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Rococo ap art history
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Rococo or also known as "Late Baroque" is an artistic movement and style that occurred in the 18th century. It first developed in the early 18th century in Paris, France when the French King Louis XIV wanted more youthful art to be produced. (All That Is Interesting. 2016) Later, it spread to the rest of France and then later in other countries, like Germany and Austria too.
The Rococo style was very different to all the other art periods as it was highly decorated. Pastel-palette colours, that are soft and light, were mainly used. (Rococo Art Movement. 2016) This contributed to the intended playful theme that depicted light-hearted entertainment; often with scenes of love, youth and nature. The artworks also often had mythological themes.
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He was born in Grasse, France. He was well-known from others by his exuberant style. One of Fragonard’s famous paintings is The Swing. (Jean-Honoré Fragonard. 2016)
This oil painting is on canvas created in 1766. It depicts a man lying on the ground looking up at his mistress on the swing. The mistress is being pushed on the swing by her husband. (Artble – The Swing. 2016) The mistress, clearly being the focal point, is painted in a warm soft pink colour. The whole painting uses soft even brushstrokes, pastel colours and soft lighting. The man lying on the ground was painted in lighter colours and his face is much lighter than the man pushing the swing.
The diagonal lines of the rope, leads the viewer’s eye to the girl on the swing and so does the man’s outstretched arm. The shrubs and trees create a frame for the girl on the swing and thus emphasizing her. The use of line in the woman’s dress creates repetition and suggests movement as she sways on the swing. The man’s face is much lighter than the husband’s creating a strong contrast. The space in the painting is not real, it’s pectoral space. The tree on the far right has a suggested rough texture which contrasts to the suggested texture of the woman’s face and dress. (my daily art display.
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The art piece praises love - there are cupids flying around the couples and pushing some people closer to each other. The art work shows scenery that contributes towards the composition. The painting is radically off-balance and this is evidently an artwork of Rococo. The theme is happy and peaceful and brings a joyful mood. One of Watteau’s talents was using a light, airy brushstroke. This is done to create a dream-like atmosphere. This can be seen in the clouds as part of the landscape and the leaves. The landscape uses a bright colour palette for the people in the foreground but uses more neutral colours for the scenery in the background. (Embarkation for Cythera.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
The middle is the couple pushing their child and they are surrounded my much activity as they walk in the neighborhood. One of the girls that are jumping rope has her back towards the viewer with the thin but extra-long lines of rope they jump through. Lawrence use sharp and round lines throughout the painting to indicate the shapes that are seen in everyday life a Harlem resident. The lines also represent the movement of each of the people shown. Shadows created depth that is splattered across the painting and also how each of the people in the painting is positioned gave a realistic type of feeling to the painting. The showdowns provided in the painting also give off the time of the day those activities such like these could have been happening. Lawrence used repetition and patterns to create the rhythm of this city scene (“Jacob Lawrence: Exploring Stories”). The repetition and patterning in the painting tells how the activity is daily not only that particular day. The use of complementary colors which was both primary (yellow, blue, and red) and secondary (green and orange) brought the life to the painting. The colors or hues made negative spaces
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Fragonard was a product of the late Rococo period in the early eighteenth century a period that consisted of pastoral images of both men and women participating in games, having lunch together or a passionate scene between two people. Rococo created for the rich of France, consisted mainly of two types gallant and libertines. Fragonard’s paintings were mostly gallant which represented love as a playful game. This can be seen in his two paintings Blindmans Buff (fig. 1) and The Swing (fig. 2). These included interactions with figures in the paintings that suggested courtship; in this case it would be the pastel colors that he used which created a more playful look for the figures. In his 1775 version of The Swing (fig. 2) Fragonard presented a vision of nature and shows tremendous growth from his previous work painted during his second trip to Italy. This version is less erotic compared to his previous version of The Swing (fig. 3). The Swing (fig. 2) bares many similarities to some of his other works none more than Blindmans Buff (fig. 1) that was painted at the same time as The Swing. Both paintings shared various similarities and featured playful scenes of love.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
The background of the painting is dark with hues of browns and reds. Light enters the painting from the left and can be seen on the tiled floor. The lighting helps to create the diagonal composition as it moves across the lower half of the painting. The contrast of light also creates space between the man and the woman fainting; symbolizing a disconnect between the two figures. The use of space is also interesting, Ahsauerus is alone and is enclosed in a corner, while Esther is being held by two other woman who are physically very close to her, not allowing any space between their clothes, suggesting a nurturing characteristic that is often stereotyped among
I believe this period was a window that helped make it easier for women to become more equal to men and that this era was a necessity, which even if women artists now don’t realize the help that Rococo gave it was a step in the right direction. That even though the artists may not see it themselves, Rococo has had an influence on their own work as well.
The mother and daughter are sitting on a bench of some sort on a ledge of a window with a portion of the window open. Outside the window there is landscape of mountains, trees, and a stormy sky. The sky is rich with a high value of grays including the whites of the clouds. The technique for creating the landscape out the window, the painter used an atmospheric perspective. The outside is slightly less focused and very fluid compared to the detail used for the mother and daughter.