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Psychological effects of television on children
How television content influences children
Representation of women in tv serials
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Recommended: Psychological effects of television on children
Women of Star Trek Voyager Breaking Stereotypes
In Gene Roddenberry's Star Trek: Voyager we finally see females taking front stage for the first time, unlike the previous series, turning the tables on all other traditional male dominated television shows. Voyager as a whole can be used as a template for writers and producers to follow as the correct way to portray women. In doing so we would begin to change the way young women see these positive role models and strive for higher goals, in turn setting into motion the goals Gene Roddenberry envisioned back in 1966.
I would use multiple articles and publications to show how Star Trek Voyager, if used as a template, would have a profound affect on how women are represented in the entertainment industry. One of the articles I would use is C. K. Asselin's article “ MY TRIBUTE TO THE WOMEN OF STAR TREK: VOYAGER” to introduce the characters and to give some background information on who they are and how they are portrayed. Asselin gives an uncanny description of each character allowing the new viewer to familiarize themselves on who the characters are and what their traits are. Asselin compares and contrasts the women of Star Trek with women from other shows which also have a strong female cast.
In the very first episode we are introduced to a new type of captain, a female. Captain Kathryn Janeway appears on the screen as a respected authority figure. Janeway's character, portrayed by Kate Mulgrew, is often compared to her male counter parts of the past as observed by Asselin in her article, “There is a tendency for some Trek fans to compare Janeway with Kirk, Picard and Sisko. I think it's unfair and irrelevant. Kathryn Janeway is a woman in command, NOT a woman trying to do a...
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...g of a butterflies wings can potentially start a hurricane on the other side of the world. If we apply Chaos Theory to women in television, a small change now on how we portray women will have a profound affect down the line on how our children grow up.
Works Cited
Asslin, C. K. "My Tribute to the Women of Star Trek: Voyager." The Trek Nation -. Trek Today, 22 Feb. 2001. Web. 20 Apr. 2014.
Blumenstein, Rebecca. "Women in the Economy (A Special Report) --- Life Imitates Art: Geena Davis on how Gender Inequality on TV and in Movies has a Powerful Impact on Kids." Wall Street Journal, Eastern edition ed.Apr 11 2011. ProQuest. Web. 19 Apr. 2014
Gardner, Marilyn, Staff writer of The Christian,Science Monitor. "Older Women on TV are either Absent Or Sadly Demeaned." The Christian Science Monitor (pre-1997 Fulltext): 13. May 23 1996. ProQuest. Web. 19 Apr. 2014
One of the biggest lessons in the that Grey’s shows through their complex female characters and that they don’t need a man to
In both of these series, representations and meanings of masculinity and femininity are affected by the ideology of patriarchy. Even though it is true that these shows tried to fight back against stereotypical representations of men and women, the subtle textual evidence in these shows show that there are limits to how gender norms can be represented on television, especially in the Classic Network
Miss Representation, a documentary film produced by Jennifer Siebel Newsom released in 2011, presents a contemporary issue which is the misrepresentation of women’s portrayal in mass media. The media is powerful in shaping audience’s belief in how to be feminine. Women are expected to be beautiful, attractive, and even sexual on the media to attract audience’s attention. Also, the film points out the existence of social system in which men are considered more powerful and dominant than women. Finally, the film tries to increase the awareness of female real value including capability, educational achievement, and leadership. Consuming the media wisely to eliminate gendered stereotypes can help young women build their confidence and be successful.
Edna Pontellier and Neil Perry both went through a realization in their lives. The two characters were helped by someone in their lives. Even though they went through the same conflicts, they had different passions and fatalities. The role of women has from1890’s to present day. Women are independent, possess freedom, and have equal opportunities as men. The American teenager however is becoming even more distinct. The 1950’s started the evolution of the teenager and the authenticity lives on.
