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Thomson, judith jarvis. "a defense of abortion analgies
Thomson, judith jarvis. "a defense of abortion analgies
Thomson, judith jarvis. "a defense of abortion analgies
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Sponsored by the Rhombus Ensemble, Your Mother’s Vagina received its World Premiere at the Hollywood Festival Fringe, performing at the Sacred Fools Theatre from July 10-12, 2016 (Hollywood Fringe). Laws and regulations regarding women’s reproductive health services are far less restrictive in America than those in Ireland, especially within the state of California. Being in the less restrictive and open environment of California, the audiences in Hollywood were less responsive to the heavier themes of the script and instead connected more closely with the underlying humor between the characters. As the action of Your Mother’s Vagina is set in Hollywood, Chaffee observed that the audiences from the Hollywood Fringe Festival performance got …show more content…
When discussing the power of governmental law, Ken Worthy Bill and Janice Nadler state, “No matter what the position the law takes regarding abortion, a large contingent of citizens will believe the law to be wrong and even immoral. Some individuals have a strong moral investment in either permitting or prohibiting abortion, and for them abortion laws that permit immoral outcomes can prompt strident protests and even vigilante action” (Bill and Nadler 246). Therefore, it is nearly impossible to approach such contentious topics without encountering opposition on either side of the …show more content…
Women left feeling empowered and understood, while male audience members left wanting to do something to help women facing such struggles with infertility. One of the most profound reviews of Your Mother’s Vagina on the Hollywood Fringe website states, “For audience members who have been through the ringer of egg harvesting, miscarriages, unwanted pregnancies strained relations with mates or the unquenchable desire to become pregnant, Your Mother’s Vagina offers deep recognition, levity and a reminder that you’re not alone” (Hollywood Fringe). In order for women to feel more empowered to speak up about their personal struggles with infertility, more awareness needs to be brought to the subject. The performing arts serve as a prime example of a safe and more “digestible” medium through which these discussions can be had, giving a voice to subject matter that often gets shoved under the rug. The “unspoken plague of our generation” needs to be spoken of more frequently, and Chaffee’s play pushes us in the right direction (Chaffee
A woman in the film explains that, she lack of so much information that in the day after the surgery, she was cut and sew with black thread and she said “O my God” what have they cut me. In addition, she mentions that she was a total ignorant, but she feels that she wasn’t forced to do it that she went on her own free will, but if she would have been told of other childbirth methods she would have done it. Also, another woman said that the gynecologist told her that she was going to have the tied tube procedure that consisted of having her Fallopian tubes tied, but she didn’t know it was also
Jane the virgin is a show about a woman who had her life planned out the way she wanted until it made a spiraling turn due to unfortunate events. When Jane was a young girl, she had made a promise to her grandma that she would save her virginity until marriage. Unfortunately, during a doctor's check up she was artificially inseminated. After she agreed to keep the baby her relationship with her finance when down the hill. Keeping the baby also caused her school work to be a little harder for her. An examination of Jane the virgin will demonstrate the concepts of process of listening, the benefits of power and being in denial.
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
Women throughout time have been compelled to cope with the remonstrances of motherhood along with society’s anticipations
Butler, Judith. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31. The Johns Hopkins University Press. Web. 11 May 2011.
American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. “Double Indemnity can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity; neither one is an accurate or fare portrayal.
Anger and heated debate have long fueled the controversy over abortion. Whether pro-life or pro-choice, both sides of the argument are convinced of the righteousness of their beliefs. There is, however, some confusion surrounding the term “pro-choice” – it does not directly pertain to the spread and use of abortion, but rather, “pro-choicers” advocate the continued legalization of abortion in order to make the choice available and to ensure that women’s fundamental rights are not subjugated. The stance that abortion should be available has its roots in economic concerns, psychological evidence, moral dilemmas, and the Constitution.
