To what extent is Juno a Victim in Sean O’Casey’s, ‘Juno and the Paycock?’
We see Juno as a victim in ‘Juno and the Paycock’ as she has to contend with extreme poverty and she has the daily struggle of trying to make ends meet. This is shown as the family of four live in a rundown rented tenement house. Jack, her husband, and Joxer are always lying about the house doing nothing but drinking and eating everything. Juno is a victim here as we get the impression that Jack tries his best to avoid his wife and makes her take care of everything in the house. We also learn that Juno is in debt and it is so bad, after finally breaking down she says, “Who has kep’ this house together fur the past ten years – only me.” This highlights how much she is victimised by her family as Jack is not a very good father or husband. He lazily refuses to work due to the ‘awful sore’ pains in his legs, "You'd think he was bringin' twenty poun's a week the way he's going on. He wore out the Health Insurance long ago, he's afther wearin' out the unemployment dole, an', now, he's tryin' to wear me out." This forces Juno to work overtime to earn enough for their whole family to survive. The fact that Mary, her daughter, has gone on strike from her job drives Juno closer to a mental breakdown, as her stress is increased voluntarily as the strike is unnecessary. The fact that Johnny is unable to work adds to her workload.
Juno is also a victim of politics as she loses her son Johnny for another unnecessary cause. Both of her children believe strongly in the saying that ‘A principle’s a principle’. Juno is too concerned about the stuggles that she faces everyday to worry about any principles and is annoyed that Johnny and Mary do not do the same. ...
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...the troubles in the early nineteen hundreds, only losses. Her faith does not reward her, but she is annoyed at Mary for saying, ‘There is no God.’ She believes that things happen for a reason. Her faith has also a strong part to play in her psychological strength and plays a very important role for Juno.
I believe that Juno is strongly victimised by poverty, her family and by politics yet still is a strong, consciencious woman who copes tremendously well with the difficult times in Ireland. The day to day stuggles are not easily dealt, with especially with a husband that is disloyal by not standing by and supporting her and the rest of the family. Politics played a role in everyone who lived in the nineteen thirties lives as it also linked with poverty. I think she is victimised mostly by her family, as they do not seem to appreciate what she does for them.
However as Jeanette and her siblings quickly lose their innocence and are pulled into the reality of life, her idolization of her parents, (especially her father) gradually lessens and she comes to terms with their flawed lifestyle. As she begins to lose hope in her parents, she begins describing them in a more negative light. For example, she exposes the intensification of her father's drinking problem. “He staggered off to the bathroom, came back, ordered one for the road, slammed the shot glass down on the bar, and walked to the door. He lost his footing trying to open it and sprawled on the floor. I tried to help him up, but he kept falling over”(page?) This repugnant and embarrassing description of Rex, contrasts how Jeanette tried to showcase his admirable qualities earlier in the story. In the sentence she also no longe...
Margot goes to school with classmates that resent her. They hate her for having seen the sun, something they wanted so badly. This jealousy led to an overwhelming hatred that they were reminded of any time they saw her. Her classmates let their hatred take over and they locked her in a closet as revenge for the pain she had caused them all. But unlike Wendy and Peter from The Veldt, Margot was affected negatively from her classmateś actions.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
At the beginning of the short story Maggie's family is introduced, from her scrappy little brother Jimmie, to her short lived brother Tommie, her alcoholic mentally-abusive mother Mary, and her brutish father. Jimmie's friend Pete is introduced and becomes a mirror image of Jimmie later on in the book. They both are portrayed as Don Juans, the seducers of young women who treat women as objects rather than people. Maggie's father is as short-lived as her brother Tommie. However, he becomes a negative social factor in Maggie's life. Maggie’s mother was an essential symbol of hypocrisy and pessimism throughout the book, from her drinking to her last comment in the book “I'll Forgive Her” (Crane).
...involving the confrontation between the mother and her son, Julian seizes the opportunity to berate his mother so she can see how ignorant she is and how he has elevated himself to a status higher than hers. Tragically, this incident leads to his mother’s stroke. It is only at this moment of his mother’s helplessness that all three worlds collide together. Julian’s world of self-righteousness and his mother’s world of self-importance are shattered by the world of reality. Only then is truth apparent to all of the characters in the story.
