, "Song" may refer to the newborn 's cry and "Morning" could be a play of word, intending to articulate 'mourning ', as she is afraid of losing her time, just as in "Cinderella"; she is afraid of losing her youth. Metaphors are scattered throughout the poem. The line "Love set you going like a big fat clock" is a simile, a metaphor for the baby 's future, a new life to look for as a product of love. In the second stanza, the word "Our" is making reference to the couple, Plath and her husband, quite obviously, "magnifying" her arrival, objected here as a "New statue." "Your nakedness" from the next line emphasizes the innocence of the baby, which "shadows [Plath 's and her husband 's] safety", bringing a sense of uncertainty and fear to them. The poem then displays Plath 's look at this experience: as something that has been taken away from her to have its own life, an "Effacement at the wind 's