Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of women in movies
Sexism in films essay
Female gender stereotypes in movies
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Depiction of women in movies
Devin Luquette
History of Cinema I
Angela Catalano
13 November 2017
Laura Review In 1944 21st Century Fox released Laura, a film by director Otto Preminger. The American film noir is about a murder mystery of Laura Hunt, played by Gene Tierney, who had apparently been killed by a shotgun blast. Before her death, she had a successful career as an executive on Madison Ave and a healthy social life. Her success came about from her mentor, Waldo Lydecker, played by Clifton Webb, who is an obsessive narcissist. Laura thinks she finds love with another man, Shelby Carpenter, played by Vincent Price, and they arrange a marriage. Once she goes missing detective Mark McPherson, played by Dana Andrews, begins to investigate the murder. She arrives later
…show more content…
One element of the film that truly shows its time is the accent the actors have. They all seem to both annunciate their words very clearly and speak their lines quiet quickly, which was very common during early cinema. The socially digressive overtones of the film also draw attention to the age of the film. Not only is the phrase “dame or doll”, the demeaning idea that women fit into the category of being an innocent and virtuous “doll” or a devious and deceptive “dame”, consistently used throughout the film, but the antagonist, Lydecker, is repulsively sexist. For example, Lydecker’s initial reaction to Laura is incredibly disrespectful. He makes assumptions about her character due to her gender and belittles her. Not only until she’s finally given the chance to speak does Lydecker feel she’s proved her intelligence well enough to engage his interest. He finds her charismatic and exceptional for her sex, considering her a prize. He goes on to describe his relationship with Laura to the detective in a very proprietary way, taking credit for all of Laura’s supposed improvements after their relationship begins. His behavior is obsessive and predatory; he stalks her and invasively monitors her other relationships. His keen interest in helping solve Laura’s murder seems more meddlesome than helpful. Lydecker is all around a terrible
The film that was conducted by '' Wayne Blair'' in 2012 was called ‘The Sapphires’ which was about four indigenous girls that have a special talent and strive to show their skill and talent by audition for a talent competition. In which where they meet their manager Dave also known as the sole man. As they start to gather up their group they travel to Melbourne to ask Kay if she would like to join. But unexpectly they find Julie in Melbourne too looking for them to audition too, Although Kay who still lives in Melbourne she get persuaded to do an audition with the girls to travel to Vietnam but kay had not wanted to audition but soon had second’s thoughts. The director Wayne Blair is also an Indigenous Australian and had directed this film
The movie Dope, written and directed by Rick Famuyiwa, follows the story of Malcolm through his senior year of high school in the Inglewood California. He lives in a poor neighborhood, with only his mom, yet he still strives for greatness. He has a couple of friends, and they all love 90’s hip hop culture. They try to do their best to stay out of trouble and away from bullies. Malcolm sees a girl he likes and ends up following her to a drug dealer’s birthday party. When the cops bust the birthday party, he unknowingly goes home with all the drugs and the gun that the drug dealer owns. This sets off a wild chain reaction, as he now has to sell these drugs to payoff the supplier, who happens to be the Harvard Alumni that Malcolm’s needs approval
This shows the early flamboyance that would be present in the film. The next scene shows members of drag on the stage of the club; many which are minorities. This shows not only gay men but also black gay men which is not the norm of American culture. The film relates comedy through gender as well, in which a lot of the male characters portray or act like women. Also the women within the film are not truly funny which makes the focus on the film around the male characters such as Armand, Albert, Agador and Val.
