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Recommended: Film analysis
Ana Galaz
AFAS 371
30 April 2017
The films Just Wright and Brown Sugar both emphasize romanticism throughout the movies. Although in both movies the issues are brought up in very different ways, many of the problems faced are focused on just that. Both films are very similar in one way, and that is in which the black communities are portrayed. In both movies, the black communities really emphasize what it is that the communities support and are passionate towards relating to black culture, and there is a sense of respect for those things, which leads to love. I really enjoyed that in both movies, these relationships were created through mutual love for something that is respected within the community in a professional manner.
In Just Wright,
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Now grown up, Sidney is the chief and editor of XXL, a hip-hop magazine and Dre is a talent scout for Millennium Records. Both Sidney and Dre are very invested in their love for hip-hop. There are complications between the two throughout the movie that starts with Dre proposing to his girlfriend, Reese. Dre decides to quit his job and start his own record company, planning to focus on what real hip-hop was and to emphasize the ways in which his generation fell in love with it in the first place. Reese does not support him, while Sidney does, this brings them closer together because Dre makes Sidney his partner in the label. Both characters realize in their struggles and love for hip-hop that being true to one another and the music is the only way to change anything for the better. In one of the scenes during the film, Sidney says “I don’t have to pretend with hip hop and hip hop doesn’t have to pretend with me” (Brown Sugar). Sidney makes very clear in her book and in her love for hip-hop that she is talking about Dre metaphorically. Love begins to spark between two people through mutual love for something that is respected within the community in a professional manner, that being
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
The movie Dope, written and directed by Rick Famuyiwa, follows the story of Malcolm through his senior year of high school in the Inglewood California. He lives in a poor neighborhood, with only his mom, yet he still strives for greatness. He has a couple of friends, and they all love 90’s hip hop culture. They try to do their best to stay out of trouble and away from bullies. Malcolm sees a girl he likes and ends up following her to a drug dealer’s birthday party. When the cops bust the birthday party, he unknowingly goes home with all the drugs and the gun that the drug dealer owns. This sets off a wild chain reaction, as he now has to sell these drugs to payoff the supplier, who happens to be the Harvard Alumni that Malcolm’s needs approval
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
Moreover, it is a palatable film. It offers a few solid laughs and will provoke some smiles; it’s a fairly typical, unremarkable comedy. While the original film had the breaking of racial stereotypes in mind, this updated version has it more in mind to have fun with them for the sake of the comedy. It is a romantic comedy that touches upon race relations following a fairly well established story-line. I would say that the one redeeming value of the film is the message of "seeing people, not color."
The science fiction film Looper is innovative and unique, drawing upon genre conventions in a compelling way. Although the use of time travel in science fiction films is anything but original, the ionic detachment and visceral loathing gives this film an advanced, innovative plot.
In the movies Just Wright directed by Sanaa Hamri and Brown Sugar directed by Rick Famuyiwa two people are brought together and fall in love through their unintentional love for something else. Whether it be a love for basketball or a love for hip hop, the characters were brought together by their shared passion, music, and their strong friendship and more importantly both films use music to symbolize healthy black love.
...s as the weaker and more helpless sex, the inequality between Caucasians and non-Caucasians as a non-Caucasian couple residing in a predominantly Caucasian area are depicted as poor, alcoholics who abuse drugs, and finally, the unnecessary objectification of females, especially in situations such as domestic violence, where they should be supported the most. The most prominent dualisms presented in the music video are rich and poor, dominance and passivity in relationships and subject and object of males and females. “We Found Love” has reached a mass audience and has not caused moral panic, outrage or controversy due to the fact that todays androcentric society justifies the classism, racism, sexism and victim blaming through biological determinism.
There are actually many problems in the story such as, the racial problem, the upper and the lower-class problem, and also the court or justice problem. However this paper will be focusing more about the father's tendency of moving from one place to another because this is the first thing that is mentioned by Sarty in the movie.
Insidious was released on July 21, 2011 and was directed by James Wan. James Wan is a very credible director. He won 10 awards throughout his directing career. This is a mystery and horror film that is about a family that thinks their house is haunted, and how they figure out that it’s not the house that’s haunted. It’s their son being possessed by some spiritual entity. The poster uses different ways to persuade the audience to come to see the movie. The ways include Ethos, which appeals to the audience through ethics and credibility; Logos, which appeals to the audience through logical reasoning; and pathos, which is appealing to the audience through emotion and feeling. Pathos is used most effectively when trying to appeal
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Fairytales and modern day movies project a stereotypical portrayal of love, idealizing it and ignoring the not so happy ever after when the prince and princess go back to their castle. Walker and Salinger in their respective novels present the idea of love with much more verisimilitude without the traditional symbols of castles and titles. Instead, opting for a warts and all exploration of love, focusing on its utopian and dystopian elements. Walker’s ‘The Color Purple’ is a tale of a black woman who is driven to lesbian love due to the abuse undertaken by men. J. D. Salinger’s ‘The Catcher in the Rye’, similarly speaks of a sexually frustrated young man not able to fulfill his desires due to societal constraints. Both the novels encapsulate realistic elements of love like the healing and harmful effects it can have on humans; we see all the pure forms of love as juxtaposed through the plot line with the absence of parental love, love between siblings and homosexual love. But, through all of the toils begotten by both Celie and Holden, love is a constant. ‘’Love does not delight in evil but rejoices with the truth. It always trusts, always hopes, always perseveres’’.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?