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Issues of power in literature
Issues of power in literature
Issues of power in literature
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The Thousand and One Nights is a collection of stories within a story that introduces us to King Shahrayar. In a quick summary, King Shahrayar is originally considered to be a good king, but after his wife starts to involve herself in adulterous behavior, he executes her and vows to himself that he will never be deceived by women as long as he shall live. King Shahrayar does this by marrying a different virgin every night, only to have her killed that next morning. During this time, the kingdom is filled with dead women whom have been victims of King Shahrayar and their morning parents. It is only until the king’s loyal vizier’s (assistant to the king) daughter, Shahrazad, volunteers to marry the king in attempt to teach him a couple lessons. …show more content…
Each story that Shahrazad tells King Shahrayar is filled with lessons about ruling ones kingdom and one’s self. Within this reading, there are many different symbols that Shahrazad symbolizes through her stories. I believe the one story that has the most symbolism is The Story of the Merchant and the Demon because of the predicament she has found herself in. In the short story of the merchant and the demon, the merchant must die because he killed the demons son, and although the merchant asks him if it is necessary for him to die, the demon responds with an “I must”. The merchant dies at the hands of the demon, which is very similar to the situation that Shahrazad is in. After each night she tells her sister Dinarzad, who often says that her stories are strange and lovely, that it isn’t as good compared to what story she will tell the next night “if the king spares me” (568). Shahrazad knows that with each day, there is a greater chance that King Shahrayar can kill her. The biggest symbolic moment from Shahrazad telling The Story of the Merchant and the Demon is that even though Shahrazad is in a male dominant society, which the Middle East is, she still is able to influence King Shahrayar by the lessons in the story. For a thousand and one nights, Shahrazad tells either a new story or a conclusion of the story told the night before.
The major themes that we see in the overall story are: the influence of storytelling, power, and questioning human life and experience. In this story the influence of storytelling is by far the most important theme. This theme happens to be the whole reason for why Shahrazad is telling these stories. Shahrazad would not be telling King Shahrayar these stories if she didn’t believe that it would influence him to become a better ruler and to become a better person. She spends a lot of time reciting these stories and in the end it all pays off because by the end of the story he does not kill her. King Shahrayar actually allows her to live and with that he welcomes her as queen. In this story power is the second most important theme. From the very beginning of the story, King Shahrayar is by far relishing in his power. King Shahrayar shows how much power he has over his kingdom by how he reacted to his first wife’s infidelity. The king’s power hungry persona is greatly affected by Shahrazad’s storytelling and the final outcome of the story has the king ultimately questioning his antics. The final major theme that we notice in this story is the theme of questioning human life and experience. Much like the first two themes, the theme of questioning human life and experience is greatly affected by Shahrazad’s storytelling. With each story, King Shahrayar is welcomed with new thoughts about how to be a good ruler and how to be a good person. The stories that Shahrazad tells the kind has him questioning his past experiences and what human life is all about. All of these small stories talk about love, death, happiness, and sadness; along with the questions about how we are able to live in a world that contains both good and
evil.
At first, Sharon tries to see life from his perspective with his childhood background when he used to live in Tehran. When Al was young, “In this happy, balanced world, [he] was the neighbourhood marble king” (313). This passage is relevant because it shows how Al felt as a kid. Sharon tries to understand her husband’s dreams, fears and feelings through the way he was brought up in his natal country. By imagining him as a king, the narrator understands how Al has always felt like he deserved an important place in this world. Moreover, Sharon understands more Al’s need for power as he resembles Dickens a lot when it comes to love relationships. The two adulterous husbands are admired by their younger mistresses, as we can see with Shay’s image of Al: “she also assumed her inspiring supervisor, blessed in every aspect of life, must be happily married too” (168). This quote shows how both Nelly and Al’s mistresses were younger women who admired the two men, which is exactly what Al and Dickens must have been looking for in the affairs: a sense of power, importance. By giving Dickens his place in her story, Sharon is accepting that even in every great man, there is a portion of humanity. Finally, Al and the prince in the Arabian nights’ story told in the book share the same charming, confident, and arrogant traits. Sharon’s telling of “The
...ound.”(274) Rasheed’s want for power increases after talking to the Taliban because he believes the he is the real master behind everything, making him the true hero to Mariam and Lila. It is ironic Rasheed believes that his is the true hero because the actions that he had towards Mariam and Lila made them the people they were and it made Mariam’s heroism come over even more.
