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Rap influence on youth
The effect of hip hop on todays youth
Hip hop and youth
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For me, Kendrick Lamar is a very good rapper, he makes music that is very reliable to the youth who grew up in rough neighborhoods who were just trying to survive, but weren’t gang banging. The way he contracts his verses is interesting to listen to, and the way his debut album tells a story about growing up in the ghetto and making yourself better despite that. Even before his debut he had some incredible, meaningful songs. And honestly when he deals with things like weed or alcohol in his music, he doesn’t glorify them. He rarely participates in either, and his songs don’t paint them in a positive light. For instance, Kush and Corinthians is about a young man trying to reconcile his marijuana use with his Christian sense of morality. He doesn’t have the answers, so all he can do is ruminate, and try to find them within himself. And Swimming pools is about how a youth who tried drinking just to fit in got dragged into a drinker’s lifestyle by peer pressure at a club. …show more content…
He had an ability to capture the moral ambiguity of the hood with a novelistic eye for detail. His songs were complex as they were catchy. He knew how to create tension, maintain a narrative, cultivate drama, and then deflate it all with a good joke. The little refrain at the end, I ride, you ride, bang, is tying the idea of peer pressure as a reason to drink to the idea of peer pressure as a reason to gang
Reality melted around me as I poured through album reviews and rankings, seeing the amount of praise and reverence his work holds, I was blown away. I watched interviews from artists I’d been a fan of for years, claiming that Kanye was their inspiration. I read analysis pinpointing how each of his albums opened up new sub genres in hip hop, how he completely changed the stigmatism of the art, allowing for new creative freedom, opening the doors for artists like Drake, Tyler the Creator and Chance the Rapper just to name a few. He had been right under the surface all along. He paved the way for my generation of artists to walk on, and I had been blissfully ignorant, skipping along his path.
The Black Power Mixtape 1967-1975 is a documentary film, directed by Goran Hugo Olsson with footage compiled by multiple Swedish filmmakers and journalists. The film provides an alternate and compelling view of America during the Black Power Movement—from 1967-1975. All the footage is from 1967-1975 and features iconic black figures, such as Stokely Carmichael, Angela Davis, Huey P. Newton, Eldridge Cleaver and other activists, artists, and leaders pivotal to the movement. Commentary is provided by black figures from the past and present. The film documents a plethora of issues associated with the Black Power Movement including the anti-Vietnam war efforts, the Black Panther Party, and the War or Drugs—and features the aforementioned black
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
“You Was Right” by Lil Uzi Vert is fairly easy to understand lyrically. The essence of the song deals with unfaithfulness in a relationship as well as the aftermath. Lil Uzi Vert spends a large portion of the song admitting his mistakes to his presumed girlfriend in hopes of making things right between them. The song starts off with the hook, which rests upon the premise of how Lil Uzi Vert should have stayed loyal rather than taking another girl home with him. For example, he says, “You was right, I was wrong” (6) in an attempt to console his girlfriend and apologize. Following the hook, the first verse centers on Lil Uzi Vert’s riches due to his success as a rapper. He ties that in to his relationship by expressing how he wants to share his wealth with his girlfriend. At this stage in the song, Lil Uzi Vert is attempting to win his girlfriend back with his money and general success as a rapper. The hook then repeats itself to indicate that the argument between Lil Uzi Vert and his girlfriend is still continuing. The second verse signifies an escalation in their conflict, as he says, “You just locked the door, so I gotta text you” (42). His girlfriend is refusing to even listen
Lamar has been successfully achieving his dream by rapping about the stress and difficult situations he has encountered but strongly claims that we will all be alright in his song, “Alright.” He released a song called “i” that reflects how violence has increased in the cities and how he wishes everyone should love each other as humans. His last song on “To Pimp A Butterfly” called “Mortal Man” he states “only because you don’t wear the same color as mine, that doesn’t mean I can’t respect you as a human being.” He clearly states how he understands the reputations of other gang members may seem important but should all still respect others as people. Lamar has been a role model to several students from the city of Compton that was able to create a scholarship called “Be Alright” that is based off the same song called “Alright.” Kendrick Lamar has been respectively producing music for his fans without a doubt of impressive beats and
Macklemore begins with “When I was in the third grade I thought that I was gay, / 'Cause I could draw, my uncle was, and I kept my room straight. / I told my mom, tears rushing down my face.” In just these first couple of lines, the listener is easily able to understand what the song is about, and also comprehend the stereotype that is associated with gays and lesbians. The listener is given the equation that Macklemore made up when he was younger; he added the stereotypes that were given to gays: being artistic, having a gay relative, and being tidy. By following these fashions, he assumed that he was gay as well. When Macklemore states that tears were rushing down his face, it gives even more awareness to the negative connotation that gays
This shows that this is him and who he really is. People following his beliefs because he treated people equally and judged people equally. This is a big difference from him and other hip-hop artists.
Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).
This quote shows a bunch of different important factors of why he was the king of rap in the 90's. First, he embraces the fact that he comes from a poor upbringing showing those who have similar situations that he can be their voice and show the rest of the world what is really going on in highly impoverished African American projects. While he uses an effective rhyme scheme to back up the fact of his impoverished
While on a recent carefree jaunt throughout Harlem, I was introduced to the lyrical genius of one “Big L.” As is common of all true artists, Mr. L passed before his time, but not without a legacy. You see, it is the will of the Almighty Himself that I elucidate the meaning of Mr. L’s first major work, “Put it On,” in order for it to be made accessible to the common man and the upper crust alike, so that this truly majestic piece may live for eternity in the bosom of humankind. To this end, I have composed a line-for-line translation of the complex, sophisticated diction, which, I expect, will henceforth serve as the standard through which all scholars will study this master of the English language.
Whether it’s activities you enjoy doing or your hopes and aspirations in life to your deepest darkest secrets or phobias no one else is allowed to know; a lot of things contribute to building one’s identity. Your identity can be discovered through understanding yourself. Kendrick Lamar, a conscious rapper, is a big advocate for expressing himself through his music. From reminiscing about the life of gang violence and gun life he narrowly escaped on songs like “M.A.A.D City” on his second studio album Good Kid, M.A.A.D City to exploring his deepest insecurities that come with the fame and success he’s reached on songs like “u” on his third studio album To Pimp a Butterfly. Kendrick does not have a hard time exploring his emotions and expressing them in the form of music. His latest record DAMN was released earlier this year on April 14th, 2017. DAMN was Kendricks most discoherent album to date as it featured a lineup that contradicted each other in terms of chronological order. Due to it’s contradicting characteristics, the album can be divided into two: “The Saved Man” and “The Damned Man”. In the concept album DAMN by artist Kendrick Lamar, he
Most musicians access emotions through sad stories and painful memories but as we see in “Happy” by Pharrell Williams, songs can touch people in good ways too. This kind of music represents a feeling of joyful freedom, foreshadows the reward of a seemingly endless struggle, and shows the American way of going after goals.
Before Kendrick Lamar dropped his album on March 15,2015, through high school I had developed a hatred for my own self not appreciating my gifts, feeling worthless in this world. I believed the idea of society that a young black man is nothing but trouble and has no true help to succeed. The majority of this idea was developed from being surrounded by people with a mindset similar to such during my time at Northwest High School. My family and myself began to notice the toxic spirit of the school and immediately transferred me ending my tenure in the school of Freshman to first couple weeks of my Junior year and transferred me to East High School. All these overwhelming ideas of self-loathing packed with me. Self-loathing became a companion with me through my journey of life. As well as, becoming a companion in my journey to East High school.
Rapper Kendrick Lamar Says That Hip-Hop’s Promotion of Drug Use Is Not Cool." N.p., n.d. Web. 1 May 2014. .
EMPIRE! A very popular television show that recently came out in March of 2015. It’s particularly about a music industry, and what artist go through when getting selected by a particular label; also how they make music. One of the main characters in the show is Jamal Lyon a young artist who wrote a powerful song titled ‘Need Freedom.’ The main message behind this song pertains to police brutality, gun violence that has become very frequent throughout this generation, and racism.