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Sexism and its effect on society
Effects of sexism on society
Sexism and its effect on society
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K.C. Siwa
Mr. Cook
Comp 1
September 22, 2015
For hundreds of years, women argue that they have made an effort to gain equivalent equality with men. They bicker that don’t get the same opportunities as men do. Women believed they are being held back just because they are women. I, as a college student, do not see these issues in my everyday life. In Katha Pollitt’s article, The Smurfette Principle, she argues that in cartoons, the directors favor men over women as the lead roles in their cartoon series’. I believe that in society, there are no feminism, or Smurfette principle, attributes involved in any cartoons, nor is it entangled into the everyday world.
Katha Pollitt, an American essayist, created the controversial “Smurfette Principle”.
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The Smurfette Principle is a term that refers to the allegory, found in many T.V. shows, where there is one female character in an all male production. This principle is solely found in fiction films. While speaking about “The Little Mermaid”, Pollitt attempts to make a heroine sound like a rarity when she goes on to mention, “She even rescues the prince. And that makes her a rare fish, indeed, in the world of preschool culture”(Pollitt n.p.). Pollitt argues the idea of females rarely being the protagonists of a T.V. show or movie. False. There is a long list of female protagonists from the follow movies: Frozen, Mulan, Pocahontas, and The Little Mermaid. That is just to name a few. The list can go on and on with female heroines. Pollitt even has disagreements with one of the most popular child book authors, Dr. Suess. She goes on to argue, “Dr. Seuss’s books are less about individual characters than about language and imaginative freedom – but, somehow or other, only boys get to go on beyond Zebra or see marvels on Mulberry Street. Frog and Toad, Lowly Worm, Lyle the Crocodile, all could have been female. But they’re not” (n.p.). These arguments that she brings about do not pertain to parents reading these stories to their children before bed. That is until she brings up the issue, in which is irrelevant to the people of society until she attempts to forcefully bring up her own opinion upon her audience. Over the years, kids have looked up to classic characters on several fictional T.V.
shows. From the superheroes of the Justice League to characters like Daffy Duck, kids have always idolized these cartoon characters that they watched while eating their cereal every morning. Pollitt believes that these cartoons show signs of sexism through their characters. She goes on to make her statement, “do kids pick up on the sexism in children’s culture? You bet. Preschoolers are like medieval philosophers: the text – a book, a movie, a T.V. show – is more authoritative than the evidence of their own eyes”(n.p.). In my experience of growing up as a male, I never once noticed the diversity between male and female characters. These are issues that are noticed more as one matures. She continues, “little girls learn to split their consciousness, filtering their dreams and ambitions through boy characters while admiring the clothes of the princess”(n.p.). No girl that I grew up with admired male characters. They admired princesses such as Snow White and Cinderella. They wanted hair like Rapunzel. They didn’t filter their dreams on characters like Superman or Peter Pan. She even goes on to say that “sexism in preschool culture deforms both boys and girls”(n.p.). Deforms boys and girls? I am struggling to grasp this concept. Boys are boys, and girls are girls. There is nothing deformed about that. So the argument continues, is their sexism truly found within each of these T.V. shows? I am …show more content…
still searching to find the archetypes to back up this controversy. Pollitt sees a fine line between boys and girls along with the differences between the two.
The Smurfette Principle says that a lone female will accent a group of male characters. She continues with that top when she states, “the message is clear. Boys are the norm, girls the variation; boys are central, girls peripheral; boys are individuals, girls types. Boys define the group, its story, and its code of values”(n.p.). Cinderella and Snow White were the central, individual types in their fairytales. No boys defined the group they were in. Snow White had seven dwarves. Pollitt continues, “girls exist only in relation to boys”(n.p.). Girls are individuals, as are boys. Neither needs the other to exist. The childhood stories are not based to show that male characters are meant to take center stage. That would just be absurd. In society, there is no feminism defined in the cartoons that kids watch at a young age. These cartoons are not what brainwashes the kids at a young age. What brainwashes the kids are their parents who bring this topic among kids. Kids do not know what feminism is as a baby. That is unless their adult figures spoon-feed their kids these
ideas. Pollitt has an argument that brings up her idea, the Smurfette Principle. This idea is, perhaps, ludicrous. In no way do kids pick up on any Smurfette traits when watching their favorite cartoons. The fuss caused between the argument between men and women being equal is unnecessary. Men and women are equal. You can find facts that show that they are not equal, but there are various statistics that show that they are equal. After reading her article, I still believe that the Smurfette Principle does not exist in society, nor is it shown in every childhood cartoon. Pollitt, Katha. "Hers; The Smurfette Principle." The New York Times. The New York Times, 06 Apr. 1991. Web. 17 Sept. 2015.
