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The influence of art on society
Art and its impact on society
The influence of art on society
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The essence of art is truly in the eye of the beholder, and Joseph Beuys redefined the meaning of artistry when he once said that “every man is a plastic artist who must determine things for himself.” One may find himself or herself asking the million dollar question: “Who is Joseph Beuys?” Joseph Beuys was a German-born conceptual artist who started to pursue art as a career after serving as an airman in the Second World War. Beuys's assorted body of work ranges from the conventional methods of drawing, painting, and sculpture, to process-oriented, or time-based "action" art. With his time-based “actions”, Beuys suggested how art might exercise a healing property on both the artist and the audience when psychological, social, and political are the influence.
Beuys was a crucial member in the 1960s Fluxus movement, along with his contemporaries Yoko Ono and Nam June Paik. During the movement, many artists befell dissatisfied with the traditional standard of heroic, religious, or rather object-oriented painting and sculpture that had been long in place before them. Influenced in part by existing experimentations in music, such artists found themselves spinning away from the art community's predominant customs in favor of found, everyday items for creating momentary, time-based actions, transient installation art, and other largely action-oriented events. According to an interview with Erwin Heerich, a friend of Beuys, "The contact with Fluxus endowed the issue of art and life, in Beuys' mind, with a radically different significance. In Fluxus he recognized a vital current that released new impulses in himself--and here the other side of Beuys emerged, his powerful sensitivity to, and talent for, the public arena and the media." Be...
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...ughout Kassel Germany, each accompanied by a 4 foot basalt stone marker, Beuys believed that not only would the Oaks help improve the biosphere but that the trees would also raise ecological consciousness, would represent peoples’ lives and their everyday work, and that the trees represented redevelopment, which in itself is a notion of time.
Through successful conceptualization and execution of his “action” installations, Joseph Beuys was able to present how he and many others felt about such matters related to psychology, the social structure, and politics. The messages in Beuys’s works may not have been clear to many, but he sought to show that all humans are creative and that art is not meant to be easily understood because there wouldn’t be a need for art if is was. I believe Joseph Beuys can be considered one of the greatest time-based performers of his time.
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
The begging of World War II not only changed countries, economic structures and politics but also had an enormous influence on different sides of life of people and societies. Well-known from the historical experience is the fact that every single of such size as World War always has its resonance on arts, as culture is an inseparable part of people’s lives. Talking of WWII, the response within artistic communities was so strong that artists became a part of the ideological war of the time (Martin). The position of lots of creative people was at the same time very fearful, as they found themselves in occupied countries under the threat of totalitarian regimes and had to immigrate
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
subject’s action. Many works of his time period were sculptures that were meant to be
Poet Gwendolyn Brooks states, “Art Hurts. Art urges voyages - and it is easier to stay at home” which is true for many viewers when experiencing Bruce Nauman’s work. Nauman is classified as a contemporary American artist whose works also incorporate ideas of post-modernism and minimalism. He has been making art since the early 1960’s and has moved through many different mediums as his art progressed and his style changed. At first Nauman was a painter who soon ended that career and turned to sculpting, photography, film, and video. Bruce Nauman’s works of art have interested me and inspired my final assignment by his professional legacy, inspirations, and techniques.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Her intentions were to broaden the horizons of her audiences in order to portray whatever she tried to symbolize. She tried to portray on many occasions exactly what is wrong with society when it comes to many social issues such as feminism, war, social injustices etc. Major and important influences on her art style pertained to her friends, other artists and social movements. When it comes to her art styles, she focused many categories such as happenings, fluxus, performance art and conceptual art. ‘Happening’ art is simply a display of artworks in an art gallery or in a small locale. It is often staged and the audience may or may not participate. A ‘fluxus’ is a type of network of artists that thrived in the 1960s that would venture into art forms such as performances and music. This type of art was mostly seen and became very open in her book when she married John Lennon. John Lennon’s musical abilities and Yoko Ono’s thriving personality in her artwork created something really unique and quite bizarre. She also contributed to Broadway show musicals by helping out in composing them. The Fluxus’ art mostly consists of satirical and and anarchic styles of art. ‘Performance’ art is art that is showcased live by the artist(s). This was very popular in the
According to Webster’s Dictionary, art is “human expression of objects by painting, etc” (10). The words “human experience” adds meaning to art. Artists reveal their inner thoughts and feelings through their work. When we study a painting by Salvador Dali, the strange objects and the surrealist background portrays the eccentricity of the painter. Some ideas cannot be explained verbally. They can only be shown via a medium. We can get across what is in our minds or our hearts by a stroke of a brush, a drop of paint, a row of words, or something else. But to express ourselves, we do not need to limit what we call art.
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
Banksy’s artwork was effective in achieving it’s purpose because of it’s appeal to the heart, and in what is perceived as a dismal area where there is little hope, it most likely affected the view some may have on life, if not for just a moment.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.