The women in the book seem to take up important and powerful roles that make significant change in the key areas of the narrative. The writer asserts that women can be independent, intelligent, assertive, and similar to the men, women can survive in the street by being smart. This is illuminated by the fact that a majority of women in the book are good hackers. The skills and character of the women help in discovering the cure for the virus. They are given roles that are not traditional and instead they take on leadership positions that are a great determinant of the success of the mission. This is unlike the notion in most scientific novels that leaves out women. This is portrayed by one of the major characters Y.T who worked hand in hand with the protagonist of the novel to bring out different skills and talents of women. In the book, we see Y.T talk on behalf of his partner, which shows stereotyping of gender in leadership. “Y.T. has to step in on his behalf. “Okay, “she says. “Speaking for my partner and myself, we 'll stay away from him” (Stephenson,
Saari, Peggy, ed. Prominent Women of the 20th Century. Volume 4. New York: International Thompson Publishing Company, 1996.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
The first reason that women in the United States Navy have proven that they do belong is because many women have overcome gender-based biases. In Brian Mitchell’s book ‘Women in the Military: Flirting with Disaster’ he clearly states his opposition of women being in the military. “Forthe opponents of integration, the requirement that the authority of the service ‘must be exercised within a program providing for the orderly and expeditious admission of women’ meant that there would be no ‘survival of the fittest’ in the admissions process: the services were compelled to admit some women one way or another.” He believes that women are not worthy of being admitted to the services and that it is a requirement forced upon the services to select amount women.
In America women have gone through so many social norms that has affected them throughout a lifetime. Since then with the changes, mass media got involved in this type of movement. American culture shifted where women where becoming professionals in the work force, more independent and less likely to marry. As a result, television networks created a series of shows to expose and associate the female audience to the TV shows. From Charlies Angels to Sex in the City and for our present time Nashville show, incorporate feminism to be shown in the small screen, in every decade shows exhibited the 3 feminist movement waves. For instance, during the 90s the 3rd wave of feminism was represented through Television by revealing female sexuality
Waring, Marilyn. (1988). If Women Counted: A New Feminist Economics. San Francisco: Harper and Row.
From past to present, men have dominated women in media. Media is a big part of people’s everyday lives. It influences how we see ourselves and the world. There are many different types of media like movies, television shows, newspapers, advertisements, etc. In these different forms of media, there are images of men and women who are represented in different ways and characteristics. In both films, Changeling (2008) and The Prize Winner of Defiance, Ohio (2005), a woman, not a man is the main character. These two movies are based off of a true story from a woman’s perspective. This type of genre portrays women in the past and very well may be the same as the present. This movie shows the life of a mother in Los Angeles in 1928 who works constantly
Solomon, Barbara. "In The Company of Educated Women, Women and the Modernizing of Liberal Education."
Steffen’s article, “Gender Stereotypes Stem From the Distribution of Women and Men Into Social Roles”. In this article, they discuss the root of gender stereotypes being derived from the unequal distribution of roles for men and women in society. They believe too many women are left to be “homemakers” while men become professionals. This is evident in Survivors as the show chooses to have Abby take on this maternal role. This unequal distribution of roles then, in turn, leads to men and women being labeled with certain qualities. According to Steffen and Eagly, women are believed to have communal qualities, or “manifested by selflessness, concern with others, and a desire to be at one with others”, and men agentic qualities or, “self-assertion, self-expansion, and the urge to master” (Eagly, Steffen 736). Abby epitomizes this desire to help others and selfness, while the surrounding men are less likely to trust others by questioning the actions of other men in the
These homemaking shows’ tactics were to encourage and show women that being a homemaker, wife, and mother is not a lonely life or a life full of drudgery and that having this status is not being an unproductive citizen. These shows had to incorporate these tactics because a decade before women’s role were vastly different to the roles they have now. Women before were working in jobs that were mainly solely for men, they were independent by earning their own wages, and being patriotic citizens by participating in the war effort by fighting on the home front or joining the military. Their work on both fronts were dangerous and life-threatening in which these jobs were predominantly for men; many were spies, others made bombs and weapons, and many flew planes and carried out dangerous missions. All of this changed during the postwar years in which their main occupations now were mothers and housewives. It may seem that women decreasing independence and their rigid gender and social mobility made them feel limited in