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Discuss king lear as a tragic hero
Discuss king lear as a tragic hero
King lear characters analysis
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The Tale of a Tragic Hero: King Lear
Human values apply the matters of right and wrong within our judgments. Shakespeare shows us how wicked and ruthless human nature can be when making choices. Moral misjudgments of the characters lead to an intense circle where life-threatening situations meet. In the tragedy King Lear written by William Shakespeare, striving for the opportunity of justice in the world for individual judgments, along with betrayal amongst family members proves the cruel chaos that illustrates throughout the play. This tragedy is a story of a man, entitled King Lear, and his decision leading to his future along with the fate of others. Many sad stories produce a tragic hero. The tragic hero that is being produced in this story
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is King Lear. The author, William Shakespeare, was born on April 23, 1564 in Stratford-Upon-Avon. It notes that Shakespeare may have educated at the King Edward IV Grammar School in Stratford. Here he became knowledgeable in classical Greek and Latin. There is also an unknown fact of whether or not Shakespeare attended a University to further his education after being enrolled in the grammar school. When Shakespeare was eighteen years old, he went on to marry Anne Hathaway in November of 1582. At this time, Anne was twenty-six years old and three months pregnant. Their marriage may have been hasty due to the pregnancy. Following their marriage, Shakespeare and Hathaway had their first child Susanna, born in May of 1583. Soon after, Hathaway birthed twins Judith and Hamnet in 1585. Unfortunately, Hamnet passed when he was merely 11 years old. The seven years following the twins’ birth Shakespeare vanishes from all records. This period of his disappearance is now known as the “lost years.” This period causes a lot of controversy as to what happened. There are thoughts that he worked as an assistant schoolmaster in Lancashire for a time. After his time away, it is thought he turns up again in London sometime in 1592, but arrived there in 1588. At this time, he began to establish himself as an actor and a playwright. The definition of a tragic hero is, “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (Dictionary.com). King Lear is a tragic hero that was brought to Earth with nobility, "endowed with a tragic flaw, and is doomed to make a serious error in judgment.” He disowned his youngest daughter Cordelia because she refused to flatter her father. Due to this, King Lear brands his two eldest daughters, Regan and Goneril, rulers of his land now divided into two after had being three. Regan and Goneril truly did no love their father they just desired the land and power that came along with the title. Both the ladies betrayed their father, King Lear, and had ruled him to a sentenced death by Edmund. Surely, King Lear had no one to blame for his death, but himself. This reason was brought into the light due to the amount of pride he held along with wanting to uphold his ego, which proves to be a fatal flaw, thus the tragic hero point is shown in the story. "Tell me, my daughters, -- Since now we will divest us both of rule, Interest of territory, cares of state, -- Which of you shall we say doth love us most, that we our largest bounty may extend Where nature doth with merit challenge” (Shakespeare 1256)? In the first act, King Lear put strong emphasis on his need of having a powerful ego, in this act is where he interrogated all three daughters to determine who adored him most.
King Lear became aware that his beloved daughter Cordelia did not have large amounts to voice about her love and adoration for her father. Cordelia's actions caused King Lear to repudiate Cordelia and divide his land unto his malicious daughters Regan and Goneril. The mistake of disowning Cordelia led to several outcomes such as the division of his country to Regan and Goneril, the falling of his armies and the ending of his existence. At some point, all tragic heroes fall from great heights, they comprehend the irreparable mistakes made, and they face a dramatic death. King Lear ultimately met all these issues. For a period, King Lear was the qualified king and had many luxuries: the love of his three daughters, wealth, supremacy, and bliss. King Lear became stripped of his wealth and supremacy, and his life all due to his daughters Regan and Goneril, who once stated they loved their father far more than their spouses. Another factor that proves King Lear is a tragic hero is his tragic death. He dies after he is gains freedom from prison. He hoists his lifeless daughters body in his hands, declares his love for her and how he wronged her. He then goes on to die over Cordelia's deceased body because of the heartache and pain he
felt. "And my poor fool is hang'd: No, no, no life? Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never. Pray you, undo this button: thank you, sir. [O, o, o, o] Do you see this? Look on her, look, her lips, look there, look there" (Shakespeare 1263)! King Lear is the epitome of a tragic hero because he understood that he made an irrevocable mistake. When he went to visit his daughters, he realized they were foul and his decision to give them all the land and power was immoral. He realized Cordelia deserved all of what her sisters received. Through all of this realization, his life was on the line, and at this moment, King Lear became a humbled man. William Shakespeare's story King Lear is one of his most outstanding tragedies. A tragic hero is neither necessarily good nor bad, and this was what represented through the character. He acquired various qualities that labeled him as a tragic hero. His death and wellbeing caused the audience to be sympathetic over a person who was once supreme but eventually turned into an average man. King Lear continues being among some of the highly unforgettable characters in literature because of his characteristics as being a such a strong character in a tragedy.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
The tragedy of Shakespeare’s King Lear is made far more tragic and painful by the presence and suffering of the king's youngest daughter, Cordelia. While our sympathy for the king is somewhat restrained by his brutal cruelty towards others, there is nothing to dampen our emotional response to Cordelia's suffering. Nothing, that is, at first glance. Harley Granville-Barker justifies her irreconcilable fate thus: "the tragic truth about life to the Shakespeare that wrote King Lear... includes its capricious cruelty. And what meeter sacrifice to this than Cordelia?"5 Yet in another passage Granville-Barker has come much closer to touching on the real explanation. I quote the passage at length.
