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Family connections require communication in order to strengthen emotional connections. Amy Tan, author of Joy Luck Club, demonstrates the value of family bonds throughout all of her novels. While writing, Tan considers personal struggles respecting Chinese culture and adopting American culture. Although fictional, Tan implements personal experiences while writing realistic circumstances in The Joy Luck Club. Tan’s characters experience traumas typically common within immigrant families, rather than unrelatable scenarios. Much like real life, Tan illustrates the disconnect between generations of Chinese mothers and American-raised daughters. When Tan describes her writing of her story, she explains, “The question is always related to my life, …show more content…
Utilizing her own experiences and culture when writing places emphasis on the importance of understanding the value of history through elder generations. Understanding the division that takes place between immigrants and their native-born children allows Tan the chance to share her stories with the readers. Supporting evidence towards contrasting cultures, states, “this discontinuity, however, may give the reader a glimmer of confusion ethnic minorities in the United States feel, or perhaps a sense of disconnection between the families” (Stoeckl). The challenges in upholding ideal Chinese tradition and adopting American culture are only a few of the minor details Chinese-American children face after immigration. When analyzing realism and humanity’s disconnect in Amy Tan’s The Joy Luck Club, communication reveals differences between generations and …show more content…
Miscommunication and misconstrued intentions can happen when familial divides are prominent. Highlighting this concept, Tan states, “for a long time now the woman wanted to give her daughter the single swan feather and tell her, ‘This feather may look worthless, but it comes for afar and carries with it all of my good intentions’” (Tan 3). All mother’s contain aspirations reflecting upon children, but detachment inhibits the immeasurable pressure felt from reaching children. However, the appearance of worthlessness may overshadow underlying ideals mothering generations seek. Providing the feather reveals love and care a mother longs to provide for her daughter, “the feather stands for the meaning of a mother’s life that she is desperate to convey to her daughter; the daughter, for her part, must, for reasons of her own, turn away and retreat” (Bloom). The tale demonstrates disconnect’s challenges as one may initiate conversation, whereas, another speaker may shut down. Truthful to humanity, people miss the “feather” of hopes parents desire to share. The feather wives tale told, expresses a realistic circumstances all parents face when connecting with children. Furthermore, when displaying familial pride, “I will use the sharp pain to penetrate my daughter’s tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
On a train in China, June feels that her mother was right: she is becoming Chinese, even though she never thought there was anything Chinese about her. June is going with her father to visit his aunt, who he hasn't seen since he was ten. Then, in Shanghai, June will meet her mother's other daughters. When a letter from them had finally come, Suyuan was already dead--a blood vessel had burst in her brain. At first, Lindo and the others wrote a letter telling the other sisters that Suyuan was coming. Then June convinced Lindo that this was cruel, so Lindo wrote another letter telling them Suyuan was dead. In the crowded streets of China, June feels like a foreigner. She is tall--her mother always told her that she might have gotten this from her mother's father, but they would never know, because everyone in the family was dead. Everyone died when a bomb fell during the war. Suddenly June's father's aunt comes out of the crowd. She recognizes him from a photograph he sent. June meets the rest of the family, having trouble remembering any words in Cantonese. They all go to a hotel, which June assumes must be very expensive but turns out to be cheap. The relatives are thrilled by how fancy it all is. They want to eat hamburgers in the hotel room. In the shower, June wonders how much of her mother stayed with those other daughters. Was she always thinking about them? Did she wish June was them? Later, June listens while her father talks with his aunt. He says that he never knew Suyuan was looking for her daughters her whole life. Her father tells her that her name, Jing-mei, means, "little sister, the essence of the others." June asks for the whole story of how her mother lost her other daughters. Her father tells her that though her mother hoped to trade her valuables for a ride to Chungking to meet her husband, no one was accepting rides. After walking for a long time, Suyuan realized she could not go on carrying the babies, so she left them by the side of the road and wrote a note, saying that if they were delivered to a certain address, the deliverer would be rewarded greatly. She got very sick with dysentery, and Canning met her in a hospital. She said to him, "Look at this face.
