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Embalming history theory and practice chapter 1
Embalming history theory and practice chapter 1
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Jessica Mitford uses several different quotes to bring written explanations to how the process of embalming works and to also support her view that embalming is a horrible process. After reading these quotes, an uneasy and negative feeling towards the practice and the people who perform and support it. The reason being is that Mitford uses quotes that use a passive tone towards the subject being talked about. She also uses quotes that make it personal to the reader. By quoting these specific words and phrases, Mitford portrays embalming and those who perform it as insensitive to the postmortem ceremony.
Although unmentioned, Mitford leaves underlying hints to her opposition to embalming. One of the ways she does this is by quoting certain
pieces of text that explain the object of the part or paragraph, but have a tone of indifference to the underhand subject. Such as in the section where Mitford is explaining people's fear of live burial. She gives an example from a text that states: “One of the effects of embalming by chemical injection, however, has been to dispel fears of live burial.” Mitford follows this with a sarcastic joke, making the quote stand out as uncaring to people’s concern. She uses then follows this up by providing a quote that says, "every operator has a favorite injection point to," it leads on to say that the favorite site can be a "handicap" when the operator refuses to choose another spot. Mitford uses both of these examples to prove to her readers that there is not a care for those who perform the embalming to the extent that they might not risk their favorite injection spot even when the situation calls for it. Although there is no extra context to prove that this happens often, Mitford uses carefully selected pieces of text to persuade the reader that what she writes is a common happening. She manipulates what is there to her own use, which in turn grabs the reader's attention and pulls them to see her point of view. Another example from Behind the Formaldehyde Curtain, is when Mitford used a piece from an English woman who talked about her experience of an American funeral. The woman explains the horror of seeing her past friend lying open in a casket all dolled up. Unlike other examples, Mitford uses something that was written by someone who should not be related to the topic, yet is. This makes Mitford’s argument stronger and more appealing to those who read it because the example that she used is from a person who is like them; not involved with embalming, but affected by the process anyway. Instead of only providing examples from seemingly heartless individuals who perform and support embalming, she strengthens her argument by also including an example of someone who is new to the unusual process and their reactions to what is considered horrid and dishonorable. Mitford successfully provides opposing views from hers and makes them seem wrong heartless, making a reader feel as if they received all the information that they need from the topic. Jessica Mitford uses several different quotes to bring written explanations to how the process of embalming works and to also support her view that embalming is a horrible process. Effectively, she manipulates and picks quotes that will illustrate her view on the subject as the better one. She provides examples that cause a feeling of uneasiness towards the subject of embalming and the ultimate outcome is disgust.
Introduction: Mary Roach introduces herself ass a person who has her own perspective of death about cadavers. She explains the benefits of cadavers and why they could be used for scientific improvements. She acknowledges the negative perspectives of this ideology.
After reading the novel As I Lay Dying, I was able to gather some first impressions about Jewel Bundren. One of these impressions is that Jewel Bundren is aware that Anse Bundren is not his father,. One reason why this is evident is because when Jewel half brother, Darl, is questioning him about who his father is, Jewel doesn’t answer, meaning he might know that he isn’t related to Anse. Another reason this is evident is due to the way Jewel acts when he is talking to Anse, as he is continuously disrespectful to him. Even though it’s shown Jewel is aware that Anse is not his father, there is no indication in the novel that he is aware that Whitfield is really his father. Another first impression I was able to gather about Jewel
There is no doubt that Miss. Strangeworth is not an easy person to deal with, let alone live with, and although her character is fictional, there are many people with the same personality. We can tell quite easily that she is a very meticulous woman, with a lot of perfectionist tendencies, a few of which are to nitpick people’s lives and make sure that even the most minute detail is up to her standards. I know of someone with these attributes and as difficult as they are to deal with, with their list of requirements to be met and their eagle-eye for detail in even the smallest things, they mean the best, and are always trying to help, despite the possible repercussions.
Evan King Mrs. Madis English 12-2 14 January 2015 Making Something Out Of Nothing Making the most out of life is hard, especially life as a poor child in Ireland would have kept most people from reaching their goals in life but not for Frank McCourt, did not play into the stereotypes of many poor Irish people of that time. In the Memoir Angela’s Ashes written by Frank McCourt Frank has to persevere through much adversity in his not so desirable life as a poor Irish boy with a drunk for a father who could not provide for Frank and his family. Frank must get a job at a young age in order to bring in the money that his father Malachy drinks away, when he finally has money and moves to America, and when he eventually becomes a teacher even with all of his bad experiences as a child in school.