Every fairytale seems to have the usual prince saving the poor girl from harm or servitude or whatever horrid situation she may be in, and then companies like Disney add their movie magic and make it into a franchise. Others may add a twist or two, such as the film Ever After, directed by Andy Tennant. Yet no matter how the story goes, there is the same feminine ideas imposed upon the female lead. She has to compete with others for the attention of her “prince,” gender roles are a must, and morals are taught in some way or another through some kind of stereotype. These tend to cause some feminist outrage and even maybe a small outrage among parents who must deal with the children that watch these movies and read the stories because of the behavioral
Imagine a world where women are the superior gender rather than men. Imagine a reality where women have full dominance in today’s modern society. However, the whole idea of feminism is to promote equality for both males and females; so that women are treated equally to men. It would be wrong to suggest women as the superior gender just as it is wrong to suggest men in that same light. Jane O’Connor’s story, Fancy Nancy: Fanciest Doll in the Universe, excludes the male gender which ultimately does not promote gender equality to her young readers. Although Fancy Nancy is a popular book series, Jane O’Connor demonstrates gender stereotypes
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
From this definition, gender roles can also be called as ‘the discourses on sexuality’. Media has been in every part of people’s lives and this is dangerous since it can give any message and people may consume them without questioning. Gender roles are given as a hidden message in media especially in movies and TV dramas. The Simpsons and The Lion King can be given as examples of this situation. In the episode called “Homer’s phobia” of The Simpsons, there are so many gender roles not even encoding into the episode, they are so obvious. For instance, Homer and his friends try to ‘straighten’ Bart because he might tend to be gay, so they are taking him to hunt because men are tough and it is normal for them to kill living beings. Another example from the same episode is that smoking is shown as manly unless you smoke slim cigarette because slim associates with females. These are all gender roles put on men by society. In the same episode, Lisa is questioning his father’s idea and asking him how killing a dear makes a person man. This quesiton is kind of a proof. Since children are not in the spotlight of gender roles, they have a simple and rational way of thinking. Also, in The Lion King, there are so many gender roles but mostly hidden. According to Benshoff and Griffin, The Walt Disney company encoded some subtexts into the cartoon. Oppositional
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
...ironment. Young people use all kinds of media to find out who they are and what the world is like. The media is a powerful influence on children’s ideas and understanding of the world. If Disney continues to portray women with these stereotypical ideas, this endless cycle of gender roles will never be diminished.
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
In Katha Pollitt’s essay “Why Boys Don’t Play with Dolls,” she explains the differences between the genders and she argues how feminist movements are hardly appreciated. Pollitt further demonstrates that women’s have the same power as any men have, but society doesn’t let women get higher than men. Pollitt explains that, “It’s twenty-eight years since the founding of NOW, and boys still like trucks and girls still like dolls” (544). From here, we can infer that the author is comparing the activities of boys and girls, and their choices of toys. Since, I am able to read and see the World, I saw that all the time that boys are more rivalry. There have always been presumptions in society that boys are very outgoing and bold, on the other hand, whereas girls are a little laid back sometimes. Girls play quietly and with non-hunting objects. However, boys always make noises. In addition, Pollitt keeps using the word “feminism” throughout her essay, and talks about how women and men should have equal rights. For example girls can do the same things as boys can do or vice versa. I can relate to this story as I grew up with two brothers who always played with cars, trucks, and other toys like dragons, but I was expected to stay away from their things and go play with my, so called, girly stuff.
on how Gender Inequality on TV and in Movies has a Powerful Impact on Kids." Wall
Leaper, C., Breed, L., & Perlman, C. (2002). Variations in gender stereotyped content of children's television cartoons across genres. Journal of Applied Social Psychology, 32 (8), 1653-4363.
I am going to be using children’s TV to analyse whether certain language displays men and women in a stereotypical manner. The idea of how gender should be portrayed is often debated; is it healthy to pressure young children into acting like their assigned gender role? It is argued whether children are forced to act within their societal norms; the imaginary set of rules that dictate what is considered acceptable or desirable based upon the sex a child is assigned at birth. Male’s societal norms are often based around the idea of masculinity, meaning they are supposedly brave, independent and self-assured. In contrast, women’s societal norms are based around femininity, which involve ideas such as empathy, kindness and delicacy. The ongoing debate is to what extent gender roles are simply determined by biology, or if their variations are actually down to societal effects.
...develops in. In Little Red Riding Hood, the grandmother, mother, and child all demonstrate the stereotypical woman in an ancient society where men are superior to women. The wolf and the male character that rescues the female validate the stereotypical male in that time period as the males become clever, brave, and strong throughout the entire story. These gender tactics appear in almost any work of literature to convey the message that the popular belief of genders can either be continued by the submission of individuals to society or altered by the recognition that these labels do not have to exist.
The male dominance that is present in most children’s programming began in 1991 where executive producers deliberately used dominant male characters. In addition, women are minorities in the shows mainly having support roles. In hip-hop videos, African-American men dominate over the women where women are objects of merely satisfying male desires. Commercials further reinforce these stereotypes where they position men above women and women at different degrees of undress. These non-verbal cues reinforce that women are vulnerable and submissive while males dominate over them.
Stereotyping women is not only rampant in the adult world; it also flourishes in the kiddie universe as well. Here, there are depictions of women and girls as motherly or innocent, silly, and passive. This occurs not only in popular programming on Public Broadcasting, but also on television in other countries. Mothering images on Philippine TV has shown some of the same trends that is seen in the United States. Although “Teletubbies and Barney & Friends display an equal representation in number, each show displays gender stereotyped qualities,” it is obvious that these programs are sometimes reinforcing the wrong ideas about gender roles to children, roles that feminists have been battling for almost half a century. “Both programs demonstrated clear gendered roles with males being more active and females being more social and passive. This distinction appeared most obviously in the real-life segments of both programs with women as mother or passive viewer of action. Neither program shows women or men in non-stereotypical roles, indicating at an early age children are exposed to gender-specific occupational expectations.” Each show has children as additional characters, and each episode consists of a live action activity.