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The original key for the plotline of the tragic hero originates from Sophocles’ Oedipus. The unfortunate story of Oedipus’ life before his untimely demise expresses particular ideas of innocence. Oedipus, the tragic hero, tries his best to evade the sinful prophecy that the gods bestow upon him. He evades killing his “parents” to ultimately cause the prophecy to come true by killing and marrying his actual birth mother. The actual story only takes place in the timeframe of one day. Oedipus has multiple children with his mother. Throughout the day, the secrets of Oedipus’ past slowly arise to the point that he blinds himself and is dethroned. Up until the point of complete knowledge about his parents, Oedipus remains within the vale of innocence. This concept of innocence runs rampant throughout the play of Oedipus. History repeats innocence for things from entire countries to individual people just like Oedipus. Even novels, i.e. The Collector, of present day base their plotline on the tragedy of Oedipus’ innocence. Seen as the greatest of all evils, innocence is the saving grace of our civilization which Sophocles realizes in his play, Oedipus, since civilization reverberates this concept of innocence throughout history and novels.
Innocence plays the condemning factor in the play of Oedipus by Sophocles. The characters that are married, Oedipus and Jocasta, play the two sides of the coin of innocence. Oedipus plays the truly innocent character whom has no evil intentions or past wrongdoings. Jocasta plays the character whose innocence to her present atrocities help to convey her punishment for her past wrongdoings. Oedipus’ innocence ultimately leads to his moral and royal damnation. Without his innocence, Oedipus’ sins ...
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..., i.e. The Collector. Reverberating throughout time and appearing in out novels, such as The Collector, the concept of innocence, also known as the greatest of all evils by some people, plays a major role in the complete storyline of Oedipus Rex’s life in Oedipus by Sophocles.
Works Cited
Dilă, Georgiana-Elena. Butterflies and Voices in John Fowles’ The Collector. Rep. University of Craiova, n.d. Web. 10 Mar. 2014.
Gould, Thomas. "The Innocence of Oedipus:The Philosophers on." Bloom's Modern Critical Interpretations: Oedipus Rex, Updated Version. Ed. Harold Bloom. New York City: Infobase, 2007. 31-70. Print.
Hart, Megan. "Holocaust Survivor Tells Muskegon Crowd about 'miracles,' Loss of Innocence." Mlive Media Group, 30 Apr. 2012. Web. 11 Mar. 2014.
SparkNotes Editors. “SparkNote on The Oedipus Plays.” SparkNotes.com. SparkNotes LLC. 2002. Web. 5 Mar. 2014.
O'Brien, Michael J. Introduction. In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O'Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
...are evoked but against the divinely spun destiny and pity is felt for Oedipus, their play-thing, with no more power to change his life than to change his past.
Lattimore, Richard. “Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
For me, as I read Oedipus Rex again this fall, I experienced a sensation nearly of agony. Because I had already known the myth as well as read the play, I was in the Greek's position of foreknowledge. This caused me to feel acutely the irony of Oedipus' confident declarations that the murderer of Laius should be "driven from every house, / Being, as he is, corruption itself to us," and again on the next page,
Dodds, E.R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien. Englewood Cliffs, NJ: Prentice, 2005. Print.
Most people in the 21st century usually do not imagine a hero as one who goes around killing his father, marrying his mother, and fathering his siblings, but all those contradictory notions made sense to the Greeks watching Oedipus Rex. Oedipus, the titular character of Sophocles’ infamous play, belongs with the typical tragic hero category, a grouping of noble, courageous heroes who deserves respect regardless of a fatal weakness in their character. As for Oedipus himself, his extreme pride, known as hubris to the Greeks, is the singular weakness that foreshadows his fall from the graceful dignity of a king into the tragic shame of an exile. Despite his noble intentions for not just his people, but also for his parents and children, Oedipus’ arrogance against the gods in believing he had outwitted his grotesque fate ultimately destroys his family and kingly honor. As Oedipus is a noble and courageous person who is worthy of respect despite his tragic character weakness of hubris, his character fully represents the definition of a tragic hero.
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
The English novelist John Fowles (1926-2005) was educated at Oxford and then started teaching English at different universities in the UK and Greece. When his first novel The Collector (1963) was published and became a big success , he left his job and devoted his time to writing. The Collector’s first draft development was influenced by two events. The first one when Fowles attended Béla Bartók’s opera Bluebeard's Castle (1911). Similar to The Collector’s story, the opera talks about women who are imprisoned by a man. Bartók’s opera as Sherrill E. Grace states in his article “Courting Bluebeard with Bartók , Atwood , and Fowles : Modern Treatment of the Bluebeard Theme ,” is “ a modern adaptation of the Bluebeard theme that has frequently appeared in literature and other forms of art since the medieval age,” (Grace 1984 ,247).
The real tragedy is the poor of poverty. Oedipus is one of the classics tragedy character in ancient Greek. Oedipus the king is the story about a man who destined to kill his father and marry his mother. He is the main character as a murder mystery, a political thriller, and a psychological whodunit. Throughout this mythic story of patricide and incest, the author Sophocles emphasizes the irony of a man determined to track down, expose and punish an assassin, who turns out to be himself. Because in ancient Greeks, they believe that their gods decided what happen to everyone and determined what destiny they will have. The free and fate are significant elements of the story concept; however, in Sophocles’s writing, it proved that how human suffering
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Sophocles’s tragic play Oedipus Tyrannus induces catharsis in the audience and rouses exciting debate revolving around the morality concerned with Oedipus’s crimes. It is often argued whether Oedipus is truly responsible for the loathsome crimes of patricide and incest. Some may argue that Oedipus was merely an unfortunate victim of cruel fate but this would be an incorrect assumption. It is clearly demonstrated throughout the play that a product of blind pride and deeply questionable choices make Oedipus responsible for his crimes. From his dealings with the Oracle at Delphi and his actions while traveling to Thebes one can determine Oedipus’s terrible decisions make him undeniably responsible.
Sophocles. “Oedipus the King.” The Norton Introduction to Literature. Shorter 11th ed. Ed. Kelly J. Mays. New York: Norton, 2013. 1737-76. Print.
Owen, E. T. “Drama in Sophocles’ Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
The fundamentals that make Oedipus the King an “Aristotelian tragedy” revolve around the key notions of harmartia, peripety, anagnorisis and catharsis. However, to fully understand these key notions, one must understand what Aristotle defines as a tragedy. In Aristotle’s words, “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions” (Aristotle). Simply put, a play must deal with and resolve a very serious issue. In the case of Oedipus the King, Sophocles portrays the perfect “Aristotelian tragedy” by delving into
E. T. Owen in “Drama in Sophocles’ Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.