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Jeffrey Eugenides Middlesex analysis
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Middlesex, the enticing and controversial epic of a young hermaphrodite’s journey toward self-discovery by Pulitzer Prize winning author Jeffrey Eugenides, adopts Grand Trunk Station in Detroit as the metaphorical center of the Stephanides families evolution and demonstrates how modernization and conformity can transform, be it for better or for worse.
Grand Trunk Station serves as the vital first impression made upon Desdemona and Lefty Stephanides of Detroit and signifies how culture and history can be passed down to form something or someone’s identity. During the early twentieth century, Grand Trunk Station was situated in the heart of Detroit, a booming city of manufacture and societal advancements. Following a gruelling journey, Desdemona and Lefty arrive off their train in the Grand Trunk Station, instantaneously enamoured by its beauty. Lefty, “who’d been observing all the ways Greece had been handed down to America, arrived now at where the transmission stopped. In
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other words: the future” (Eugenides 83). Lefty marvels at the statues and pillars in the station that remind him of his home in Greece and notes how parts of his culture had been passed onto America. At the same time, he acknowledges that this is his future. Lefty’s future is this new, vastly different, Americanized version of his life in Greek. When the Stephanides arrive to America, Desdemona’s braids are chopped off and Lefty assures her “you look fine… you look like an Amerikanidha” (Eugenides 82). Similarly to how Grand Trunk Station featured parts of Greek culture, the Stephanides begin to conform to American culture as their new home shapes their identities. Calliope Stephanides experiences a large amount of pressure to shape her identity to be like other girls when she is growing up, and this sense of desire to conform is present in the backdrop of Grand Trunk Station. Calliope feels the need to look like other girls to increase her femininity, so she starts waxing the mustache that appears during puberty, “adding depolation to an ever-growing list of upkeep requirements” (Eugenides 311). Due to her abnormally high levels of testosterone, Callie is incredibly conscious of her masculine appearance and yearns to be like other girls. As a result, she spends a large sum of her time manipulating and experimenting with her body in an attempt to change her appearance. When Grand Trunk Station is introduced by the narrator, it is noted that the station was built as “the city’s attempt to one-up New York” (Eugenides 83). During the time period, New York served as the epitome of American industrialization and advancement. Envious, the city leaders of Detroit built Grand Trunk Station to set themselves as a contender in the race that was the Progressive Era. Conformity and the desire to be equal to those around you is a major contributing factor to how Callie shapes her identity, and this theme is subtly placed in the backdrop of Grand Trunk Station. Time plays a very large factor in forming one’s identity, as evident in Cal’s development and the disintegration of the once great Grand Trunk Station.
When Cal’s grandparents arrive in Detroit, the station is a brilliant symbol of advancement and modernization. Later in 1975, the station was hardly in use, “the once-opulent terminal was now only a shell” (Eugenides 502). Over time, Grand Trunk Station lost relevance in society, and its identity was no longer a symbol of pride and development. During conversation with Desdemona at the end of the novel, Cal realizes how time has played such an influential part of the formation of his identity. Desdemona questions what had happened to Calliope, whom she remembers being a girl, and Cal simply responds “I grew up” (Eugenides 526). There are many factors into how one builds their own persona, including history and conformity. However, as Cal realizes at the end of the novel, time and simply growing up is what makes someone who they
are. Adolescence is a difficult and unfortunate time period when it feels impossible for one to find their true identity; but as made evident in Middlesex through the setting of Grand Trunk Station and the character development of the Stephanides family, one can only fulfil self-discovery in time.
Dan Georgakas in his book “Detroit: I Do Mind Dying” he analyzes the activists and formation of the black workers. The first project that he investigates was “The Inner City Voice” (pag16), a revolutionary newspaper that help to denunciate and expose the injustices of the black communities. Georgakas states that this newspaper “reflected a belief that the paper’s hard-hitting and revolutionary viewpoint was an accurate expression of the dominant mood of Detroit’s black population” (pag16). Moreover, this newspaper helps to put in knowledge the lower class “they tried to build their paper into a vehicle for political organization, education and change(pag16) in order to inform “what was already in the streets(pag16). In other word they try to educate the mass in political education and advocate for them in their struggle and inequality in the
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In order to fully examine the narrator’s transformation journey, there are many factors that have to be looked at in the themes that are discussed in the book. They include the Grandfather’s message in chapter one, Tod Clifton’s death, when the narrator is kicked out of college and the events in the factory and the factory hospital are some of the examples (Ellison 11). All these events contributed enormously towards the narrator finding his true identity.
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Through its mockery of the Grosse Pointe community’s response to the suicides, The Virgin Suicides by Jeffrey Eugenides exposes civilization’s destructive and futile systematic denial. The transformation of the Lisbon house subsequent to the final suicides illustrates civilization’s discomfort with facing reality. Before the Lisbons could move out, they commissioned Mr. Hedlie to clean their home. Afterwards, the new homeowners made more of an effort to decontaminate the house. “A team of men in white overalls and caps sandblasted the house, then over the next two weeks sprayed it with a thick white paste…When they finished, the Lisbon house was transformed into a giant wedding cake dripping frosting, but it took less than a year for chunks
Vol. 136. The. Detroit: Gale Books, 2008. Literature Resource Center -.
The Great Gilly Hopkins is classified as contemporary realistic fiction. I grew up in a stable family where I had a mom, dad, and siblings. This book opened my eyes to the world where there
Jeffrey Eugenides’ Middlesex dives into the history and development of a person born in the United States as neither a girl nor a boy. The story is told from the perspective of this person who, at certain times in their life, goes by the name of Cal Stephanides and at others, goes by the name of Caliope Stephanides. The novel involves an underlying tendency of the family of the main character to seek out the stereotypical American Dream; life, liberty, and the pursuit of happiness. As the family struggles to find this dream, Cal struggles to find himself. Cal goes through a timeline of his life, not in chronological order, but in circular motion, explaining the reasons for his deformation, the history behind it, and all of his family who were
Eugenides writes a powerful novel pertaining to many aspects of being a teenager, and his purpose for writing the novel is exemplified in the way he writes about life, sex, love, and death surrounding the Lisbon girls. Throughout the novel, Eugenides makes a commentary on the different attitudes towards the suicides, and how none of them are really correct in terms of the girls. For the families of the town, “the Lisbon girls became a symbol of what was wrong in the country,” and they did not know how to deal with the suicides other than “[donating] a bench in their memory (226).” Eugenides makes it clear that while everyone had their own ways of trying to understand and deal with their suicides, they never truly understood the motives of the girls. While no one understood their suicide, the boys never really understood the Lisbon girls as a whole, despite being so obsessed with them.