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Feminism in western society
Historical evolution of feminism
Historical evolution of feminism
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Outside the town of Port Angeles, Washington, there’s a stretch of westbound road towards Forks. The road snakes around Lake Crescent- curving with a dangerous sharpness at some points. After so many accidents, a local legend is bound to spark: the story passed about Lake Crescent regards a vengeful spirit that causes cars to crash near Lake Crescent. She has been called the Lady of the Lake, which connects her to the character of the same name in Arthurian legends, but besides the name, these two figures seem to have little in common; however, such an assumption disregards the evolution of Western culture and the continuance of a misogynistic society.
The lake is the main symbol in “Greasy Lake” that symbolizes youth corruption. When the narrator enters the lake, he describes it as already being “ankle-deep in muck and tepid water and still going strong” (Boyle 5). The filthy description of the water is used to show the gloomy and corrupt waters in this lake. The lake also was “fetid and murky, the mud banks glittering with broken glass and strewn with beer cans and the charred remains of bonfires” (1). These descriptions revolving around the lake show that this lake was where people went to be “bad” people. Primitive acts were done here,
Nature has a powerful way of portraying good vs. bad, which parallels to the same concept intertwined with human nature. In the story “Greasy Lake” by T. Coraghessan Boyle, the author portrays this through the use of a lake by demonstrating its significance and relationship to the characters. At one time, the Greasy Lake was something of beauty and cleanliness, but then came to be the exact opposite. Through his writing, Boyle demonstrates how the setting can be a direct reflection of the characters and the experiences they encounter.
While examining nineteenth-century female monster, Susanne Beacker reveals that she remains a mere idea, a “voiceless textual object” in women’s gothic texts whose happy endings close to the retribution and exorcism of the monstrous woman and the entrapment of the heroine in the patriarchal system (72). In this context, DeLamotte contends that:
Disney movies may want us to believe that Greek mythology is all about heroes defeating the villains and that the Gods are the good guys. However, minimal research will reveal that this isn’t the case. In Edna St. Vincent Millay’s sonnet “I Dreamed I Moved among the Elysian Fields” she intertwines the allusions to mythological Greek woman with the speaker’s own experience to make a powerful statement on the sexual objectification and victimization of women in the 1930s. The speaker begins the poem with an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite).
Selby, Emily F., and Deborah P. Dixon. "Between Worlds: Considering Celtic Feminine Identities in The Secret of Roan Inish." Gender, Place& Culture: A Journal of Feminist Geography 5.1 (1998): 5-28. Print.
...perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness they endure. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
West, John O. "The Weeping Woman: La Llorona", Legendary Ladies of Texas, 1994 Texas Folklore Society. Nacogdoches, Texas. pp 31-36.
Boyle, T. Coraghessan. “Greasy Lake.” *u*An Introduction to Fiction*/u*. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 111-119
In order to understand the maritime culture which both Heywood and Shakespeare work from, we must first explore the tensions of the day between women and the sea. The traditional view, across the board, in early travel “was that women had no place at sea. They weren't strong enough either physically or emotionally [and m]en would be distracted and led to vice” (“The Early Days” section 1). These ideas automatically link women to traditional gender stereotypes and reinforce the idea of women as sexual beings (whether they want to be or not), a concept which is paralleled in both Heywood and Shakespeare’s works of drama. Many superstitions also linked women to bad weather, as many sailors believed that women on ships lead to “terrible storm[s]” that were “bound to destroy the vessel and everyone on it” (sec 1).
As women's studies programs have proliferated throughout American universities, feminist "re-readings" of certain classic authors have provided us with the most nonsensical interpretations of these authors' texts. A case in point is that of Kathleen Margaret Lant's interpretation of Tennessee Williams' A Streetcar Named Desire in her essay entitled "A Streetcar Named Misogyny." Throughout the essay, she continually misreads Williams' intention, which of course causes her to misunderstand the play itself. Claiming that the play "has proved vexing to audiences, directors, actors, readers, and critics" (Lant 227), she fails to see that it is she herself who finds the play vexing, because it does not fit nicely into the warped feminist structure she would try to impose upon it.
Through the contrast of the towns and the cultures represented, we can see the contrast of the treatment of the women and the freedom Cleófilas expectances when she returns home. In the Mexican town, the setting is described as a warm place and a place where women have equality, therefore friendlier to women. In the feminine town of Mexico, she had to still depend on a male like her father; however there were still ways for her to have independence. Cleófilas and her husband were considered to be in the middle class, she did not work because she was not allowed to but her husband did and brought in all the money. Cleófilas’ role as a woman in the literary, Woman Hollering Creek has made her out to be a victim within her own story. The story points to the fact that Cleofilas ' final return to Mexico is setting her free from all her suffering. In the
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
“Leda and the Swan” is a violent, sexually explicit poem with its plain diction, rhythmic vigor, and allusions to mystical ideas about the universe, the relationship of human and divine, and the cycles of history. It can be seen as a poem about the way a single event is to be understood as part of a larger scheme; the result of the god’s assault on Leda is the birth of Helen of Troy...
Before I go into this essay it is important to know several things about me as a person, and specifically a woman. I pride myself for being fair, strong, loyal, accepting, and generous. I avoid confrontation except when it comes to defend the people who I love the most. I have always had to be the strong one in my family. I was the calm one who always puts a positive spin on the gloomy moments. Most importantly I know that so many things are wrong with this world, and I see them every day, and I believe that it is my duty to help change the world. I know that I am meant to do something great. I am meant to do something that is going to change everything. That is what motivates me.