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Into the wild character analysis
Into the wild character analysis
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Analysis of Lady Audley’s Secret
Mary Elizabeth Braddon broke out of the sensation novel genre by writing “lady Audley’s Secret.” While it still has many of the same traits as sensation fiction, it touched on many issues that sensation writers wouldn’t go near. The basic story is one of deception: The protagonist, Lucy Graham, grows tired of being poor and changes her identity to become Lady Audley. The novel has all the twists and turns expected within the genre: faking a death, attempted murder, polygamous relationships--but I will analyze the social and political themes the book delves into. Themes such as classism, sexuality, and the relationship between the two. I will also touch upon the underlying theme in the novel of individualism.
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I’ll also reflect on my experience with creating the Pinterest board. The most evident critique on society in the book is the class system and the living conditions for the working class.
In the book, these conditions are what drive Lucy Graham to leave her old life behind her and start anew as Lady Audley. The quote by the doctor stating that Lady Audley is not mad explains this extremely well. “Because there is no evidence of madness in anything that she has done. She ran away from her home, because it was not a pleasant one, and she left it in the hopes of finding a better. There is no madness in that. She committed the crime of bigamy, because by that crime she obtained fortune and position. There is no madness there. When she found herself in a desperate position, she did not grow desperate. She employed intelligent means, and she carried out a conspiracy which required coolness and deliberation in its execution. There is no madness in that.” (Braddon, 383) In the context of the scene, the doctor is explaining why she Lady Audley is not mentally ill and she should get a punishment equal to her crimes. The quote also gives the readers an insight into why she did what she did. …show more content…
Despite whether or not her actions were justifiable or not, they show Lucy Graham’s desperation to escape the working class. Braddon critiques the living conditions of the working class in this way and the greater classist system of the Victorian period in general. She brings attention to the hard truth that social mobility could never truly be obtained by the working class through legal means, and has to be taken through other ways. The book reflects a semi-marxist philosophy in that the class system needs to be abolished, or at least changed. The readers can see this from the book’s unique ending. Instead of a moral punishment for the crimes committed by Lady Audley, (which was viewed as obligatory in literature, and still is to some extent) she was just relocated to another country. This angered many reviewers. Gender and sexuality also play a large role in the novel.
Many see Lady Audley as a heroine and a model feminist character in literature, despite her actions. This is basically the same marxist principle as in the last paragraph: the disadvantaged, in this case women, need to revolt against the higher classes and abolish the class system before true equality can be reached. That is exactly what Lucy Graham does. Attempted murder, committing arson, and faking her own death are just a few of the ways she rebels against the system. Being a woman, her position in the working class was already lower than her male counterparts. She had no possessions of her own: in victorian times, a woman was the property of her husband and all of her possessions belonged to him. He could divorce his wife at any time and take all of her possessions. Bigamy was also legal for men, but not for women at the time. Theses were the social constraints that led to Lucy’s decision to rebel against a system she viewed as
corrupt. In “The Girl of the Period,” Eliza Lynn Linton critiques feminism and Braddon’s form of social justice. Not straying away from the morals of her society, she writes “The girl of the has done away with such moral muffishness as consideration for others, or regard for counsel and rebuke. It was all very well in old-fashioned times, when fathers and mothers had some authority and were treated with respect, to be tutored and made to obey, but she is far too fast and flourishing to be stopped in mid-career by these slow old morals; and as she dresses to please herself, she does not care if she displeases everyone else.” (Linton) The argument Linton makes is one for traditional values, she demeans the new generation of women with their progressive thoughts. While her critiques and complaints are unreasonable and minor such as complaints about women dressing for themselves or being to busy with their careers to adhere to domestic responsibilities, some are warranted such as the disregard for traditionalist morals. Personally, I am not a traditionalist myself, but that’s not to say all traditional moral values are worthless. My experience creating the Pinterest board for the class assignment was surprisingly interesting. Having never used Pinterest before, I didn’t find it difficult to learn. I’ve always viewed the site with similar regard to Reddit and Tumblr in the sense that I could just search google a picture or a meme instead of creating an account for a website. But it was enjoyable, it gave me a chance to reflect on the major themes within the novel and relate them to pop culture. The assignment also let me contemplate how themes like individualism vs. society, and progressivism vs. traditionalism is relevant in many different pieces of pop culture. It made me think about how pop culture like memes and music can allow for ideas to be shared in a more concise way (opposed to books) and how this new trend is aligned with the ever-increasing desire for instant gratification with each passing generation. In conclusion, Braddon set a precedent for, not only feminist heroines, but the genre of sensation fiction as a whole. It’s difficult to find a soap opera or dramatic piece of fiction nowadays that doesn’t add it’s own critique on society. It touches on themes of sexuality and classism, letting Braddon’s political and social views seep out in between the lines, and that is essentially what sets “Lady Audley’s Secret” apart from other novels in it’s genre.
