In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, Junot Diaz describes how a teenage boy approaches romantic relationships and characterizes the girls based on their race and social class, instead of focusing on their individuality. The author also adds some sarcastic details to point out that a relationship should be built on trust, not massive lies. Juot Diaz successfully applies Gerard Genette’s theory of narratology while depicting his main theme on the impact of gender, race and social class towards one’s behavior towards others.
In his narratology theory, Genette discusses different types of narrator. According to Genette,the narrators include covert character and overt character. Covert narrator is a character not clearly
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identified, while overt character is a character with name, personal history, and so on (Barry 225). In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie", the teenage boy is classified as an overt character because as Genette mentions in his theory, this type of character is identified “as a distinct, named character, with a personal history, gender, a social-class position, distinct likes and dislikes” (Barry 225). The boy’s name is Yunior, he is a young Dominican boy who grows up in a distressed neighborhood called Terrace. At the beginning of the story, the author indicates how self-insecure Yunior is through the way he redecorates his apartment. He hides the pictures of his family with an Afro and the pictures in the campo (meaning the countryside), "especially the one with the half-naked kid dragging a goat on a rope leash" (Diaz 97). "Afro", "campo" are cultural related objects and the teenage boy seems to be ashamed by his African ancestry. He judges the girls based on their race but he himself is insecure of his origins. He tries his best to hide and set aside his true self to gain acceptance from the girls as well as the society. Another area that Genette mentions in his narratology theory is the narratives.
Frame narrative (primary narrative) comes first, while second narrative comes second and is embedded in the frame narrative. Genette also adds that the embedded narratives are called meta-narratives (Barry 227). In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, the frame narrative is when the boy lies to his mother that he is sick so he can stay home and get ready for his date (Diaz 97). Meta-narratives are the stories that happen after the frame narrative. One of those meta-narratives is Yunior’s plan for dinner. He maps out perfect dine out restaurants options based on the ethnicity: if the girl is from the local area, El Cibao is a perfect choice. If she is not, he would then take her to Wendy's. Their conversation is also dependent on the race and social class. Yunior plans to order food with his broken Spanish, hoping a Latina girl will correct him and the black girl will be amazed (Diaz 98). If his date is a halfie, Yunior will start talking about the Movement and wonder how their parents met. On the first date, people are supposed to ask questions to get to know each other, but Yunior tends to ask questions to joke around with the girls and have fun with their race. Another narrative embedded in the story is Yunior's plan to get the girls to have physical intimacy with him. He characterizes the girls based on their race by assuming that a local girl is tougher and she may …show more content…
just hang out with him for awhile and go home. Yunior also thinks that a white girl with compliant nature may give him what he wants on their first date. The halfie is totally different from the white girl. The halfie does not give up that easily. In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, the halfie admits Yunior is the only kind that ask her out, which means she also suffers from racism. This depicts a stereotype - white girl is more popular compared to black girl and halfie because of their compliant nature. In his theory, Genette also discusses the basic narrative mode.
