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King lear as a character
Character of lear
King lear as a character
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The three father figures in much ado about nothing are Leonato the Governor of Messina, Don Pedro the Prince of Aragon, and Antonio the brother of Leonato. While the three father figures in King Lear are King Lear, the King of Britain, Earl of Gloucester, and Earl of Kent. Leanoto and King Lear are both biological fathers and persons of authority in their different roles. However, all the fathers differ significantly in their distinguish roles as a father figure and the way they treat their children. Hence their differences have a significant impact on their judgment of character.
Leonato is the biological father of Hero in the play much ado about nothing and he demonstrates it in so many ways. He has involved in Hero’s life throughout the
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play such that Hero appears almost in every scene Leonato appears in during the play. This shows that he has a relationship with his daughter. He is concern about Hero and what happens to her. He influences her decision to marry Claudio even though he thinks it is Don Pedro that has an interest in her. He gives her a benefit of a doubt when she is accused of infidelity. He loves his daughter, and out of compassion, he agrees to help prove her innocence. He proudly shows her off and expresses his love for Hero always. He confronts Claudio and tells him he could die for the honor of his daughter. Don Pedro is a father figure to Claudio.
Even though Don Pedro is a friend to Claudio, and they are from a different city as seen in the movie, he acts more like a father figure to Claudio. He influences Claudio’s political and social circle because he is politically and socially powerful. He encourages Claudio to woo Hero when he professes his love for her. He woos Hero for Claudio and speaks on behalf of Claudio to Leonato to allow Claudio to marry Hero. Don Pedro supports Claudio’s decision to shame Hero by dumping her at the altar on their wedding day, due to the rumor and false witnesses that she has been having an affair with another man. As a father figure, Don Pedro and Claudio plead with Leonato after they find out that the rumor about Hero is not true. Don Pedro supports Claudio moral decision to atone for the part he played in the supposed death of Hero by placing flowers on her …show more content…
grave. Furthermore, Antonio the uncle of Hero and brother to Leonato is a father figure in the pay much ado about nothing.
Even though Antonio is an uncle to Hero, he watches out for her interest in the play. When he heard the Don Pedro offering to assist Claudio to woo Hero. He thinks Don Pedro is interested in marrying Hero and told his brother Leonato about. This gives Leonato heads-up that his daughter might soon be getting married. Therefore, he prepares his daughter on how to behave and what to say if Don Pedro woos her. When Claudio dumps Hero on the Altar, Antonio persuades his brother not to jump to conclusion that Hero is having an affair but should take the advice of the priest to find the truth of the matter. Antonio shows concern as a father to Hero and believes in her as a father should.
However, even though King Lear is the biological father of his three daughters Goneril, Regan, and Cordelia. Unlike Leonato, he could not identify the real love of his daughter Cordelia from the flattery his other daughters are giving him as love. He is not compassionate with his daughters. He treats them based on how they could flatter him. King Lear is only concern about himself as a King and does not care about himself as a father to his daughters. He realizes the consequence of his choices when it is too late. This lead to the death of himself and daughters on the same
day The Earl of Gloucester is the biological father of two sons, Edgar and Edmund in the play King Lear. Edmund is a bastard son of Gloucester. Gloucester seems to love his children but has could not decide which one of them to trust. He trusts Edmund which cost him his position as an Earl and Cornwall blinding his eyes. As a father, even though he has impaired judgment of children, he later realizes his wrong and but killed himself for what he has done wrong. The Earl of Kent is a loyalist to king Lear in the play King Lear. Who is a father figure to Cordelia. Apparently, he knows that Cordelia truly loves King Lear. Therefore, when the King disowned her, out of compassion for Cordelia he speaks up when the king disowned her for not flattering him. As a father figure, he is protective of Cordelia and concern about her well-being. He is not afraid to lose his position as Earl even after the king banishes him from the city. When Edmund captures capture the king and Cordelia send them to be executed.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful.