The movie Shock Doctrine revolves around the concept of the same name. The film begins by discussing psychological research on the effects of shock therapy. It is evident that a person under extreme stress and anxiety commonly experienced during a crisis functions and performs inadequately. It is noted that the studies are conducted by a man by the name of Milton Friedman, from the University of Chicago; the studies took place in the past, and some of the subjects are still recovering in the aftermath. From this research, interrogation techniques were learned and the concept of the shock doctrine was formed. Essentially through causing a crisis, the population of a country can be shocked into complying with accepting laws that favors the United States and capitalism. This theory coexists with Friedman’s belief in that government regulation is bad, and through a crisis a country would better itself with deregulation. The video uses Chile as an example and shows how America allowed a crisis to occur in Chile, through coups, interrogations and subterfuge. In the end a new government is formed that allows capitalism. Unfortunately afterwards violence and riots occur, as the rich gain most of the wealth and poverty rises. In addition to Chile, Argentina, Russia and even Iraq underwent the shock doctrine. Almost in every account, poverty rises and violence ends up erupting. The movie ends by showing how the US was in the process of the shock doctrine, and still is but the population has taken notice. Protests such as Occupy Wall Street are some of the initiatives necessary to bring awareness to the problems of class inequalities in order to prevent capitalism from benefitting the rich and increasing the wealth gap among the classes.
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The movie Bridesmaids defies the stereotypical role of women by showing the unseen manner-less and crude side of the gender throughout multiple scenes of the film. In each scene the main characters, Annie, Helen, Lillian, Becca, Rita, and Megan, act in obscene ways that are not socially acceptable for women. They all come from different social classes but are forced together for the wedding of Lillian. The gender role of a woman is a very traditional, narrow, and specific idea that does not allow women to be open and crude as they are in this film. The film shows the crude, vulgar, lusting characteristics that are not normally highlighted and acknowledged in films. Scenes like the dueling speech, food poisoning in the dress shop, and the morning after, are all examples of ways this film defies the stereotype and the divide of class by money between the women.
The Three Here’s for Cooking The romantic comedy, Today’s Special, expressed the worries of Indian parents becoming at ease. Also, expressed the struggles a parent faces in search of a better life, the passion and dedication going unnoticed in the work field, and the connection between friends, a lover, and family. However, the film centered its attention more on the development of Samir’s “cold” cooking within the Indian food, with the help of Akbar. In addition, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry.
Additionally, a young man appears in Laura’s life that sings outside her bedroom window, writes poems to her, and follows her around town to demonstrate his passionate love for her. Porter states, “She tells herself that thro...
The ways the characters portrayed what is supposedly masculine and feminine was when the author wrote about the type of clothes the grandma is wearing. She is wearing
It can be said that Hitchcock had in some regard, the upmost contempt and disregard for the female character and its expression throughout the majority of his films, showing both a lack of “incontrovertible evidence” (101) and a lack of restrainment in his depiction of a highly problematic and violent incident, the rape and the “attempted” (almost subsequent) murder of a woman. Regardless of how violently depicted the aforementioned incident was, it is the female’s inevitable exclusion through sound and language that leads to her inevitable downfall, displaying both films’ attempts “to appropriate femininity and to destroy it”, alluding to Modelski’s curious comparison of “sympathy and misogyny” (110).
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Women in most cultures have been designated as second to men and in some instances, considered below male children as well. With the passage of time women gained respect and the right for equality. Although gender discrimination remains, a lot of progress has been achieved. Literature is a one of the facets of the human race that reflects the culture change of people. William Shakespeare’s King Lear portrays the patriarchal system of the Renaissance era, which leaves women completely dependent on the male head of household. In Henrik Ibsen’s Doll House, set in the modern era, there is still a patriarchal system but women have just a little more freedom. The article, The Doll House Backlash: Criticism, Feminism, and Ibsen by Joan Templeton, analyzes the gender subordination in A Doll House. Comparing and contrasting the themes of the two plays followed by consideration of the article’s research on the theme in A Doll House, assists in developing an understanding of the gradual progression of women’s freedom to be their “true selves” through equality with men. The “true self” is a person's character that is masked by a false portrayal designed to appeal to others.
At the heart of this courtship is a very complex ambiguity which it is difficult fully to appreciate without a production to refer to. But here we have a man (the actor) playing a woman (Rosalind), who has dressed herself up as a man (Ganymede), and who is pretending to be a woman (Rosalind) in the courtship game with Orlando. Even if, in modern times, Rosalind is not played by a young male actor, the theatrical irony is complex enough.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?