How this essay will be approached is by first giving a general interpretation of the poem "What Every Woman Should Carry" by Maura Dooley. This will be followed by, with the use of stylistic features, a more thorough interpretation. The stylistic features that will be used are deviation, parallelism as well as cohesion and foregrounding. This will be done by taking a closer look at the only stanza contained in the entire poem which consists of 12 lines. This particular poem could be broken into two parts. Lines one to six appears to deal with the past and six to twelve might specify the present; this will be explained in more depth during the course of the essay.
The content of the poem tells "What Every Woman Should Carry" in her handbag. The poem begins with a feeling of optimism but ends quite pessimistically. This is because its subject matter is based around a woman's new romantic relationship which gradually grows but then slowly declines ending in despair and loneliness. This feeling of loneliness first comes from the title. The title suggests that the narrator feels alone in her misery and wants others to know how she feels so she will be no longer alone. The word "should" in the title suggests that women should be able to relate to these feelings, not that they do. This could be described as in medias res as, the title refers to the conclusion of the poem, not the opening. The bag first contains objects of security and familiarity, for example, tampon, Kleenex, polo mints (lines 2-3), but then the contents of the bag change dramatically to include thoughts and feelings as possibly unwanted or heavy baggage; these include anguish, impatience, her heart (lines 1-5). Each item in the bag is related and symbol...
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...uld be found in those short 12 lines, but if I was to find a biography of the author, I would find parallels with her own life. I felt at times when reading this poem that I was intruding into another woman's handbag and into her thoughts, it felt personal to the author. It was also humorous in the way the narrator has to carry a pack of three in her bag as she does not trust her partner, this left me thinking whether this was because he is unfaithful or forgets to carry his own. But this also helped me to believe that this was showing us the beginning of a relationship or other wise surely this item would be kept in a shared bedroom. Lastly, to include a religious figure (Saint Theresa) at the beginning of the poem and a guardian angel (lucky charm) at the beginning of the second half showed that she may have suspected the relationship to end in tears eventually.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
focused on the causes of her father’s dependence on alcohol. In the first seven lines of the poem
In all, the women in The Things They Carried were important to make it apparent to the reader the different emotions that O’Brien was trying to show, remembering the fallen and learning to forgive yourself and moving on. The most prominent women within the novel used to express these points being Martha, Kathleen and Linda. They were essential in showing the key parts in O’Brien’s life that lead to the turning points which lead to the creation of this novel and his ability to be at peace with what had happened in Vietnam. He finally accepted what ad happened and embraced it instead of avoiding it.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Of all the literary lenses, one would not think that feminism would be a prevalent topic in a war novel. In Tim O’Brien’s iconic book, The Things They Carried, the idea that women were just as important as men acts an important theme, however from a different perspective. Movies and epic war stories tell of the heroic actions of the World’s finest: bulky men with an appetite for battle. Yet, there always lied a backbone. Comfort, inspiration, ease, all things that women provided to soldiers during any war. Yet, sometimes things did not go as planned and rash actions were made. O’Brien’s masterful use of lenses creates an interesting novel, one that will stand the test of time, however, the aspects of the feminist lens provides much insight into the inner lying meanings of the book, mostly in the areas of characters, objects of importance, and the role of gender in the Vietnam War.
"What lips have I kissed" by Edna St. Vincent Millay While reading "What lips my lips have kissed" by Edna St. Vincent Millay, I realized many things about myself. The first thing was that I, after thinking I would never be able to decipher one word of poetry, actually could. I also found that I was able to enjoy it. Another thing was that the narrator (whom I felt was a woman- no man could portray these feelings like a woman) and I had strikingly similar feelings. There happened to be many other amazing findings, but these two were the first and most important to me.
‘The woman’ of the poem has no specific identity and this helps us even further see the situation in which the woman is experiencing, the lost of one’s identity. Questions start to be raised and we wonder if Harwood uses this character to portray her views of every woman which goes into the stage of motherhood, where much sacrifice is needed one being the identity that was present in society prior to children.
Women in the nineteenth century, for the most part, had to follow the common role presented to them by society. This role can be summed up by what historians call the “cult of domesticity”. The McGuffey Readers does a successful job at illustrating the women’s role in society. Women that took part in the overland trail as described in “Women’s Diaries of the Westward Journey” had to try to follow these roles while facing many challenges that made it very difficult to do so.
She values Gods views and the way of life over materialist things and believes that is above all, with hopes of getting into heaven. Her religious views can be seen throughout her poems that I have read and ultimately tell a lesson that we can all learn from. In the poem, “Before the Birth of One of Her children” she describes death as inevitable and a act of God. Death because of birth was a common issue during that time period and she reassures that it is Gods plan and will protect of her children. She also makes references to God and heaven in her poem, “ To My Dear and Loving Husband”, as she writes to her husband that they must love so strong here on earth so that their love will last in heaven and for eternity. She says how God commands her to love her husband as she claims her love for her husband its stronger than anyone else 's. Through her poems she describes various tragedy that have happened in her life such as the death of her two grandchildren. Although their lives were “taken away from them” she believes that it was in Gods hands and that it must have been faith. So through terrible times she seems to look past them and move on because it is all apart of Gods
The poem becomes personal on line 10 when she uses the first person and says “I lost my mother’s watch”. She is letting the reader know what she has lost in reality. Then she gets sidetracked to mention other things she has lost; she then mentions other things she has lost of much more importance such as houses, continents, realms, and cities, but then again mentions it was not so hard to lose those things. But in the end, mention the loss that really matters. She remembers the qualities of the lover she lost.
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain of men. Read as a commentary on women's roles in Victorian society, "The Lady of Shalott" may be interpreted in different ways. Thus, the speaker's commentary is ambiguous: Does he seek to reinforce the institution of patriarchal society as he "punishes" the Lady with her death for her venture into the public world of men, or does he sympathize with her yearnings for a more colorful, active life? Close reading reveals more than one possible answer to this question, but the overriding theme seems sympathetic to the Lady. By applying "the feminist critique" (Peterson 333-334) to Tennyson's famous poem, one may begin to understand how "The Lady of Shalott" not only analyzes, but actually critiques the attitudes that held women back and, in the end, makes a hopeful, less patriarchal statement about the place of women in Victorian society.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
This, in fact, is an example of “dynamic decomposition” of which the speaker claims she understands nothing. The ironic contradiction of form and content underlines the contradiction between the women’s presentation of her outer self and that of her inner self. The poem concludes with the line “’Let us go home she is tired and wants to go to bed.’” which is a statement made by the man. Hence, it “appears to give the last word to the men” but, in reality, it mirrors the poem’s opening lines and emphasises the role the woman assumes on the outside as well as her inner awareness and criticism. This echoes Loy’s proclamation in her “Feminist Manifesto” in which she states that women should “[l]eave off looking to men to find out what [they] are not [but] seek within [themselves] to find out what [they] are”. Therefore, the poem presents a “new woman” confined in the traditional social order but resisting it as she is aware and critical of
She says “writing can be an expression of one 's innermost feelings. It can allow the reader to tap into the deepest recesses of one 's heart and soul. It is indeed the gifted author that can cause the reader to cry at her words and feel hope within the same poem. Many authors as well, as ordinary people use writing as a way to release emotions.” She makes plenty points in her review that I completely agree with. After reading the poem I think that Elizabeth Barret Browning is not only the author of her famous poem, but also the speaker as well. She is a woman simply expressing her love for her husband in a passionate way through poetry. In the 1st Line it reads “How do I love thee? Let me count the ways.” A woman drunk in love she is, and next she begins to count the numerous ways she can love her significant