Romeo And Juliet Film Analysis

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Post-modernism in Baz Luhrmann’s film adaptation of William Shakespeare’s play Romeo and Juliet: a comparison of two creative works from two different periods.

In 1996, Baz Luhrmann directed “Romeo + Juliet”, a modern twist on the famous tragedy play by William Shakespeare in 1597 where the main characters Romeo Montague and Juliet Capulet where portrayed by Leonardo Dicaprio and Claire Danes. While some praise the strange interpretation of the old tale, there are also those who condemn the rendition as a destructive and disrespectful to the great work of Shakespeare. There will always be two sides to every story and this work will take that into consideration as well as comparing the two different yet similar works to see how post modernism has played a role in Luhrmann’s version of Romeo and Juliet.
Baz Luhrmann decided to have a more modern look for the movie, settling on Verona Beach, a teeming seaside metropolis which has been destroyed by the ongoing dispute between Capulet and Montague for the location instead of Verona in Italy. This location consisted of high-rise buildings, gas stations, cars and fast food vendors which did not even exist at the time Romeo and Juliet was written or performed.
In addition to the location, Luhrmann chose to have a contemporary look for the costumes as well. For instance, in the opening scene the Montague boys are sporting Hawaiian shirts and artificially coloured hair whereas the Capulet boys wore leather and metal-heeled boots. This current approach is a major deviation from the traditional Elizabethan wear, location and facilities that were available.
In the film, there were no forced British and Italian accents as one would expect. This was because Luhrmann believed Shakespearean...

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...was one of the people who believed L “Luhrmann, who wrote the screenplay with Craig Pearce, turns the Montagues into flower-shirted, Miami Beach-like punks, who sport 9mm revolvers rather than swords”. (Howe, 1996)
Although Luhrmann’s loyalty to the original story may be questioned, his film has proven to be entertaining and successful. The film has outpaced the other adaptations of Romeo and Juliet and other Shakespearean plays as can be seen from the approximately 30 million dollars that it made through tickets and box office sales. Just as there are avid followers of the original tale by Shakespeare, Luhrmann’s version has a big fan base which, since its release 1996, has seen the film reach cult status and it can be said that Luhrmann has modernized Romeo and Juliet just as it can be said that he has ruined a brilliant masterpiece that was fine the way it was.

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