Taoism has been a major influence in China throughout much of its history and The Joy Luck Club, by Amy Tan, reflects this influence through its infusion of Taoist principals. One of the fundamental concepts within Taoism is that of Wu-hsing. Wu-hsing is a way of understanding a matter by dividing it into five and is often represented by five phases, elements of directions. This is an unfamiliar concept to a western perspective, which tends to divide things into four. Understanding this fifth additional element, however, is essential to understanding The Joy Luck Club.
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
The Joy Luck Club, is a film that shows a powerful portrayal of four Chinese women and the lives of their children in America. The film presents the conflicting cultures between the United States and China, and how men treat women throughout their lives. People living in the United States usually take for granted their roles as a male or female. The culture of each country shapes the treatment one receives based on the sex of the individual. Gender roles shape this movie and allows people, specifically the United States, to see how gender are so crutcial in othe countries.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Many renowned writers and other professionals have expressed their personal opinion about the value of words over the last few years. Chinese-American author Amy Tan is one of the many writers who understand the importance of the simplest words in the English language. Tan, author of the Joy Luck Club, was born and raised in San Francisco by her Chinese parents. Tan graduated from high school and pursued her college education at five different universities from 1969 through 1976. Contrary to what her teachers had always tried to push on her, Tan steered away from studies in math and science and earned her B.A. in English and Linguistics. She describes that her educational choices were rebellious in nature. In Tans essay she describes the hardships of growing up with a mother who encountered problems with the English language. When I was growing up, my mothers limited English limited my perception of her, Tan explains. She describes situations where her mother was treated rudely and explains that apologies were always proposed when Tan would interrupt with flawless English. Tan also discusses the educational problems that multicultural students have within the classroom today. She ...
The rifts between mothers and daughters continue to separate them, but as the daughters get older they become more tolerant of their mothers. They learn they do not know everything about their mothers, and the courage their mothers showed during their lives is astounding. As they get older they learn they do not know everything, and that their mothers can still teach them much about life. They grow closer to their mothers and learn to be proud of their heritage and their culture. They acquire the wisdom of understanding, and that is the finest feeling to have in the world.
By 1980, the majority of immigrants in America came from Asia and Latin America, with over 30,000 immigrating from China (Tindall 1344). Many of these Chinese immigrants arrived to experience a democracy immediately following the Communist victory in 1949, while others simply came to seek higher education for subjects they could not pursue in a developing country, each reason fueled by a desire to achieve the American Dream (Liu). Despite the promise of the American Dream, children of Chinese immigrants suffer from many problems arising from the many stereotypes and their misrepresentation as a “model minority” by native-born Americans. Amy Tan exemplifies this discrepancy between Chinese and American views on Chinese American children in The Joy Luck Club.
Amy Tan, the author of The Joy Luck Club, displays life lessons mothers pass down to their daughters through the character An-mei, while Janice Mirikitani mirrors the morales presented in Tan’s novel through her own work, “For a Daughter Who Leaves”. The Joy Luck Club follows a series of mothers and their daughters and how they perceive and react to the cultural gap between them. An-mei’s story follows her through her life in China and her new life in America. In China, she witnesses the abuse her mother goes through and eventually her mother’s suicide. She does not want her daughter, Rose, to repeat the same mistakes her mother and herself made, so she tries to teach Rose how to live a happy and full life without regrets.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of her daughter, Lena, "'All her life, I have watched her as though from another shore'" (Tan 242). Ultimately, it falls to the daughters, the second, divided generation, to bridge the gap of understanding and reconnect with their old world mothers.
In Amy Tan's novels, The Joy Luck Club, and A Hundred Secret Senses, she describes relationships between mothers and daughters reflecting on her own parents experiences in life.