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The main characteristics of a comedy
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The Birdcage (1996) is an American comedy film directed by Mike Nichols. The film is based off the Franco-Italian film, La Cage aux Folles (1978), by Edouard Molinaro which stars Michel Serrault and Ugo Tognazzi. The Birdcage is about Armand Goldman who is an openly gay owner of the night club, The Birdcage, which is located in South Beach Florida during the 90s. Armand’s partner, Albert, is the star attraction of the night club. Albert stage name is “Starina,” who is the center of attention but surrounded by other flamboyant men. Both Armand and Albert live above the night club, also living with them is their Guatemalan housekeeper Agador who also has aspirations of being in the drag show with Albert. The Birdcage is a very iconic film with …show more content…
This scene is iconic because the setting to the film is introduced, we meet many of the films characters, but also there are many references to sexuality, gender, as well as social class which reflect American culture at the time. During the opening scene of The Birdcage, the opening credits are being introduced over an aerial shot of the water of South Beach, Florida. The song “We are Family” is being played in the background, as this is happening the camera pans over the water leading up to the showing of the night club, The Birdcage. The zooming of the camera covers the distance from the water towards the front of the night club with great speed. The song is a showing of nondiegetic sound which the film uses to set the tone for the movie. The song is also ironic due to the nature of the film dealing with homosexual families and marriage. The pace of the camera lens is very rapid as it chases over the water towards the club front like a scene in a spy movie. The setting is on South Beach, Florida night life with the South Beach …show more content…
American culture is based on gender, race, sexuality, family, and social class which is all present in the film, The Birdcage. At this time in history, gay and homosexual relationships were not the norm and often looked down upon. The film, The Birdcage, is one of the first mainstream movies which becomes a great piece for pop culture which stands behind marriage equality and suggest that children from gay parents are not different from those of heterosexual families. The opening scene shows a lot of evidence behind this due to all of the visual cues from the first few minutes of the film. The first thing we notice is due to the opening credits present on the scene; the credits are shown in yellow with sparkles throughout them. This shows the early flamboyance that would be present in the film. The next scene shows members of drag on the stage of the club; many which are minorities. This shows not only gay men but also black gay men which is not the norm of American culture. The film relates comedy through gender as well, in which a lot of the male characters portray or act like women. Also the women within the film are not truly funny which makes the focus on the film around the male characters such as Armand, Albert, Agador and Val. Women characters are not really present within the film besides Barbara’s mother and Val’s mother. This film uses comedy through sexuality, the film makes jokes on gay
Chopin mentions birds in a subtle way at many points in the plot and if looked at closely enough they are always linked back to Edna and her journey of her awakening. In the first pages of the novella, Chopin reveals Madame Lebrun's "green and yellow parrot, which hung in a cage" (Chopin 1). The caged bird at the beginning of the novella points out Edna's subconscious feeling of being entrapped as a woman in the ideal of a mother-woman in Creole society. The parrot "could speak a little Spanish, and also a language which nobody understood" (1). The parrot's lack of a way to communicate because of the unknown language depicts Edna's inability to speak her true feelings and thoughts. It is for this reason that nobody understands her and what she is going through. A little further into the story, Madame Reisz plays a ballad on the piano. The name of which "was something else, but [Edna] called it Solitude.' When she heard it there came before her imagination the figure of a man standing on a desolate rock on the seashore His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him" (25). The bird in the distance symbolizes Edna's desire of freedom and the man in the vision shows the longing for the freedom that is so far out of reach. At the end of the story, Chopin shows "a bird with a broken wing beating the air above, reeling, fluttering, circling disabled down, down to the water" while Edna is swimming in the ocean at the Grand Isle shortly before she drowns (115). The bird stands for the inability to stray from the norms of society and become independent without inevitably falling from being incapable of doing everything by herself. The different birds all have different meanings for Edna but they all show the progression of her awakening.
In “A Caged Bird”, it is made clear that this bird has never experienced the freedom of flying with the other species or perching atop the highest building. All it has ever known is the cage in which is has been kept and fed plentifully, yet not punctually, and nurtured with the love of an owner and proper care.
'The Birds' is a film made in the 1960's based on the short story 'The
I noticed along with the caged birds in the opening of the story the number of bird images throughout. It is Mademoiselle Reisz that tells Edna, “The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.’”Edna refers to her new home as “the pigeon-house”. It pleased her. “It at once assumed the intimate character of a home, while she herself invested it with charm which it reflected like a warm glow.