Lady Audley realizes that she has too much to lose if she were to flee. She knew that Sir Michael Audley would never learn to believe her, therefore she felt it was best if she stayed where she was and defended herself. She wanted to prove that Robert Audley was actually the insane one.
In addition, Britain’s societal transformation augmented women’s role in society, and according to Braybon in “Women Workers in The First World War,” “A completely different pattern of life was established … for women” and that society had “prevailing attitudes towards women as workers” (Braybon 16). The newfangled life given to women gave most women an enormous surge in recognition throughout society, as people valued women a lot more after they became the backbone of the production of nearly all British goods. Concurrently, King underscores this point in her novel, as throughout the novel, Mary is never discriminated against simply for being a woman. In preceding years and throughout history, society typically perceived women as naturally inferior to men, and women’s occupations were limited to taking care of the family and domestic occupations. Nevertheless, the overarching effect of the augmentation of the number of women employed in the British workforce was the society’s realization that women could perform at a level equal to men, and this helped facilitate the women’s rights movement in Britain, a leading factor in Britain’s evolution to a gender equal society. In the novel, throughout Mary Russell’s journeys across Britain, there is not a single time when
Jane Eyre is about a girl named Jane who struggles to find who she really is and with it what she really wants. “As a model for women readers in the Victorian period and throughout the twentieth century to follow, Jane Eyre encouraged them to make their own choices in living their lives, to develop respect for themselves, and to become individuals” (Markley). One of the reasons why this book gained merit was because of its striking presence within its time period. During the “Victorian Age” woman did not have much say in society, so this novel broke boundaries to societal norms that restricted woman from things they have today. “Brontë is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her nature.
Mary Elizabeth Braddon's "Lady Audley's Secret" was published in 1861 and was a big success: a best-seller that sold over one million copies in book form. The protagonist, Helen Maldon - also known as Helen Talboys, Lucy Graham and Lady Audley - is a poor young beautiful woman when she marries the dragoon George Talboys, but his money only lasts for one year of luxury. When he no longer is able to offer her the life she always wanted - and now has got used to - she becomes angry and depressed, and George Talboys leaves the country to dig for gold in order to make his young wife with her new-born baby happy again. Not long after her husband has sailed for Australia, Helen Talboys decides she has had enough of the boring life she leads with her father and child and wants to try to find for herself the things she lacks. She sees an opportunity to start over and she grabs it: she leaves her child, changes her name and goes out as a governess. When the wealthy Sir Michael Audley proposes, she accepts and goes from the life as governess to the life of a Lady. The Lady Audley that we get to know is a woman who is sure of what she wants and will not let anyone stop her, which in the book is described as the acts of a madwoman. But is Lady Audley really insane or simply too ambitious and sure of herself for the Victorian era? Was "insanity" simply the label society attached to female assertion, ambition, self-interest and outrage?
This novel was one of the most radical books of the Victorian Era. It portrayed women as equals to men. It showed that it was possible that men could even be worse than women, through John and Jane. It taught the Victorians never to judge a book by its cover. The novel would not be as successful were it not for Charlotte Brontë’s talent in writing, and were it not for the literary devices employed.
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
When describing women during this time period Wilson says, “They were non-people, being the same legal status as American slaves, regardless of social class” (Wilson, The Victorians, pp. 306). One extreme double standard could be seen within British prostitution. Wilson said that it was “taken for granted” that British soldiers and sailors would need prostitutes. Yet, no matter how many men indulged in these acts only the women were seen as diseased and sources of contamination that needed regulated (Wilson, The Victorians, pp. 308. Women began to take notice, and they were not having it and they began to take action. The women of the upper middle class started the nineteenth century women’s movement. These women would go on to forever alter the lives of their sisters and daughters by advocating for equal educational rights, equal parental rights, and for political suffrage (Wilson, The Victorians, pp. 312). Not only did they advocate for these rights, their campaigning invoked change to begin. Wilson says, “The Women’s Suffrage Movement could be seen as the final confirmation of the haute bourgeoisie, not the first blast on the trumpet of revolution” (Wilson, The Victorians, pp. 313). Throughout the period Women gained more and more rights and they eventually would have created a great deal of change in the lives for every women who was to come
By using the elements of both melodrama and mystery fiction, Mary Elizabeth Braddon was able to create her most famous work of her long lasted career, Lady Audley’s Secret. Her ability to construe a mystery and keep the reader involved in her work shows the talent she had for writing. Mary Braddon would not have been a popular Victorian novelist if she had not engaged in a certain amount of sentimentality (melodrama) in her fiction (Peterson, 165-166). Her choice of the mystery made her famous and revered by many of her colleagues. Robert Louis Stevenson wrote to her once that he wished his “days to be bound each to each by Miss Braddon’s novels';, and Tennyson declared that he was “simply steeped in Miss Braddon'; (Peterson, 161). By exploring the elements of both melodrama and mystery, it becomes clear that Lady Audley’s Secret fits into both. Using these genres, Braddon was able to create a successful novel of her time that incorporated both reader emotion and Victorian culture.