The mother is doing everything she can to make Emily's life worth living. However, because the mother is trying so hard to juggle more than one job at a time she has less time with her daughter. During the Great Depression it was next to impossible to find a job. The mother would have less stress in her life if she had a strong dependable job with flexible hours so she could be with her daughter. The mother cannot care for her daughter to her full potential when all she is doing is working just to keep her daughter nourished, healthy and safe. The mother's character is living in a world where the word well-off is next to impossible to comprehend, "[she] found a job hashing at night so [she] could be with her days." (p.158). The mother wishes making money would not have to be the life she lived just to be next to her daughter. During the Great Depression this wish was impossible to fulfil. Thus leaving the mothers character in a lack of hope for a better future.
... in life is her sexual being. It is presented in the novel that men were disrespecting woman and have tried to gain control over women by disrespecting them. In the novel it was the want of knowledge which caused both men and women in the Okanagan to be unaware of a woman’s self-respect. Not only did men disrespect women but women disrespected themselves and other women around them in this era. By comparing characters of the novel to the women of now days they are considered equal and are respected. There are a lot of female characters in the novel that show qualities of being poor and insecure. Women should be given the same respect they give men and they should not be abused or mistreated. Everyone in the world today should stand up for the women and protect them so they are not abused. This is a crime and should be stopped to let the women live comfortable lives.
“Am I to admit defeat/ Unable to keep these Trojans and their kings/ From Italy? Forbidden by the Fates, am I?” (1.50-52). Knowing the outcome doesn’t sway the decisions of Juno at all is overcome with rage. It is keen to note that rage is one of the most important themes of The Aeneid and is showed from the poem starts till it ends. Juno and Dido are the two major characters that are affected by this rage. It is Juno who allows Dido to believe that she and Aeneas are married; with hopes that Aeneas would not leave to the build the city of Rome. The intervention of the gods shows how they can easily sway the lives of their mortal men for their own personal desires. For example, when Juno incites rage on the Trojan women allowing them to burn their ships. Virgil clearly shows that aren’t no women of rationality all women are controlled by their emotions. It is clear from the start that Juno is on a man hunt to put an end to the Trojans reign; as result Aeneas becomes a subject of Juno’s rage. Virgil depicts Juno as vengeful Antagonist who tortures a pietious man,
50),” manifests her rage though the physical fire set to the Trojans ships by the women. Juno’s divine wrath against Aeneas stems from two events; the first being Paris choosing Venus as the fairest women compared to Juno and Minerva. The second being the Trojan descendants are fated to destroy Juno’s favorite city, Carthage. Juno understands she cannot stop Aeneas from reaching fated Italy, but she still does everything in her power to make the journey difficult. Juno’s burning rage is most clearly seen when she sends down her messenger, Iris, to convince the Trojan women to burn Aeneas’ fleet. Aeneas and his crew had just landed in Eryx and held festivities to honor Anchises. As the men are distracted by the games, Iris impersonates Beroe and persuades the women to light “burning torches” (V.635) and ignite the ships. The women act on their emotions and are easily persuaded because they want to stop traveling and stay in Eryx. Iris is “the first to seize destroying flame” (V.641) and throw it onto the ships. The women “watched in horror” (V.643-4) but soon join the attack. The “raging fire didn’t slaken” (V.680) until Jupiter intervenes and releases a “rage of pouring rain and thunder” (V.694). Juno’s internal rage is demonstrated though the external fire set by Iris and the women. The destructive fires and the manipulation of the women’s emotions emphasize the rage Juno feels that is only be smothered by Jupiter’s
Not only that, but the author also shows equality with the backgrounds of the story. Julian graduated from university and his mother is an heir of rich family, yet he is still to-be-a writer, he is poor and has no job at the moment and is desperately in need of money because of his mother's illness.
... of tragedy and lets her be the diamond in the rough. She is the one person whose vision is unaltered from the very beginning of the book and to her the other survivors draw their own courage.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
...ngly like a goddess of Victory (paragraph 20)." She had fought the battle of life, health, the death of her husband, and she was a peace with her self. She came out of the room and clasped to her sister's waist. This shows she was starting to weaken, but she fought the battle and won. She could now face death fearless and strong.
The interaction between gods and mortals, is shown from the first paragraph. Virgil lets us know that Aeneas is not even at fault but Juno despises him.
In the play written by Socrates, “Oedipus the King,” Jocasta is an important character in the play who is presented in the play for a miniscule amount of time, but the impact of her character is far from miniscule. Jocasta can fall into the category of both a main character and a supporting character, character because of how big of an impact her role played into the plot while also not being in many scenes. In the entirety of the play, Jocasta is Oedipus's mother, his parents got rid of him for the fear that he would kill his father and wed his mother. Jocasta, that they received from the Oracle. Jocasta throughout the story was the Queen of Thebes. Jocasta didn’t believe in any prophets, but she is later on in the play proved wrong. The