In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
Evidence to support this reason says, “How you know he loves her? I heard him swear his affection. . . But hear these ill news with the ears of Claudio. ‘Tis certain so; the prince woos for himself. . . trust no agent; for beauty is a witch. . . Farewell, therefore, Hero” (Shakespeare pg. 23). This quote shows how Claudio was easily convinced to believe that Don Pedro loves Hero for himself, even though there wasn’t anything to prove of this, and how he doesn’t even try to ask Don Pedro if this is true or not. Another piece of evidence says, “If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her” (Shakespeare pg. 50). This quote shows how again, Claudio was easily convinced by Don John that he will not wed Hero if he sees her being disloyal towards him. This quote also shows how he’s easily convinced to do something due to someone telling him to do so. To sum this all up, Claudio’s manipulation is his second most major tragic
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
No child but Hero; she's his only heir. Claudio's interest in Hero is on account of her wealth, but her outward beauty also attracts him. Claudio is hence revealed to be a slave to social assumptions. He regards love and marriage as a sensible way in which to obtain financial security and attach himself to a virtuous and attractive girl, and in so doing obtain the approval of her father and of his friends.
as they are told, and as Hero, Claudio’s future wife, had not been. faithful and therefore disrespectful, the blame was shifted to her. However, this was embarrassing for Claudio, and his anger was. great, making him seem aggressive. As the play begins to end.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Tricking her to believe that Don Pedro himself has feelings for Hero: ‘I will assume thy part in disguise, and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. Then after, to her father will I break: and the conclusion is, she shall be thine.’ - Don Pedro. o (Act I, Scene I: Lines 276 - 282). It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,
Like we said in the beginning Claudio is a childish character, so he believes everything people tell him. After all, the love that Claudio swore Hero the wind took it. The day of their wedding he made a scandal and because he believed in Don John words. Claudio’s reveals her hatred toward Hero as he explains, “ Sweet prince, you learn me noble thankfulness...She knows the heat of a luxurious bed. Her blush is guiltiness, not modesty”. (4.1.30-42). The wedding did not continue thanks to Don John, therefore Claudio ruins everything as he loses control in itself and download all their fury in the words without thinking that it can destroy that love he feels for
Lear's Character Development in Shakespeare's King Lear. Though King Lear, in Shakespeare's play, King Lear, wrongs both Cordelia and Kent in his harsh treatment against them, the unjust actions of Regan and Goneril against King Lear cause him to be "a man more sinned against than sinning" (3.2.60-61). In order to relieve himself of the problems and work associated with holding his position so he can "unburdened crawl toward death," King Lear, of pre-Christ Britain, divides up his kingdom into three portions, one for each of his daughters (1.1.41). To decide the daughter to whom he should give the largest portion of the kingdom, King Lear holds a competition that merely serves to feed his ego.
Claudio cannot come out and just say that he has feelings for Hero, he has to seek approval from his male counterparts first. While talking to both Benedick and Don Pedro, Claudio describes his feelings as passion first (I.i.219-220), and then he says, “That I love her, I feel” (I.i.228), indicating that he knows he feels something for Hero, but he is unsure of exactly what his feelings mean.... ... middle of paper ... ...
It is unimaginable that a father would divide his wealth among his children according to their skills in flattery. All parents are supposed to love their children at an equal level, no matter how much their child flatters them. Which parent would think to ask their children to outdo each other in a battle of words to win their money and material goods. This is the case in Shakespeare's King Lear. Even in the first scene Lear is asking his daughters which one of them loves him more. " Which of you shall we say doth love us most? That we our largest bounty may extend" (I,i, 52-53). With this demand of knowing who loves him more, Lear offers a reward, all his land. This reward is key to the show of emotion each daughter displays to please her father. His two older daughters jump at the opportunity to compliment and flatter their father, but their words are empty promises and lies. These two daughter are only kind to Lear when he has money: The wise fool tells Lear that only when there is a reward will he be treated kindly by his children. "Fathers that wear rags/ Do make their children blind;/ But fathers that bear bags/ Shall see their children kind" (II,iv,48-51). Regan and Goneril feed their father pretty words on a silver platter and Lear swallows every lie.