Mary Wollstonecraft lived with a violet and abusive father which led her to taking care of her mom and sister at an early age. Fanny Blood played an important role in her life to opening her to new ideas of how she actually sees things. Mary opened a school with her sister Eliza and their friend Fanny Blood. Back then for them being a teacher made them earn a living during that time, this made her determined to not rely on men again. Mary felt as if having a job where she gets paid for doing something that back then was considered respected than she wouldn’t need a man to be giving her money. She wasn’t only a women’s right activist but she was a scholar, educator and journalist which led her to writing books about women’s rights.
... Victorian values. She is supposed to be submissive and delicate, and she does attempt to do what her cousin asks and remain ladylike. Towards the middle of the story Lucy has obviously been thinking a lot about her future and she begins to speak her mind but is usually shut down by Cecil or other Victorian characters. By the end of the novel, Lucy has realized Cecil will never treat her as an equal and she leaves him.
Although written during both the Victorian and Gothic time period, Jane Eyre draws upon many revolutionary influences that ultimately enabled it to become one of the most successful books of all time. Jane Eyre is merely a hybrid of a Victorian and Gothic novel, infusing a share of dark allusions with overzealous romanticism. The primitive cultures of the Victorian period reflect high ethical standards, an extreme respect for family life, and devotional qualities to God, all in which the novel portrays. Yet, to merely label Jane Eyre as a Victorian novel would be misleading. While the characteristics of a Gothic no...
The Mistreatment of Women During the Victorian Era “The day may be approaching when the whole world will recognize woman as the equal of man.” (Susan B. Anthony) The Victorian era was an extremely difficult time for women in Great Britain. They were subject to gross inequalities such as not being able to control their own earnings, education, and marriage. As well as having a lack of equality within marriage, women had poor working conditions, and an immense unemployment rate as well.
... were usually about movement up the social ladder or because of the fact that the woman was "worthy of the work, and competent to accomplish it." Love was a factor, which many people negated. Brontë condemned this negation. The patriarchal religious system, Calvinism, instilled a view in its members that men were far superior to women in many respects, including morality. In Victorian society the most 'moral' people seemed to be figures like Brocklehurst, who were in reality hypocrites. They were seen as pious and likely to be the chosen few to enter the gates of Heaven. Brontë conveys Brocklehurst's character as being shallow and he eventually loses his business because of lack of humanity.
Charlotte Bronte’s Jane Eyre is set in the mid nineteenth century, during the Victorian era where class and gender roles are clearly defined in the patriarchal society. The general ideology of the era expresses the idea that if gender categories were not maintained as binary oppositions, catastrophic chaos would likely ensue (Gill, 109). Throughout the novel, Jane is faced with the issue of oppression. The typical characteristics of an ideal female in Victorian society would include submissiveness, simple dress, low ambition, longing for a male love interest and passiveness. Bronte clearly shows her stance on this Victorian ideology as Jane often challenges those social institutions and changes her place in society, although she often settles for the status quo for certain periods of time. Jane plays the typical role of a Victorian woman through much of her life, but through subtle shifts in power Bronte challenges these Victorian norms by way of Jane’s education, unlikely rise in social status from teacher to governess and her relationship with a seemingly unattainable man.
A. A. "The Anxiety of Affluence: Family and Class (Dis)order in Pamela: Or, Virtue Rewarded. " Studies in English Literature 29.3 (1989): 489-514. Harris, Martin. A. A. “The ‘Witchcraft’ of Media Manipulation: Pamela and The Blair Witch Project.” Journal of Popular Culture 34.4 (2001).