Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Effects of Technology on Theatre Arts
Role of ICT in theater art
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Effects of Technology on Theatre Arts
Letters to Lucerne Critique Introduction Director Mrs. Regnier’s production of Letters to Lucerne written by the two playwrights Fritz Rotter and Allen Vincent did a wonderful job at capturing the time period of the play that the text called for. Letter to Lucerne taking place during WWII. Without a good essence of the time period the play wouldn’t have had the emotional appeal that the time period gave me. The play would have been a complete fail and it would not make any sense. Though the time period was definitely amiss in the production the actors did a poor job at pulling off the production. They did not show the character development or proper emotional responses. Throughout the production though it was very hard to follow along with …show more content…
Though there were some technical difficulties that affected things that is no excuse except for it being harder to hear. The actors and actresses definitely could have projected more which would have helped the technical difficulties. This was seen in the scene where the young boy was trying to talk to the girls and you could not hear a word he said because there were technical difficulties and he did project. The main problem of the actors and actresses was that for majority of the actors and actresses they did not do the accents properly and for some not even at all this made the play very hard to both understand and follow. For example, Olga was supposed to be speak American with a slight Polish accent and the actress completely dropped the accent and spoke purely English. Also the actress who played the German maid Margareth made her accent so thick you couldn’t understand her one bit and it was hard to determine whether it was French or German same with the French girl Felice. Another problem is they did not show character development whatsoever. The other problem was that the actresses in specific did not show proper emotional responses when they were supposed to be sad and depressed they did not act sad enough you could tell they were faking
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
Their acting chops were very impressive whether it was comedic, emotional, or just stunning overall. Yet, on the other hand, some minor characters weren’t as well heard as others. I feel as the play could be better if some of the minor characters had projected their voice more, allowing their character to be known. However, although some voices were much stronger than others, all actors were full of talent, capable of dealing with script’s requirements, and did a good job
American journalist and politician Claire Boothe Luce, and her speech to the journalist at the Women's National Press Club, criticize the American press for surrendering fulfilling work for cheap dramatize stories. Luce, in her speech, discussed the many problems the journalist face in the writing community. This purpose is to introduce problems in the writing community. She uses happy tone to appeal to her uninterested colleagues, as well as, diction, ethos, pathos, and logos. Claire Luce gives a powerful speech while bringing the American press down.
In 1960 American Journalist and Politician, Clare Boothe Luce delivered a speech to Journalists at the Women's National Press CLub, criticizing the American Press in favor of public demand for sensational stories. Luce prepares her audience for her message through the use of a critical tone.
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
Although this play originated in 1879 the director did not seem to have any difficulty keeping the original historical plot and at the same time blending in a bit of modern themes and characteristics. Several words were added that weren't part of Gilbert's original script. It kept the adaptation novel and interesting.
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
These differences in character, though seemingly small, lead the audience to draw two very different conclusions about the characters’ situations and why they are placed in them. The analyzation of the characters changes from Shakespeare’s written play to Hoffman’s rendering of A Midsummer Night’s
The first aspect of a performance that makes a good actor is their vocalisation. Vocalisation for most characters is the most important aspect, as without words, there is very little else to convey the message. A fantastic example of inadequate voice work is shown in the performance of Swindle as the tiger. As Swindle entered the space his voice was at a decent volume and his accent was definite but unfortunately the good work stopped there and the performance went downhill. Right from the beginning, it was obvious that Swindle did not know his lines and as a result, his voice work suffered severely. The volume of his speech dropped as you he was struggling through his lines, especially noticeable in scene 4 during the tigers monologue as he discusses religion and death, much of the dialogue was lost in missing volume and the words were unable to be heard. Swindle also stumbled frequently during the ...
Besides the fact that I didn't like this play, the actors did do a pretty good job with their acting and memorization of their lines. Couple times Marisol hesitated with her lines but it wasn't too bad. I like the accents they were using. It wasn't to hard to understand what they were saying, but once again there were those times when their accents did effect a little on their pronunciations and my understanding on what they were saying. Overall, I don't think they were too believable with their characters. They didn't reach me.
...ay. The spoken language was written with a southern accent which was also very well done. All the characters also speak in their different social class styles. For example, the servants speak with very poor grammar and then on the other hand, Ben or Mr. Marshall speak in a very dignified manner. Besides the spoken language, the play has many written stage direction which almost all highlight the characters’ ideas. Since though there are so many stage directions though, one has to be careful to make sure that they all further and enhance the plot of the play. The intentions and meanings of the language also came through exceptionally clear. From the very beginning of the play, the reader knows exactly what every character’s ulterior motive is and almost every character has one. Because of the very clear character makeup, this enhances all themes, meanings, and intentions of the play and characters.
For a college production, the acting was outstanding. I really felt the emotions. The lead Wendla, who was played by KyLeigh Zimmerer, was amazing. I have also seen bits and pieces of the Broadway version which starred Lea Michelle, and obviously if I were to compare the acting, the Broadway version would be victorious. However, for a college production, these actors have limited past experience, but their acting was professional. Also, when they sang the song "Those You've Known," I felt chills and had goose bumps because that was such an emotional song. You could feel all the emotions and guilt Melchior, played by Ryan Ramirez, was feeling because both his best friend, Moritz, played by Justin Noblitt, and the girl he impregnated, Wendla, died and he believed he was to blame. Moritz committed suicide while Wendla died from a botch abortion her mom for...
Gainor, J. Ellen., Stanton B. Garner, and Martin Puchner. The Norton Anthology of Drama, Shorter Edition. New York: W. W. Norton &, 2010. Print.
Although Luhrmann’s loyalty to the original story may be questioned, his film has proven to be entertaining and successful. The film has outpaced the other adaptations of Romeo and Juliet and other Shakespearean plays as can be seen from the approximately 30 million dollars that it made through tickets and box office sales. Just as there are avid followers of the original tale by Shakespeare, Luhrmann’s version has a big fan base which, since its release 1996, has seen the film reach cult status and it can be said that Luhrmann has modernized Romeo and Juliet just as it can be said that he has ruined a brilliant masterpiece that was fine the way it was.
There wasn’t any particular scene on stage that made me doubt the integrative work of the director since all the staging work such as lighting, design, costumes and performance were well coordinated and blended for a very good production. The lights were well positioned with well fitted costumes and a very ideal scene to match. There wasn’t much change of scenes in the play except for some movement of tables and chairs. There was an entrance and exit for the performers which made their movements uninterrupted. There was a loud sound of a bell when school was over while the lights were dimmed whenever there was a change of scene. The pace of the production was very smooth since one scene followed the other without delay and most likely because most of the performers wore the same costume; especially all eight students wore the same costume for the entire