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Aristotle’s “On the elements and general principles of tragedy”
Aristotle’s “On the elements and general principles of tragedy”
Aristotle on tragedy
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Sympathy for Oedipus in the Oedipus Tyrannus
The aim of tragedy is to evoke fear and pity, according to Aristotle, who cited the Oedipus Tyrannus as the definitive tragic play. Thus pity must be produced from the play at some point. However, this does not necessarily mean that Oedipus must be pitied. We feel great sympathy ('pathos') for Jocasta's suicide and the fate of Oedipus' daughters. Oedipus could evoke fear in us, not pity. He is a King of an accursed city willing to use desperate methods, even torture to extract truth from the Shepherd. His scorning of Jocasta just before her death creates little pity for him, as does his rebuke of the old, blind Tiresias. But with this considered, we must not forget the suffering he endures during his search for knowledge and the ignorant self-destruction he goes under.
Oedipus kills his father and marries his mother, with whom he produces four children. These are terrible crimes, impious, immoral and illegal. However, the fact that he carries these out in ignorance, not conscious of his own actions, attributes them to severe misfortune and a cruel fate. He even tried, in vain, to avoid the completion of this destiny, leaving his believed home city of Corinth upon hearing it told to him at the Oracle of Apollo ("I heard all that and ran" 876). Thus, when it is revealed to him, this sudden revelation of his crimes within one day leads him to blind himself so that he can no longer see what he has done ("Nothing I could see could bring me joy" 1473). The blinding was not required by fate and is indeed self inflicted but he believed that it is just punishment for what he has done, and by doing so he regains some control over his fate ("hand that struck my eyes was mine...
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...are evoked but against the divinely spun destiny and pity is felt for Oedipus, their play-thing, with no more power to change his life than to change his past.
Works Cited and Consulted:
Badger, Vincent M. "Sophocles' Oedipus Tyrannus: A Map of the Soul" www.cadvision.com/hooker-perron/badger.htm. (Oct 30, 1999)
Dodds, E. R., The Ancient Concept of Progress and Other Essays on Greek Literature and Belief, London. Oxford University Press, 1973.
Harsh, Philip Whaley, A Handbook of Classical Drama, Stanford, CA.: Stanford University Press, 1967.
Murray, Robert D. Jr. "Thought and Structure in Sophoclean Tragedy", in Sophocles, A Collection of Critical Essays, Woodward, Thomas, editor,
New Jersey: Prentice Hall, Inc., 1966.
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne, 1993.
The selfishness that Oedipus possesses causes him to have abundance of ignorance. This combination is what leads to his father’s death. After fleeing Corinth and his foster family, Oedipus gets into a skirmish with an older man. The reason for the fight was because, “The groom leading the horses forced me off the road at his lord’s command” (1336). Oedipus is filled with a rage after being insulted by the lord and feels the need to act. The two men fight, but Oedipus ends up being too much for the older man, and he kills him. What Oedipus is unaware of is that the man was actually his birth father and by killing him, Oedipus has started on the path of his own destruction. Not only does Oedipus kill his father, but also everyone else, “I killed them all” (1336). The other men had no part in the scuffle, but in his rage, he did not care who he was killing.
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Oedipus the King. Tranlsted by Stephen Berg and Diskin Clay. In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Throughout many literary works we are met with characters who appear briefly throughout that work. In the literary work Hamlet (Shakespeare, 1603), we are introduced to the character Ophelia. Ophelia can either been seen as driven for her mad love towards Hamlet, or seen just as a victim to society for the outrageous expectations she has for being a woman. Ophelia appears briefly throughout Hamlet, but when she appears she is caught between the her father and brother’s instructions, and Hamlet’s overwhelming demands.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
To the start of the play Romeo is talking of how his love has been
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
While he was at college, he met Coretta Scott and on June 18, 1953, on
When Oedipus was born he was taken to an Oracle, this was custom for the rich. The Oracle was to tell his fate. The Oracle said that when Oedipus grows up he will marry his mother and he would also kill his father, "... Why, Loxias declared that I should one day marry my own mother, And with my own hands shed my father's bool. Wherefore Corinth I have kept away far, for long years; and prosperd; none the less it is most sweet to see one's parents' face..."(p36 ln1-6). When his parents herd this they gave Oedipus to a man and he was to get rid of the baby by leaving it in the forest, but an servant of Polybus, the king of Corinth, finds the baby and brings him to the king. The king falls in love with the baby and takes him in as one of his own.
Sophocles. “Oedipus the King.” The Bedford Introduction to Literature. Ed. Michael Meyer. 6th ed. Boston: Bedford/St. Martin’s, 2002. 1289-1331.
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Sophocles. Oedipus Tyrannus. Norton Critical ed. Trans. Luci Berkowitz and Theodore F. Brunner. New York: Norton, 1970.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
In fact, Oedipus is doomed to kill his father, marry his mother and finally to be blind. It was his destiny or fate; he has nothing to do with this end or to prevent it. It was his fate which was manipulating him; drive him from Cornith to kill his father and then to Thebes to marry his mother. His destiny made him "his wife's son, his mother husband." By the hands of fate, he turned to be the most hated man in Thebes and "the man whose life is hell for others and for himself."