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How Jerry Uelsmann innovated photography
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Jerry Uelsmann has impacted society culturally and ethnically with his surreal engineering photography. His personal beliefs and surrealistic perspective defined his photography. He bases his creative process and how he engineers his photographs around his philosophy and morals. He used many techniques that challenged his will to work so extensively because of the complexity of his photographs, and paved the way for surrealistic photography in the present. Jerry Uelsmann’s photography surpasses the state of reality so much it looks perfectly photo shopped, but his photography took place decades before Photoshop. He is a photographer who pioneered the art of multi layered imagery years ahead of anyone else. He uses only his own negatives from the pictures that he shoots, and he says that he does this often without a specific composition in mind. Uelsmann was born in Detroit, Michigan on June 11th 1934. Jerry is best known for his in black and white images that he layered skillfully without the use of Photoshop. His photographs combine several negatives to create his landscapes that mix images of trees, rocks, water and human figures in new and sometimes unexpected ways. He has impacted society culturally and ethnically with his surreal engineering in photography. Through Jerry Uelsmann's inspiration and creative process he assembles elements of pictures together, rather than just taking a normal photograph to make a profound and thought provoking photography. His personal beliefs and surrealistic perspective defined his photography. He always based his creative process and how he engineers his photographs around his philosophy and morals. Jerry Uelsmann paved the way for surrealistic photography in the present, impacting society ...
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... without him, the world would not be as it is today. Jerry Uelsmann always incorporated his inner self and beliefs into his photography instead of the outside. He was able to find the will to so exstensively work for one photograph through his surrealistic philosophy and beliefs in art. He used many techniques and styles in hsi photography that was absolutely unfathomable in his time because Photoshop did not exist. I personally believe that Jerry Uelsmann was perhaps one of the most important artists in photography. Without him, this sense of inner self and creativity he subscribed himself to would not have engulfed the photography world. He focused on dreamlike story bound photos that connected deeply inside a person instead of a connection on the outside. He defined the idea that the mind and dreams can be more real a reality than the one that is presented to us.
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
Born in 1934, Jerry Uelsmann grew up an inner city kid of Detroit. In high school, Uelsmann worked as an assistant for a photography studio; he eventually photographed weddings. Uelsmann went to Rochester Institute of Technology (RIT) where he met Minor White, who “introduced [him] to the concept that photography could be used for self-expression” (Berman). While at RIT, he studied with Bruce Davidson, Peter Turner and Car Chiaraenza, with whom he held frequent discussions on how photography could be different. After RIT, Uelsmann went to Indiana University where he changed his degree to a Master of Fine Arts degree. He graduated with an M.S. and an M.F.A at Indiana University in 1960, where he studied with Henry Holmes Smith, who had worked with Laszlo Moholy-Nagy. After graduation, he moved to Gainesville, Florida and began teaching photography (Taylor). Currently, Uelsmann is retired in Florida with his wife Maggie Taylor. He still creates photomontages and has exhibits all over the world. Uelsmann and his wife vacation in Yellowstone National Park every year, where he photographs the area and creates beautiful surreal photomontages (Congdon, 316-317).
Florian Maier-Aichen is a landscape photographer and drawer.With the computer he is able to alter photographs and make them a piece of artwork that not only pleases his thoughts, but also makes a statement.Since he takes real life images of a landscape and then constructs them in different modes that satisfy him , those images aren’t reality anymore.In Blum & Poe you can observe the strange colors he added to enrich myth-making.He fantasizes landscapes, making them open ended
There is one sensational man who managed to create some of the most intelligent photographs known to the world using only shades of white and black. Ansel Easton Adams was an all American landscape photographer and conservationist. When he made his pictures, he didn’t let others opinions in; he simply took the shots he wanted, and captured them the way that he would like to see them if they were not his own. Throughout Adams’ life, he didn’t only construct work that taught others, but also inspired many along the way.
Photography is a part of almost everyone's everyday life whether it is through a smartphone, laptop, or professional camera. Before the late 1800s, though, even a simple picture was not possible. Although many people worked hard and put their ideas and inventions of new cameras in the world, Louis Daguerre is among one of the most important. Michael Hart, in his book, The 100: A Ranking of the Most Influential Persons in History, ranks Daguerre as the 47th most influential person in the world. This ranking is appropriate because of the many ways his invention influenced today's world. His technique was practical and widely used in the 1800s. Although his methods are different
Hiroshi Sugimoto is a Japanese photographer born in Tokyo in 1948. Upon graduating from Saint Paul’s University in Tokyo with a degree in Sociology and Politics and moved to Los Angeles in 1970 and attended the Art Centre College of Design. He moved to New York in 1974 after receiving his Bachelors degree and now lives in Tokyo and in New York. He divides his work into photographic series, each representing a certain theme. He is most famous for his seascapes, movie theaters, natural history dioramas and portraits, and waxworks series. He explores the idea of photography and time, and uses photography as a way to record science and history alongside the idea of indescribable human nature. His aim when creating portraits is to make them as lifelike as possible so the viewer reconsiders what it is to be alive.
...bove and amazed many people with his talents. He had a creative passion for his works that is indescribable.
While he was working as a minister in a very poor mining district, he discovered his passion for art. Whenever he found himself feeling disheartened, he would find hope in drawing and painting the miners (Mühlberger ...
John Mahtesian's photography offers a visual poetry of the human condition. It is a direct expression of his warmth, depth of spirit, and humanity. A true gentleman, extremely humble and unfailingly polite, he achieves an invisibility that is the success of his art. His patience and commitment to his vision allow him to capture moments others could not. If his subjects are aware of his presence, his gentle nature so enchants them that they are unguarded and their essence is revealed. So compelling are his images that we are truly convinced his insights are our own. They make us rejoice in the world around us, and in the nature of human existence.
For some, a picture is just a beautiful work of art, but for Lewis Hine photography was a way to communicate a message to the world. When Hine was taught the photographic process, it was still being established. This being said, photojournalism was also just evolving as a method to visually communicate information. In an effort to better his photography skills, Hine began to photograph the immigrants of Ellis Island. He was very adamant about social reform and reflected this in his work. Lewis Hine’s captivating photos inspired social change in America for the less fortunate.
Unger’s lecture explained how each photo represents stories of experiences, experiences shown clearly through Pomerantz’s camera lens.
The world has many photographers that anyone can look at. You can call me an amateur or say I don’t really understand the art but when I look at most of the pictures available, and I have looked at thousands lately, I don’t see anything different in the style of photography. I just see pictures. I see pictures of beautiful subjects and pictures of ugly subjects. I never really thought about the difference being the photographer instead of the subject, until I saw Elliott Erwitt.
Masters. With his small hand camera he unobtrusively photographed people’s lives around the world. He was solely responsible for bridging the gap between photojournalism and art. He has published more than a dozen books of his work. The greatest museums in the world have shown his work.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.