The Birds is a thriller/horror movie that took place in 1963. Melanie Daniels is a semi rich and always gets what she wants. Mitch and to not get attacked by the birds. These birds become so vicious and wild that they begin to take over people’s everyday life. One day when Melanie and Mitch are in a restaurant the birds begin to attack people outside the restaurant. Melanie steps out to the phone booth to take an important call and causes unhappy birds to surround her waiting for her to exit.
The scene where they make it too shows that they have survived the hard times and have overcome the AIDS epidemic. The last extreme long shot shows the rural desert contrasts with their bright costumes, letting the audience feel their accomplishment of climbing King Canyon in full drag. The music in the background is a soft slow song that gets more dramatic the longer it plays, finally getting to its climax when it reaches the top. This music can mean that their journey was slow at the beginning but got a lot more interesting the longer they drove.
The movie The Bird Cage is about a gay couple that owns a gay/drag queen night club in South Beach Florida. The couple is Robin Williams who plays Armand Goldman, whose is the partner, and Nathan Lane plays his partner Albert, who is also known as Starina throughout the movie. From the start you can tell that their night club is a major attraction and big hit for the gay community that resides in South Beach Florida. Armand’s partner Albert is a cross dresser that does a standup routine as well as being part owner with his partner Armand.
The views of the film would have related to Coraline's parents having to move into a weird old house with other tenants and Coraline's parents being worried bout work and money and having little time to spend with their lonely child as a result. 2. In 2013 during the writing process of my novel, there was an outbreak of the Ebola virus in South Africa that killed upwards of around 11300 people. The virus later spread affecting many people and at this time, there sadly was no cure. This could be closely related to Bird Box, because in the novel, creatures of some sort start appearing and when people see them, they kill themselves.
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature.
...wer struggle for sexual domination through the characters of Scottie and Madeline, and also with the use of certain colors. Vertigo shows the loss of masculinity or the impotent male because of a lack of female submissiveness. The main image of the film is that of a downward spiral. This image perfectly illustrates the idea of women as man's downfall that is stressed throughout the entire film. Vertigo also tries to support gender norms for women with some of the female characters. This film is an ideal example of the sexual confusion and anxiety felt by much of American society at this time, proving that film is a cultural product.
The movie Bridesmaids defies the stereotypical role of women by showing the unseen manner-less and crude side of the gender throughout multiple scenes of the film. In each scene the main characters, Annie, Helen, Lillian, Becca, Rita, and Megan, act in obscene ways that are not socially acceptable for women. They all come from different social classes but are forced together for the wedding of Lillian. The gender role of a woman is a very traditional, narrow, and specific idea that does not allow women to be open and crude as they are in this film. The film shows the crude, vulgar, lusting characteristics that are not normally highlighted and acknowledged in films. Scenes like the dueling speech, food poisoning in the dress shop, and the morning after, are all examples of ways this film defies the stereotype and the divide of class by money between the women.
Consequently, they must then take on parties, dates, auctions, beach days, and fashion shows, all while concealing their true male identities. While doing this, the movie portrays extreme stereotypes of gender roles and expectations. Although the portrayal of female expectations and characteristics is exaggerated for comedic effect, the underlying points and issues still remain. The way the brothers dress, speak, act, and understand their new social life as females, all contributes to the obvious contrast in gender specific qualities. The consistent sexualization of women and over pompous attitudes of men throughout the film provides exceptional evidence that society has established acceptable norms for both genders. These established roles of femininity and masculinity conflict within the undercover agents as they struggle to act poise, arrogant, non-confrontational, and sexy like their fellow female friends are, yet this is completely out of the norm for them as they are truly males. However, when they slip-up and allow their defensive masculine traits to show through it allows for not only a comedic break, but an exceptional
After these episodes, the images related to birds are absent form the narrative until the chapter 29. Following the summer on Grand Isle, where she had awakening experiences, she starts to express her desire for independence in New Orleans through her move to her own house, the pigeon house "because it's so small and looks like a pigeon house" (pp 84). The nickname of the pigeon house is very significant because a pigeon house is a place where pigeons, birds that have adapted to and benefited from the human society, are kept cooped up.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.
Throughout the film, we see many references of sexual perversion and homosexuality, by the connotations in the script and visual elements. Homosexuality is one the subjects that created a lot of uneasiness during the time, although not visually displayed (with a kiss) or verbally disclosed. In addition, Hitchcock was able to make it a central theme to incorporate queerness in most of