Les Miserables Belonging

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At the same time, Les Intouchables offers a film that is completely different than Bon Dieu, by representing the friendship between a black man, Driss, and a white man, Phillippe; however, by reducing Driss to performing blackface and reducing the issues of race and class to a simple black-white binary, the film ends up being problematic. Intouchables paints itself as a buddy comedy between Driss and Phillippe, two characters who are “outsiders” in the society they live in. However, Driss is reduced to a caricature of a black man in their relationship, constantly being expected to perform and entertain Phillippe. One notable example is when during Phillipe’s birthday, he attends a classical music concert where Driss is seen lounging and smoking …show more content…

The smoking and drinking also paint him as lazy, and in contrast, to the classical music, he seems uncultured. In the end of the scene, it is unsure whether the guests are dancing because they appreciate him, or whether they are laughing at the spectacle he has made of himself. Driss is constantly using his culture in order to make a spectacle, and it is never appreciated outside of that; by contrast, he is portrayed negatively when he does not appreciate traditional white, French culture. While Omar Sy, who portrays Driss, engages in harmful blackface, Driss’ character comes from a subsect of society that is very ignored and minimized in the movie. When his cousin Adama comes to him asking for help because he is being targeted by a gang, Phillipe asks if Adama is his brother, and Driss explains his backstory, and how his real name is not even Driss; Phillippe lets him go, but before letting him go, he asks if Adama needs to be “set straight” (1:27:18-1:29:06). Phillippe’s comment reduces the complex dynamics surrounding Adama’s plight into a behavioral issue when it in fact, stems from the issues of race and

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