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
William Shakespeare’s infamous Tragedy of King Lear is as much about political authority as family dynamic. Although regarded as one of the most emotionally difficult, and portrays a world lacking of love, in which humanity is detached from any spiritual, higher being, there is still glimmers of goodness that can be discovered. While other discussions of King Lear focus on the bleakness and despair of the environment as well as the characters, especially Lear, it is arguable that this play is not an exemplification of a work lacking in morals, but of the reenchantment of charity, especially forgiveness as a pushback against the violence. Through this reading, a considerable amount of credit is given to Cordelia, and the powerful emotional impact she provides.
King Lear, the protagonist of the play, is a truly tragic figure. He is driven by greed and arrogance and is known for his stubbornness and imperious temper, he often acts upon emotions and whims. He values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn’t want to fulfill a king’s obligations of governing for the good of his subjects.
Perhaps Lear's most difficult moment to endure is when he discovers his youngest and most prized daughter, Cordelia, dead. His initial reaction is of unbearable pain, but, being in his current state of madness, some of the anguish is alleviated when he "realizes" that she is alive. The king overcomes his earlier mistakes only after losing the one daughter who truly loved him. It's debatable whether Lear is completely conscious of his loss, but more plausible to suspect he is not fully affected by it as he is no longer in his right mind. Finally, Lear has dealt with the consequences of his decisions and is redeemed.
Literature often provides an avenue for instruction on the human condition, and King Lear is no different. Perhaps the most important take away from King Lear, is the concept of recognizing true loyalty. The downfall of the play’s protagonists stems from the inability of leaders to recognize loyalty, and to be fooled by flattery. King Lear’s sin of preferring sweet lies is one that begins the entire play, with his inability to reconcile his favorite daughter’s refusal to flatter him. It is made clear that Cordelia does indeed love her father, but she refuses to exaggerate that love: “Unhappy that I am, I cannot heave/my heart into my mouth. I love your Majesty/ according to my bond, no more nor less” (2.2.100-102). Cordelia’s declaration is an honest one, but doesn’t venture into the realm of exaggeration. However, it is made clear that King Lear desires flattery not truth, as demonstrated by his demand that Cordelia “mend her speech a little” (1.1.103). Gloucester parallels King Lear in placing his faith in the wrong child. Thus, a common motif of blindness to truth emerges. The truth is something one should seek for themselves, and to recklessly doubt those who are loved without hearing them out is foolish. This idea expressed in King Lear is timeless, and thus is relevant even in the modern
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
Shakespeare 's King Lear is a story of a king who sets out to divide his kingdom among his three daughters, with only Goneril and Regan reaping in his fortune. The family unit becomes torn as conflicts between personalities emerge between King Lear and his three daughters, thus creating a tragic end for many. King Lear 's two eldest daughters, Goneril, and Regan defy the roles and rights of women of the eight-century, displaying behavioral traits that are less desirable. Whereas King Lear 's youngest beloved daughter, Cordelia, embodied the warmth and true spirit of women that one would up most expect during this time period, one who showed loyalty, respect, and honesty, but remained strong and noble (Phillis). William Shakespeare skillfully
Although King Lear, by William Shakespeare, is a tragic tale; the main character, King Lear, does not posses all the required qualities of a tragic hero. Lear fails to face his death with courage or honor, which causes the audience to feel apathetic to him. This makes Lear a tragic character but not a tragic hero. Shakespeare makes Lear’s lacking qualities more apparent by Cordelia, a true tragic hero. In comparison with tragic heroes found in Shakespeare’s plays, Shakespeare makes King Lear’s death brief. After Lear rambles his last line, Shakespeare ends his life with the line “(He dies)” (5. 3. 375) without an explanation. Even in his death, Lear never accepts his responsibility in his own trady. Instead, he blames his misfortunes on his
“King Lear” is one of the most complicated of all Shakespeare's plays. It is about political authority as much as it is about family dynamics. It is a ruthless play, filled with human cruelty and awful, nonsensical disasters.
King Lear was a tragic hero that was born into nobility, endowed with a tragic flaw and doomed to make a serious error in judgement. King Lear was born into nobility. "He owned vast amounts of land and ruled over many people. Give me the map there. know that we have divided In three our Kingdom." Not only was King Lear born into nobility he was responsible for his own fate. He disowned his daughter Cordelia and made his other two daughters rulers of his land once divided into three now divided into two. His two daughters really did not love him they just wanted the land and power. They turned against their father and had him sentenced to death by Edmund. Lear's death was his own fault. This reason came about because of King Lear's tragic flaw, his pride. Pride is also his reason of how he is a tragic hero. "Tell me, my daughters,-- Since now we will divest us both of rule, Interest of territory, cares of state,-- Which of you shall we say doth love us most, That we our largest bounty may extend Where nature doth with merit challenge?" King Lear was egotistic in the first act where he asked his daughters who loved him most. When he found out his favorite daughter Cordelia did not have much to say about his love for him he disowned her and divided his land to his two evil daughters Regan and Goneril, "From whom we do exist, and cease to be; Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee, from this, for ever." This was also the error in King Lear's judgement.