Mimesis is defined as a technique that uses details to help audience visualize what happens, and diegesis is to describe directly what happens (Barry 223). In the story “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, the basic narrative mode is mimetic because the audience is given details of the story to visualize what is going on. For example, after the teenage boy cleans up his apartment, he "shower, comb, dress. Sit on the couch and watch TV", a few minutes after, he "get up from the couch and check the parking lot" (Diaz 97-98). The author uses verbs and adjective to describe what the teenage boy does while waiting for the girl to come. Another area that Genette focuses on is the focalisation of the narrative. Focalisation includes internal focalisation - focusing on what the main character thinks and feels, and external focalisation - learning about the main character through observable action and speech (Barry 224). In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, external focalisation is applied because the focus is mainly on Yunior's action and speech. For example, when a White girl’s mother wants to meet Yunior, he is worried but tries to act cool by running a hand “through your hair like the whiteboys do even though the only thing that runs easily through your hair is Africa” (Diaz 97). The fact that Yunior runs his hand through his hair indicates that he is a little scared
to meet with her mother; however, he wants to act more like a white boy so gain the approval and acceptance from the mother. Also, the fact that Yunior uses his own language - Spanish, to fool around with the girls indicates that he wants to act as if he is experienced with girls. Moreover, Yunior is a character with a lot of internal conflicts. He takes advantage of his own language to impress the girls but at the same time, he wants to hide away his origins because he considers it as a minus to his profile and it lowers down his self-confidence. In his theory, Genette discusses different types of speeches, including mimetic speech (an accurate and direct speech), transposed speech (the writer paraphrases but does not go too far from the actual speech), narratised speech (the author describes the speech in an indirect way) (Barry 230). In “How to Date”, Junot Diaz uses transposed speech: instead of directly quoting the character, he paraphrases the speech but does not change the wording too much. In terms of how is time handled in the story, Genette discusses analepsis and prolepsis. Analeptic narrative means going back in time to relate to an event in the past, while proleptic narrative means moving forward in time to predict near-future events. In “How to date”, Junot Diaz mainly uses simple present to tell the story and the future tense to predict what happens in the near future. In conclusion, in “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”, Diaz indicates the impact of race, social class, gender the way one treats one another. The teenager boy is an ironic symbol: he judges the girls based on their ethnicity and social class but he is somewhat ashamed by his own; he acts as if he is experienced with girls but he is then confused when they actually meet up.
In the essay of Mr.Gary Soto, we learn about his experiences about falling in love with someone of a different race. Ever since he was young, he would be lectured that marrying a Mexican women would be the best option for his life. Gary’s grandmother would always proclaim: “... the virtues of marrying a Mexican girl: first, she could cook,second, she acted like a woman, not a man, in her husband’s home” (pp.219). Being conditioned into the notion that all Mexican woman have been trained to be proper women, Mr. Soto set out on finding his brown eyed girl; however, what love had quite a different plan. This paper will cover three different themes Gary’s essay: The tone, the mindset of the character’s mindsets, and the overall message of the
Junot Diaz's Drown, a compilation of short stories, exemplifies how the high standard of masculinity within the Latino community can have a detrimental effect on males. These stories are told in the first person by a narrator called Yunior. The different stories are told against the background of The Dominican Republic and the United States. The narrator highlights the different challenges that he faces throughout his childhood and into his young adult life. During this period, he struggles to find his identity which is expected by every Latino. In the Dominican Republic, a man’s manhood is closely tied to his identity, and Yunior is no exception. While in the process of finding his identity, Yunior is challenged with abuse, poverty and the lure of drugs, which leads to his addiction and his becoming violent .…
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
Among the most prominent are strains of racism/classism, belonging and dislocation, death and meaning and self-identity, and sexual awakening. In a slim 187 pages the author competently weaves social commentary (via the seemingly innocent adolescent perspective) into a moving narrative that only occasionally veers toward the pedantic.
The Notebook (Cassavetes, 2004) is a love story about a young couple named Allie Hamilton and Noah Calhoun, who fall deeply in love with each other. The Hamilton’s are financially stable, and expect for their daughter Allie to marry someone with the same wealth. Noah on the other hand works as a laborer, and comes from an underprivileged family. Throughout the film there were several negative behaviors, and interpersonal communications within the context of their relationship, which relates to chapter nine. This chapter explores relationships, emphasizing on affection and understanding, attraction, and the power of a relationship. The focus of this paper is the interpersonal conflict with Noah, Allie and her mother, Anne Hamilton.
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
In the short story “Brownies” by Z. Z. Packer a young girl that goes by the name of Snot realizes that the world is a harsh place. Not only does Snot have a realization about the world, but she also realizes that everyone around her is contributing to the harshness and meanness and Snot cannot do anything about it. The harshness and meanness in the world that Snot cannot do anything about is racism. All throughout the story, racism is a huge factor, but the main character realizes that racism comes in all different ways including age and color.
