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Essay on the language of humor
Essay on the language of humor
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Jokes surrounding mothers is a large theme in comedy. From professional comedian’s jokes about mothers, like Dan Harmon’s raps on his podcast Harmontown to Louie CK’s interactions with his mother on the TV series Louie to young children sharing “Yo Momma” jokes on the bus, comedy focuses on the relationship people have with their mothers. But why do comedians choose to discuss this topic? And moreover why is it funny? The specific material of comedians, like C.K. and Harmon, and comedy shows that also use these jokes are a large example of why the relationship is utilized. Comedians’ ties to their parents are an influence on their comedy and how they set up their material. Beyond the importance of the relationship to comedians, people, …show more content…
There have been incidents across time and place that suggest the significance of one’s relationship with his or her mother. These incidents speak more about why these jokes are common in relation to maternal insults. For instance, in many different cultures across the world, insulting someone’s mother is a source of comedy, much like that of the United States and the previously mentioned jokes. On example is seen by an Internet phenomenon that took over China regarding the mythical beast known as the "grass-mud horse". Though the translation does not mean the same thing in English, the insult is universal. The pronunciation of the name of this creature “sounds very much like an especially vile obscenity” (Wines). An insult about mothers; this is just a variation on the command to commit incest with one's mother that appear in every region of the globe. Anthropologists note that, across cultures, the most severe insults tend to involve a few basic themes: an opponent's family, an opponent's religion, or an opponent’s sex (Wines). By making a joke about someone’s mother, a person insults a personal aspect of another’s life. These jokes are used to make an impact and hurt someone on a deeper level and are used in many cultures. Another example is in Mediterranean cultures, where the relationship between mother and son is held as particularly sacred and largely religious. Many common jokes come from insulting this relationship and the three most important parts of the people’s lives. The jokes are relatable, because they mention these important points of mothers and religion. Incest is addressed with potency and jokes stating curses like “gamo ti mana sou”, “gamo tin Panagia sou”, and “gamo to Khristo sou” (f**k your mother, your madonna," and "your Christ," respectively) hold a larger meaning (Legman 172). They are able to discuss key
Rebecca Krefting (2014), “an Associate Professor of American Studies, affiliate faculty to Gender Studies, and Director of the Media and Film Studies Program” (Skidmore), wrote an article called “Making Connections.” Krefting (2014) explains the connections between comedy and people, listing the reasons the world can build “Cultural Citizenship” through “charged humor” (p. 17-18)
In an article published to The Atlantic “Why Are All the Cartoon Mother’s dead?” by Sarah Boxer declares her point of why in a variety of kid’s movies the mother is deceased or missing and the father is present meanwhile in reality the stats are the opposite. She is coming off as a feminist questioning why mothers are not in a majority of Disney Movies and kid movies in general. In a matter of fact she addresses feminism in this article because she keeps throwing jabs about why fathers are the child’s only parent in the children’s movies. Such as, “Is the unconscious goal of these motherless movies to paper over reality? To hint that the world be better without mothers?”(Boxer). This explains my last thought of how she is addressing feminism
“Confessions of a Juggler” is an article written by Tina Fey who is an American actress, comedian, producer, writer and a mother of one. Fey graduated from the University of Virginia in 1992 with a Bachelor of Arts degree in Drama. She is well known for her impressions of Sarah Palin on the popular TV show Saturday Night Live. In Fey’s article she states that “the topic of working moms is a tap dance in a minefield” which implies that it will not end well due to it being such a touchy subject. “Oh, Brother!” is an article written by Hara Estroff who is an author, journalist, and an editor.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
As Tina Fey learned throughout her life, being able to laugh at yourself is a key component to success. In her 2011 book, Bossypants, Tina Fey constantly pokes fun at herself, but in the best way possible. She discusses her childhood, her awkward stages of growing up, and some of her most embarrassing moments as an adult. By utilizing self-deprecating humor, Tina Fey makes her novel amusing and entertaining—something that contributed greatly to her success as a comedian.
Satirical humor entertains the audience so that the people appeal some jokes and comic ideas more enjoyable to visualizes. Satire demonstrates something very safe and also not very cynical to the society. Sometimes, satire can misunderstand people that some people find it's an insult to the politics.Satirical humor can also be a tool to communicate people, so people can learn and get involved more about issues in politics. There are some people like comedians that expresses satirical humor in politics. Also, some comedy shows that expresses political satire. For example, some of the famous comedians that I found funny in satirical humor will be James Colbert, Jimmy Fallon, and Jon Stewart; they also host their satirical shows: The Colbert
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
Now that this distinction has been made, the issue of humor in modern and post modern l...
Sponsored by the Rhombus Ensemble, Your Mother’s Vagina received its World Premiere at the Hollywood Festival Fringe, performing at the Sacred Fools Theatre from July 10-12, 2016 (Hollywood Fringe). Laws and regulations regarding women’s reproductive health services are far less restrictive in America than those in Ireland, especially within the state of California. Being in the less restrictive and open environment of California, the audiences in Hollywood were less responsive to the heavier themes of the script and instead connected more closely with the underlying humor between the characters.
The main subjects of Chappelle's comedy routines have typically been race, inequality, sex, drugs, and politics. Yet, while the use of these subjects for parody is not uncommon, what is unique is the fact that Chappelle’s comedy preaches an all-together different perspective. Rather than simply leaning on this subject matter for shock value as so many comedians would do, Chappelle has urged his audience to see how we tend to label people all too often. And, in the end, labeling gives to the creation and perpetuation of cultural stereotypes.
Comedy differs in the mood it approaches and addresses life. It presents situations which deal with common ground of man’s social experience rather than limits of his behaviour – it is not life in the tragic mode, lived at the difficult and perilous limits of the human condition.
Saenger, G. "Male and female relation in the American comic strips" in The funnies: An American idiom M. White & R.H. Abel editors, The Free Press, Glencoe IL, 1963, p. 219-223
Television comedies have been on the air for decades, and throughout this time many different shows have come and gone. Due to the dominance of these shows, comedies are one of the biggest draws on television. There are many different types of comedies, each with their own unique characteristics and features that differentiate them from others and lead to their popularity. Whether the show is a sketch comedy, sitcom, mockumentary or dramatic comedy, each utilizes different types of humour, locations, themes, and situations to appeal to the audience; which is likely why they are so popular today.