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Women in art research paper
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Women in art research paper
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Latin American Women: Objectified as Products in a Masculine Dominated Culture
In Prida’s “Beautiful Señoritas,” Latin-American women are products instead of people, but attempt to find their humanity through bonding with an “ocean” of Latin-American female community. The first lines of the play “Beautiful Senoritas,” introduce the feminist voice of Dolores Prida. Written in the 1970s, this piece of literature reflects the Women’s Rights Movement and employs the liberation theme of many female writers during this decade. “Beautiful Señoritas” is a play that depicts feminist oppression, magnifying the lack of civil rights of Latina women. Although the rights of women were being recognized in the United States, the women of Latin America were still oppressed by masculine domination. In Prida’s play, she showcases this oppression and also the stereotyped gender roles of women.
In a society where women are considered less than men, masochism reigns. Masculinity assumes that men are the valuable gender in the world: more intelligent, better problem solvers, and harder workers. It also assumes that women are best led by men: should women should be followers and obey their husbands. In “Beautiful Señoritas,” masochism remains strong. Even today, in certain parts of the Latin world, there are men invested in masculine views, those extremes of superiority are seen in characters such as Don José. The United States has been a worldwide leader in women’s rights and equality, and many cultures and nationalities have lagged far behind in recognizing equality for women. Notably Latin, Middle Eastern and Asian cultures have women in subservient roles, with harsh punishment and outcast from society often the result for women that try to esta...
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...ut the play, is a symbol of strength. It serves as an escape from the reality of a masochist society. Apart, the women must face the hardships alone, but together, they are able to find their humanity by becoming “an ocean of strength” (321).
“Beautiful Señoritas” is a play that echoes the feminist movement of the 1970s. Dolores Prida brings to the foreground the stereotypical views of women in a masculine society. “What a dangerous, deadly adventure being a woman!” (320) The women in this play acknowledge the different roles they are to play, along with the suffering they must endure. As a result of this common bond of humanity amongst the women, they are able to grow in a community outwardly expressing vulnerability amongst each other. This group of women is an ocean of community: one that symbolizes strength, courage, and honor.
Vendida, naturally, is translated to a feminine noun to sell. Whereas, culturally among Chicanos, the term, rather, metonymy, “Vendida”, refers to one whom sells out their culture for the Anglo-American culture. Not only can this term be used in a feminine pronoun, but masculine as well. Cherrie Moraga writes exclusively in first person and using feminine pronouns of a “Vendida” to capture insight of a woman who is racially mixed with Mexican and Anglo and comes across male dominated superiority that causes women of color to be oppressed. As well as using third person historical accounts to outline such oppression that are still seen today. Using feminist criticism, Moraga depicts encounters in which machismo is the center of oppression of
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
In addition, these women were often subjected to control, domination, and violence by men” (Global). This validates Azuela’s stance on how women should stay within their traditional roles because fighting for equality has been ineffective even today.
In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.
Realistically, when someone is more powerful, they have the ability to set the rules. Men have historically held power in society, which means that women did not have as much stance or freedoms as men have had in the past. For example, Canadian women did not have the right to vote until the year 1916. This factor has continued to trail into the present day, creating the ‘weak’ image towards women, overall forcing and pushing men to become the opposite of this factor. Thus, cultural ideals of masculinity rely on the ideas of femininity through patriarchy and gender binaries. The emphasis on characteristics of men are being exaggerated, as society is pressuring men with unattainable standards of masculinity such as being tough, muscular and buff. Men continue to conform to these characteristics, in the fear of being oppressed through exclusion, which only strengthens society’s standards even more. This leads to more societal pressures on men, thus leading men to experience more societal pressures in the fear of feeling excluded. These “systems of inclusion and exclusion are divisions or barriers that prevent people from joining and belonging.” (50). For example, if a man wears nail polish, they may be oppressed and excluded through facing ridicule and bullying, because wearing nail polish is considered “girly”, therefore this boy is rebelling against society’s socially
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
To say that many countries in Latin-American and in Europe are machistas is not a surprise for anyone. People who have born in Spain or in Mexico, Cuba, Venezuela grew in a society with fewer rights for women than men. The word machismo means "arrogant attitude of men towards women". This occurs in every single moment in our lives from our born to our death. But, at this moment I want to analyze the machismo in three areas: family, school and work.
A lady is an object, one which men attempt to dominate. A man craves to get a hold of this being beneath his command, and forever have her at his disposal. In her piece “Size Six: The Western Women’s Harem,” published in 2002, Fatema Mernissi illustrates how Eastern and Western women are subjugated by the control of men. Mernissi argues that though she may have derived from a society where a woman has to cover her face, a Western woman has to face daily atrocities far worse then ones an Eastern woman will encounter. Moreover, Mernissi’s core dogma in “Size 6: The Western Women's Harem” is that Western women are not more fortunate than women raised into harems in other societies. Additionally, she asserts that though women in the Western world are given liberties, they coincide with the unattainable ideals of what is aesthetically pleasing. Furthermore, to strengthen her argument towards her wavering audience, Mernissi’s main approach in her paper is to get the reader to relate with her issue by means of an emotional appeal, while also utilizing both the ethical and logical appeal to support her thesis.
Cofer, Judith Ortiz. "The Myth of the Latina Woman." Bullock, Richard, Maureen Daly Goggin and Francine Weinburg. The Norton Field Guide to Writing. Ed. Marilyn Moller. 3rd. New York: W.W. Norton and Company, 2013. 806-812. Print.
(Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy traditional gender roles. Beatrice represents a brave and outspoken woman who defies the oppressive, traditional gender roles for the female sex. Her cousin Hero, however, represents those women who were successfully oppressed by the patriarchy and accepted the traditional gender roles without much complaint.
Women in Latin America were expected to adhere to extreme cultural and social traditions and there were few women who managed to escape the burden of upholding these ridiculous duties, as clearly shown in “Chronicle of a Death Foretold”. First, Latin American women were expected to uphold their honor, as well as their family's honor, through maintaining virtue and purity; secondly, women were expected to be submissive to their parents and especially their husbands; and lastly, women were expected to remain excellent homemakers.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
The play, The Merchant of Venice drastically altered the perception of women during the time as Shakespeare makes women during the Italian Renaissance appear independent and intellectual, such as the beautiful Portia and the young Jessica. This play shows that women are not only beautiful people to look at but also powerful and intelligent individuals. The characteristics of the women in this play show the possibilities of equality between men and