The Style and Genre of Lady Audley’s Secret
Lady Audley’s Secret, by Mary Elizabeth Braddon, is a novel of many elements. It has been placed in many different style or genre categories since its publication. I feel that it best fits under the melodrama or sensational genre, and under the subgenre of mystery. It contains significant elements of both types of writing, so I feel it is best to recognize both, keeping in mind that melodrama is its main device and mystery is a type of Victorian melodrama. In order to understand how the story fits into these categories, it is necessary to explore the Victorian characteristics of each, and apply them to the text. In addition to establishing the genres, it is important to explain why and how these genres fit into Victorian culture.
The term melodrama has come to be applied to any play with romantic plot in which an author manipulates events to act on the emotions of the audience without regard for character development or logic (Microsoft Encarta). In order to classify as a Victorian melodrama, several key techniques must be used, including proximity and familiarity to the audience, deceit rather than vindictive malice, lack of character development and especially the role of social status.
The sensational novel is usually a tale of our own times. Proximity is indeed one great element of sensation. A tale which aims to electrify the nerves of the reader is never thoroughly effective unless the scene be laid out in our own days and among the people we are in the habit of meeting. In keeping with mid-Victorian themes, Lady Audley’s Secret is closely connected to the street literature and newspaper accounts of real crimes. The crimes in Braddon’s novel are concealed and secret. Like the crimes committed by respected doctors and trusted ladies, the crimes in Lady Audley’s Secret shock because of their unexpectedness. Crime in the melodrama of the fifties and sixties is chilling, because of the implication that dishonesty and violence surround innocent people. A veneer of virtue coats ambitious conniving at respectability. Lady Audley’s Secret concludes with a triumph of good over evil, but at the same time suggests unsettlingly that this victory occurs so satisfyingly only in melodramas (Kalikoff, 9...
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...r with seemingly no real purpose in the novel turns out to be the key to unlocking the whole plot. This technique was very popular in Victorian mystery.
By using the elements of both melodrama and mystery fiction, Mary Elizabeth Braddon was able to create her most famous work of her long lasted career, Lady Audley’s Secret. Her ability to construe a mystery and keep the reader involved in her work shows the talent she had for writing. Mary Braddon would not have been a popular Victorian novelist if she had not engaged in a certain amount of sentimentality (melodrama) in her fiction (Peterson, 165-166). Her choice of the mystery made her famous and revered by many of her colleagues. Robert Louis Stevenson wrote to her once that he wished his “days to be bound each to each by Miss Braddon’s novels';, and Tennyson declared that he was “simply steeped in Miss Braddon'; (Peterson, 161). By exploring the elements of both melodrama and mystery, it becomes clear that Lady Audley’s Secret fits into both. Using these genres, Braddon was able to create a successful novel of her time that incorporated both reader emotion and Victorian culture.
The Christmas tree is an important symbol because it represents Nora’s life. The beginning of Act 2 states that the tree was tattered and stripped of ornaments, just like Nora’s life was falling apart.
In Stephen Dunn’s 2003 poem, “Charlotte Bronte in Leeds Point”, the famous author of Jane Eyre is placed into a modern setting of New Jersey. Although Charlotte Bronte lived in the early middle 1800’s, we find her alive and well in the present day in this poem. The poem connects itself to Bronte’s most popular novel, Jane Eyre in characters analysis and setting while speaking of common themes in the novel. Dunn also uses his poem to give Bronte’s writing purpose in modern day.
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As a nurse, I want to do things for people that impact them in ways that they remember for a lifetime. And during the most intimate, challenging and frightening moments in life, nurses are right there by the patient’s side providing care, support, and love. This profession is not just for the money, if it is to you then you need to think about changing you’re major. We as nurses are dealing with responsibilities of people lives in our hands. Their love ones trust us with their care. Another thing I love about nursing is that you will never get bored. There is many field to nursing: pediatric, surgical, wound care, and etc.
Although written during both the Victorian and Gothic time period, Jane Eyre draws upon many revolutionary influences that ultimately enabled it to become one of the most successful books of all time. Jane Eyre is merely a hybrid of a Victorian and Gothic novel, infusing a share of dark allusions with overzealous romanticism. The primitive cultures of the Victorian period reflect high ethical standards, an extreme respect for family life, and devotional qualities to God, all in which the novel portrays. Yet, to merely label Jane Eyre as a Victorian novel would be misleading. While the characteristics of a Gothic no...
Mary Elizabeth Braddon broke out of the sensation novel genre by writing “lady Audley’s Secret.” While it still has many of the same traits as sensation fiction, it touched on many issues that sensation writers wouldn’t go near. The basic story is one of deception: The protagonist, Lucy Graham, grows tired of being poor and changes her identity to become Lady Audley. The novel has all the twists and turns expected within the genre: faking a death, attempted murder, polygamous relationships--but I will analyze the social and political themes the book delves into. Themes such as classism, sexuality, and the relationship between the two. I will also touch upon the underlying theme in the novel of individualism.
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