According to the cliché rhyme,“First comes love, then comes marriage, then comes the baby in the baby carriage.” What happens, though, if the “baby in the baby carriage” never comes to fruition? Millions of couples struggle with infertility every year. Despite relentless effort and sometimes even therapy, many relationships become strained by the curse of sterility. Both partners in a childless (yet child-wanting) couple feel the tension of the struggle to become parents. One literature-based couple that struggles with infertility is Shakespeare’s Macbeths. Both Macbeth and Lady Macbeth yearn for a child and react to their unsuccessful attempts at becoming parents in psychologically understandable ways.
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
Butler, Judith. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31. Print.
During the past quarter century, abortion has joined race and war as one of the most contentious subjects of controversy in the United States. It discusses human interaction where ethics, emotions, and law collaborate. Many have contemplated upon the meaning of abortion. One argument is that every child born should be wanted. The people in lieu of this theory are often referred to as Pro-choice activists. The opposing argument is that every child conceived should be born, this theory epitomized by Pro-life activists. A public consensus exists that when human personhood starts, that the law must protect person. Many religions, organizations, and individuals have fervently held conflicting beliefs about when this transpires. This naturally leads to differing policies on whether a woman should have access to abortion or not.
Abortion may be one of the most controversial topics in America today. Abortion is defined as “the termination of a pregnancy after, accompanied by, resulting in, or closely followed by the death of the embryo or fetus” (cite dictionary). There are really only two sides on people’s opinion on abortion; pro-life which means abortion should be outlawed and pro-choice which means a woman should be able to decide whether she wants to keep her baby. Thousands of protests and riots have begun due to the fact pro-life activists believe abortion should become illegal. Both sides bring valid points to support their decision that could sway any person’s thoughts. The Roe v. Wade law has allowed abortion to be legal in the U.S since 1973 (Chittom & Newton, 2015). The law “gives women total control over first trimester abortions and grants state legislative control over second and third trimester abortions” (Chittom & Newton, 2015). Ever since the law was put in place, millions of people have tried to overturn it and still
Over the course of the last century, abortion in the Western hemisphere has become a largely controversial topic that affects every human being. In the United States, at current rates, one in three women will have had an abortion by the time they reach the age of 45. The questions surrounding the laws are of moral, social, and medical dilemmas that rely upon the most fundamental principles of ethics and philosophy. At the center of the argument is the not so clear cut lines dictating what life is, or is not, and where a fetus finds itself amongst its meaning. In an effort to answer the question, lawmakers are establishing public policies dictating what a woman may or may not do with regard to her reproductive rights.
Gay reminds us that, “womanhood feels more strange and terrible now because progress has not served women as well as it has served men” (Gay 2011, 132). In other words, women have been portrayed as degrading and inferior to men due to the inevitable consequence of patriarchal western societies, in which women have traditionally been correlated with a less status than men. Women’s Realities, Women’s Choices demonstrates this theory as a conventional view of sex and gender by emphasizing that “women have been associated with the body and nature and men with ‘self, ’soul,’ and culture, profoundly affecting how women have been valued, treated, and constrained in their opportunities and choices” (Hunter College Women 's Studies Collective 2014, 152). In addition, an origin myth for Christians is that Eve was made as a companion to Adam, and by defying God, eating the fruit from the forbidden tree of knowledge and convincing Adam to do the same, she brought evil into the world. This suggests that “it is men, not women, who engage in productive labor and that women deserve the pain of childbirth” (Hunter College Women 's Studies Collective 2014, 28).This myth originated from Christianity is generally held to be acceptable at the expense of individuality and has had influence on society, which has lead the authors to question views of sex and gender. Therefore, in the film Coffy, men played a role of dominance in demanding women to satisfy their sexual
One of the most controversial issues in this day and age is the stance people take on abortion. The two main positions that people take are either of pro-choice or pro-life; both sides, although polar opposites, tend to refer to both the issue of morality and logical rationale. The pro-life side of the debate believes that abortion is an utterly immoral practice that should be abolished. On the contrary, abortion should remain a legal procedure because it is a reproductive right; its eradication would not only take away the pregnant person’s autonomy, but would also put more children in financially unstable homes and the adoption system, and would cause an increase in potentially fatal, unsafe abortions.