The short story “How to Date a Browngirl, Blackgirl, Whitegirl, and Halfie” by Junot Diaz is the main character, Yunior’s, guide to dating girls of different races and the ways to act in order to get what you want from them. The only thing Yunior seems to want for these girls is sexual acts. This short story argues that a person’s heritage, economic class, and race affect how a person identifies themselves, and how their identity affects how they act towards other people. The pressures a person may feel from society also has an effect on how a person treats themselves and others. The pressure and expectations from society are also what makes Yunior think he needs to have sex with these girls. There are many different occasions of the main character talking and acting differently to other people within the story, such as: to himself, his friends, and the different girls he tries to date.
This is How You Lose Her is a book written by Junot Diaz consisting of short stories, told by the protagonist, Yunior. Yunior’s character is described as the Dominican guy who struggles with infidelity and unable to love others full-heartedly. Diaz also shows how in Dominican culture; men carry the reputation of being womanizers and usually is pass from one generation to the next. Throughout the book, he tells us stories pertaining to the relationships he had with the women he had in his life, and his family. From the stories one can assume that Yunior, caught up in a vicious cycle was destined to follow into patriarchy; a father who cheated on his mother, and an oldest brother who followed
Trends that can be noticed in these entries are the main focal point, which the authors all seem to cover, that is racism and the social-cultural problems created for young African American women. Many of the authors seemed to blame white culture, or the colourist culture for the problem of lost identity in black girls. They seemed to take the same direction in their articles, but many took different routes in explaining and proving their point. These ideas seemed to be arranged by the stating that Pecola Breedlove is a lost little black girl, who because of her idea that being white would solve all her family and life problems, loses her true self. The authors would then blame the white culture for this deficiency in the young mind of an African American girl.
In the short story “The Cheater’s Guide to Love” by Junot Diaz, the author pinpoints on the Yunior’s life as a writer and college professor who is also struggling with his romantic relationships. The short story is filled with his experiences of using women for his beneficial needs and how it negatively affects him. It focuses on Yunior’s downfall through life after the destruction of his relationship with his fiance. The diction includes the narrator’s hateful consideration of women and a paradox of his own endeavors which prevent him from pursuing a meaningful relationship, but he grows to realize that he treats women awfully and his ex did the right thing by leaving him due to his untruthfulness.
Although society advocates believing in a ‘sameness’ between people who are black or white, individuals are still organized by race, class, gender and sexuality into social hierarchies. These hierarchies essentially formulate stigmas that suppress certain races and discriminate against them. Caucasia written by Danzy Senna is focused around a young mixed girl, Birdie, who encounters obstacles in her life that help her form her own perceptions about issues regarding class, race, and sexuality. These obstacles fundamentally shape her to have a unique outlook on society where she begins to question white privilege and also sympathize towards the mistreatment of black individuals. Senna explores the fundamental problems that are associated with race, and the struggles that a diasporic individual faces due to the restrictions set by society. Although Birdie is a mix of both black and white, she is overlooked as a “white” girl, which has its fair share of benefits as well as hardships.
In this novel, the society is centered around dichotomies; “youth and dotage” (Balzac 67), “the young man who has possessions and the young man that has nothing” and “the young man who thinks and the young man who spends” (87). Any person who falls outside of either box is called a “[child] who learn[s]… too late” or can “never appear in polite society” (87), essentially meaning they are undesirable in a formal society because they cannot follow expectations. The titular character, Paquita, is an “oriental” foreigner, from Havana, domesticated in Paris when she was sold to a wealthy woman who desired her. She fits into no culture entirely, as she is “part Asian houri on her mother’s side, part European through education, and part tropical by birth” (122). She is bisexual, choosing neither men nor women over the other. She is controlling, dressing Henri in women’s clothing (119), but controlled as she is reduced to a possession. However, there are ways in which a person can still be desired even if they are not easily pigeonholed. With her golden eyes and sensuality, Paquita fulfills both of the main pursuits of this society, “gold and pleasure” (68). Consequently, unlike the Marquis and his irrelevance in society, Paquita is highly sought after, thus making her a valuable commodity. Her desirability is not because of who she is as a human, but instead what
Black and Female: The Challenge of weaving an identity.? Journal of Adolescents July 1995 19. 466.