Rasheed was the man in the relationship and Mariam was the typical wife that did her wifely duties and stayed home while he goes and works and provides money. He treats her as if she’s worthless and means nothing to the world. When he eats he doesn’t look at her or speak to her, he is demanding, and tells her how worthless and uneducated she is. This then leads to him becoming abusive punching her, slapping her, kicking her, speaking rudely to her, he did this to damage her. A lot of this occurs because Mariam can get have his son and she is also considered a harami. Everything she does infuriates him and blames all the issues on her. She constantly tried to avoid making mistakes and did everything to his liking, but he always found a way to abuse her and blame it on her. Rasheed did not care about anything but himself he abided by the patriarchal stereotype ,which is being the dominant one throughout society and making women inferior. Mariam felt powerless and fearful. She was a victim of abuse and oppression. She married a man that said everything he did was normal in a relationship. Even though Mariam was in a violent marriage she became a strong women and soon she overcomed these
Amir’s development from being “a boy who won’t stand up for himself,” to a man that stands up for the morally responsible thing to do (22, Hosseini). When Amir was a child, he tried to escape from his sins in the past by hiding them with lies. However, this only made it worse for Amir, causing him to be an insomniac for much of his life and putting himself through constant torment. Only when Amir became a man, like Baba wanted him to be, was Amir able to face the truth of what he done and put himself on the path of redemption. Even when Amir was suffering a violent beating from Assef, Amir was able to laugh because he knew he was doing what he should have for Hassan years ago. Amir’s development from a child, who lies in order to cower from their own mistakes, into a man, someone who is not only able to admit his sins, but atone for them, is essential to communicating the theme of redemption being the only way to settle with your
The theme of gender oppression is greatly shown throughout the story. Making it easier for the reader to comprehend the roles that were expect of women in Egypt. This theme is greatly shown when Abboud Bey and Samia’s father are discussing wedding arrangements. Abboud asks Samia’s father “And the beautiful little girl’s still at second school? She lowered her head modestly and her father had answered:” This shows the lack of respect males have for women in their society. Viewing women merely as a pretty face, incapable of answering simple questions. This also shows that Abboud views Samia as naïve and innocent by referring to her as “little girl”. He seems to be taken by her
Jerome Clinton’s article The madness and cure in the 1001 nights is intended to look at the psychoanalytic side of king Shahriyar’s problem with females and the way Shahrazard uses her wit and the art of story telling to stop her husbands murderous rampage. Clinton uses a female’s perspective on how the stories are viewed instead of the male’s perspective. Clinton also argues that the actions of king shahriyar are not just a brazen result both his brother’s and his own wives infidelity. Clinton uses the idea that king Shahriyar and his brother Shazaman have lost the “anima” in their subconscious mind because they have grown up in a world that gives women no importance but only to please men (Clinton 491-492). Therefore both are unable to form positive lasting relationships with women in their adult lives.
Other characters and details throughout the story help make the idea of equality and culture come alive. The importance of this message reoccurs for the duration of the story as Rushdie visits this point again and again. This story of equality, criticism, war and corruption of power expresses topics authors rarely touch upon. Character’s actions, dialogue and relationships creates an impact on the reader. Thus changing the mindset of the importance of equality, and the fact that is the structure of culture and non-violence.
Throughout history, women were not always well regarded by men. Because of this, most societies treated their women as second class citizens. The stories from, Tales from the Thousand and One Nights, illustrate how the portrayal of women affected Muslim society in the Ninth century. Sometimes women were seen as mischievous, unfaithful temptresses. Other times they were depicted as obedient, simple minded slaves looking to please their master. With the use of charm, sex and trickery, they used the labels that they were put in, to their advantage; demonstrating that women during this century were clever, smart, and sly.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
Shahrazad is kept alive mainly because of her vast knowledge of the king, allowing her to plan her escape precisely and with skill. Shahrazad is a scholar, so says the narrative, and is very aware of what will capture the king’s attention enough to spare her every night, because: “[She] had read the books of literature, philosophy, and medicine. She knew poetry by heart…and...
Stories like Sindbad, Aladdin and the Magic Lamp and other popular stories are very common today in the western culture. Animated movies were also made for the entertainment of kids on these popular stories. One might wonder that where these stories originated and how it came down and made place in the western culture. Although these stories are very popular in both the western culture and the eastern culture but the original literary work is not so popular in common people. Theses stories are some of the stories from the Arabic work "The Thousand and One Nights." The work of "The Thousand and One Nights" represents basically a female that is a strong and clever idol and continuously imaginative and creative. It is an anonymous work which is widely known in the Arab world. It is an Arabic collection of a thousand tales, which is derived from the Persian version, telling of a King who was in the habit of killing his wives after the first night, and who was led to abandon this practise by the cleverness of the Wezir's daughter, who nightly told him a tale which she left unfinished at dawn, so that his curiosity led him to spare her till the tale should be completed. Many people have written about these stories, that where they originated, what time period was it originated, how they have been changed, and also literary criticism of the work.
In her book Princess, Jean Sasson conveys through the Princess Sultana's story of the many abuses of women in Saudi Arabia. For thousands of years, women in Saudi Arabia has earned no respect, given no identity (as if invisible), and were treated like sexual objects. Their only use is to produce male offspring, and to service their husbands sexually. This goes for all women. Although women of royalty are born free, they are just as insignificant as the lower class women. Through the eyes of Princess Sultana, Jean Sasson tells the cruel and unjust ways of the male society in Saudi Arabia.
The story consists of many characters, but it does not have a lone main character. Every character's background is explored quite thoroughly, giving you an idea of their personality as well. For instance, Maryam is a religious, independent Iranian woman who treasures her country's customs and values, despite living in the US for decades. She values her cultu...
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
This is a story of how one man made the horrible mistake of falling in love with the king's daughter. The relationship that followed between the two