She opens up her essay by saying “How surprised [Yorick] would be to see how his counterpart of today is whisked off to a funeral parlor and is in short order sprayed, sliced, pierced, pickled, trussed, trimmed, creamed, waxed, painted, rouged, and neatly dressed transformed from a common corpse into a Beautiful Memory Picture.”(Mitford) Funerals are meant to protect people from seeing what kind of toll death has on their loved one; to remove the scars of being human. Kubler-Ross touches on this when she says “The more we are making advancements in science, the more we seem to fear and deny the reality of death. How is this possible? We use euphemisms, we make the dead look as if they were asleep” (Kubler-Ross) which connects to her opinion that death is feared and people take responsibility when a loved one dies, even if they had no impact on their death. The eradication of the sense of death is the key reason why the deceased are embalmed. Clifton Bryant discusses that the reason why people want to have their dead embalmed is because of “death anxiety”, that it is the collective phrase for all the different and complex fears of death. He later states that death anxiety is why we tend to have “death denial” and why we tend to avoid it wholly. “Likewise, the use of metaphors or euphemisms that serve to soften the harshness of death (e.g., passed away, deceased, expired) clearly represents a culturally approved attempt to deny or camouflage death's impact on our daily lives.”(Bryant) This reflects well on the point Mitford makes, when she says “[The funeral director] put on a well-oiled performance in which the concept of death played no part whatsoever” (Mitford) Kubler-Ross feels that death being ever increasingly more taboo the more
Each person has their own reason why the work in the funeral industry. Some people find it a “calling”. Others see it as a job only they can do. I do it because I enjoy helping people during a dark time and I don’t feel squeamish or sick when I handle remains. This is an occupation that is needed. People do not like to be reminded of their mortality, and when they experience death, it is shocking. We are here so that we can help them move past that shock and understand and accept their loss. We’re here to care for the deceased with the respect and dignity that everyone deserves in death.
"Let the dead bury the dead." This quote from the Classic American novel, To Kill a Mockingbird, sums up what we will be talking about today. My understanding of this quote is that what's done is done, one man is dead for no good reason, but the one who killed him is with him in death. No harm, no foul. But is this really right? The first thing we need to look at is the actual problem, then the question posed. So without further ado, I present my essay:
The funeral was supposed to be a family affair. She had not wanted to invite so many people, most of them strangers to her, to be there at the moment she said goodbye. Yet, she was not the only person who had a right to his last moments above the earth, it seemed. Everyone, from the family who knew nothing of the anguish he had suffered in his last years, to the colleagues who saw him every day but hadn’t actually seen him, to the long-lost friends and passing acquaintances who were surprised to find that he was married, let alone dead, wanted to have a last chance to gaze upon him in his open coffin and say goodbye.
begins to wonder exactly what happens when one is cremated. This mood of awe is
"Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions." Encyclopedia of Death and Dying. Web. 31 Jan. 2011. .
Imagine yourself as a mortician, certified as an embalmer, retort operator, funeral director, and a funeral cosmetologist. You get a call late at night, there’s been a terrible accident and someone has died. You arrive at the hospital and are directed to a small room where the body of the deceased is being held. There’s blood all over the sheets as the doctor and coronary assistant zip up the body bag and inform you the body was badly mangled in a car accident, which is going to make reconstructing the deceased very difficult. Your assistant puts the body on the stretcher and loads it into the hearse while you talk to the wife of the deceased man. She tells you they plan to have a funeral so you give her your card and a reassuring word before leaving the hospital and driving back to the funeral home. Now your job begins, not only will you have to reconstruct this man’s disfigured body, but you must meet with the family, discuss funeral arrangements, and deal with the family’s emotional trauma that comes with losing a loved one. Although working in the funeral business can be emotionally draining, it’s a satisfying feeling to see mourning families able to say goodbye to their loved ones. Despite the fact that working so closely with the deceased can be chilling, Mortuary science can be a thrilling field to work in.
Therefore, it is by creating a balanced, truthful communication, supportive and caring environment through the fading of a human life that death becomes meaningful. Every death is memorable, whether it happened in a hospital, or at a home, or in the street of a suburban neighborhood, on a royal bed, on an airplane, having dinner, during patrolling, at a war zone, or perhaps at the moment of birth. Dying with dignity was and will be the right to being born in this
... the reader interprets the final resting place as a pleasurable one. Or in Mann’s novella, the possibility that Einfried did save Gabriele since her death was never explicitly stated. Many writers shape characters through physical descriptions and narration or through the characters own actions, but Mann and Aichinger decide to shape the readers mood through the use of overpowering imagery that spews over to the characters themselves. The two stories together can demonstrate that an author’s use imagery has absolute rein over the outcome of a story, as well as the reader himself, for it can make a dying woman, Gabriele, look so graceful and full of life, and another women moving towards birth, a universally celebrated event, so dismal and horrendous. Ultimately, death can be accentuated or marginalized solely based on the author’s presentation of aesthetic imagery.
The naivete of a child is often the most easily subjected to influence, and Pearl of the Scarlet Letter is no exception. Throughout the writing by Nathaniel Hawthorne, she observes as Dimmesdale and the rest of the Puritan society interact with the scarlet letter that Hester, her mother, wears. Hawthorne tries to use Pearl’s youth to teach the reader that sometimes it’s the most harmless characters that are the most impactful overall. In the novel, The Scarlet Letter, Pearl has learned the greatest lesson from the scarlet letter through her innocence as a youth and her realization of the identity of both herself and her mother.
Therefore, it is by creating a balanced, truthful communication, supportive and caring environment through the fading of a human life that death becomes meaningful. Every death is memorable, whether it happened in a hospital, or at a home, or in the street of a suburban neighborhood, on a royal bed, on an airplane, having dinner, during patrolling, at a war zone, or perhaps at the moment of birth. Dying with dignity was and will be the right to being born into this