"Why?" Juno's voice broke the silence it had been keeping. Her arms having latched on more to Adriel's resistant body. Her body wanted to burst out in an inferno of flames having this so close again but her brain was working twice or three times as hard to keep her cool in composer. But she knew he needed this.. like she needed his comfort on his birthday. The girl's face look at the man. Tears harvesting in his eyes and voice breaking with every word he took. He wanted to cry.... but didn't...maybe because of manly pride. Placing her forehead on his, Juno looked with her baby blues and slightly grin. "All immortals should just stay inside, read, and stare at walls for the rest of eternity."
Judy pov Judy had been sleeping yesterday after what happened it wasn’t that late and she still had classes to go to but, she didn’t, not with her face mark like that. Needless to say it was an awkward day as her and Nick were basically trapped together in the room. It had been two days
It has been too long since I last wrote to you, so I thought I would inform you on momentous events that happened in my life in the last little while. The previous time I heard from you was when Gabriel turned three. I can’t believe he is about to become a teenager now. My goodness, time flies by so fast. I was so ecstatic when I saw your prior letter arrive in my mail.
Gasping. Fresh air fills your chest. Scaldingly cold. Opening your eyes, a blinding white room occupies your vision. Again. A profluent voice issues into your head, “You have been revived by your loving government. You have experienced a near death experience. Please remember than intentional deletion is not permitted in Australia. If you wish to be deleted, please present your application to a local branch.” Slowly, you heave your new body off a coroner’s table. The world sways slightly. Fixer drugs do that to you. Wandering through a hallway filled with debris, you reach the high arcing front door. Barely impressive anymore, you pass under the crumbling masonry without a second glance. On the street, the soft cascades of a thousand footfalls
“Just weeping. I can still hear her weeping now sometimes. I know the exact sound of it, like a note you hear or a song that keeps spinning around in your head and you can’t forget it.”
To begin with the scene itself, we see Juno laying in bed, recovering after she
Since a child, Stargirl had always seemed a bit… off. Her parents seemed to adore her weirdness, they even seemed to encourage it at times. To demonstrate, her parents called her Pocketmouse. They used it to so much that even she started referring to herself as Pocketmouse instead of Susan. But did her parents ever do anything about it? Of course not. She kept the nickname, until she changed it to Mudpie. Then Hullygully. And then Stargirl. But at the time, I knew her as Mudpie.
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
Everything was going great at Oakville farm, I mean everything was normal and okay how it should be if you don’t count that the fact Donna came home late last night. She came home around two or three o’clock in the morning when it was pitch black outside, and believe me this isn’t the first time it ever happened either, maybe it’s not that big of a deal to you but to me it is, Donna here is the farmer’s daughter. While Mr. Salem is away she’s the one in charge of us,and because she’s the one in charge of us we haven't eaten in two days! Mr. Salem always made sure we were cared for, and was handled with love but , Donna on the other hand she just doesn’t care. There’s a lot of us here on the farm, we have a variety of animals here like horses,
“Am I to admit defeat/ Unable to keep these Trojans and their kings/ From Italy? Forbidden by the Fates, am I?” (1.50-52). Knowing the outcome doesn’t sway the decisions of Juno at all is overcome with rage. It is keen to note that rage is one of the most important themes of The Aeneid and is showed from the poem starts till it ends. Juno and Dido are the two major characters that are affected by this rage. It is Juno who allows Dido to believe that she and Aeneas are married; with hopes that Aeneas would not leave to the build the city of Rome. The intervention of the gods shows how they can easily sway the lives of their mortal men for their own personal desires. For example, when Juno incites rage on the Trojan women allowing them to burn their ships. Virgil clearly shows that aren’t no women of rationality all women are controlled by their emotions. It is clear from the start that Juno is on a man hunt to put an end to the Trojans reign; as result Aeneas becomes a subject of Juno’s rage. Virgil depicts Juno as vengeful Antagonist who tortures a pietious man,
... her feelings about the happenings of events in her life. She does not feel bad when she hears about Septimus’s death because she manages to convince herself that he committed suicide as a way of communicating his feelings about oppression.
...the troubles in the early nineteen hundreds, only losses. Her faith does not reward her, but she is annoyed at Mary for saying, ‘There is no God.’ She believes that things happen for a reason. Her faith has also a strong part to play in her psychological strength and plays a very important role for Juno.
To contaminate the perception of mortals, Juno figuratively and literally raises hell, as exhibited by summoning the demon Allecto. “No heavy hearts, I’ll raise the world below” (Book VII. 426) Similar to the storm raised in book one of Vergil’s Aenied, Juno attempts to reeks havoc upon the helpless. The goddess invokes a demon, one with the capability to initiate warfare effortlessly, in mere seconds with her vile methods. This is undoubtedly the worst, if not the most chaotic work Juno performs. If this was not probable enough, Juno’s last move inevitably portrays a superlative part in definitively showing her hostility and resistance towards the composition of Rome. “Heavens queen at this dropped from the sky, she gave a push to the stubborn-yielding doors” (Book VII. 855). Juno opens the gates of war, with one push war is decreed, pandemonium is advocated and peace between people is neglected. Once again, Juno is witnessed encouraging the suffering of the pure to benefit her own selfish ego. While many female gods in the epic are genuinely seeking to aid Aeneas and his men, others cannot be disputed in the same manner. It is evident that Juno’s female role in Vergil’s Aeneid, bears bitterness, disorder, and
“I know I’m the reason for her death. Those hunters were after me, not her. It’s this goddamn curse. If I hadn’t known, if I hadn’t screamed and realised. I- I wouldn’t have rushed all the way to that house to make sure she was okay. They tracked me. She had nothing to do with it. If I wasn’t there she still would be. And now I can’t even make sure that she’s alright. Because the bloody divine forces won’t let me. Why?”
Hades spoke up, “I will allow for this.” He stood up, walking in the direction of a side hall before pausing briefly to turn to Thatanos. “I understand what it is like to love someone you cannot hope to touch.”
Juno, the queen of the gods, is fueled by her rage and fear to harm and change the wheels of fate however she can so that her beloved Argos would not be taken by the Trojans, “This was Juno’s fear...They festered deep within her, galled her still...the Trojan stock she loathed...Her fury inflamed by all this” (Virgil, 48, 28-36). While Juno’s emotional actions affect the other characters, Dido’s emotional actions resulted in her death. After being abandoned by her beloved, Aeneas, Dido was furious and wounded, “So, driven by madness, beaten down by anguish, Dido was fixed on dying, working out in her mind the means, the moment” (Virgil, 144, 594-596). Rational, only in appearance, Dido tells her sister, Anna, to go build her a “pyre in secret, deep inside our courtyard under the open sky” to “obliterate every trace of the man” (Virgil 144). Anna does as her sister tells her to and is deceived by what the pyre was really meant for. Attempting to rid of her emotions by burning every trace of Aeneas, her emotions eventually take over. With her heart torn apart, Dido commits suicide. Dido’s sister on the other hand is hurt but still emotionally stable. Anna is stunned, grieving, and hurt by the actions of her sister, “how very cruel… You have destroyed your life, my sister, mine too” (Virgil 145). Despite playing a part in her sister’s death, Anna remains levelheaded and requests for help to “bathe [Dido’s]